Superman Returns
- 2006
- Tous publics
- 2h 34m
Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself importa... Read allSuperman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.Superman returns to Earth after spending five years in space examining his homeworld Krypton. But he finds things have changed while he was gone, and he must once again prove himself important to the world.
- Nominated for 1 Oscar
- 12 wins & 47 nominations total
- Jor-El
- (archive footage)
- Ben Hubbard
- (scenes deleted)
Summary
Featured reviews
A lot of people complain about the lack of action, however, I'll take great drama and characterization over action sequences anyway. True, there are about 3-4 action sequences throughout the film, but they are what I consider A+ sequences. The Air Plane rescue, the Bank robbery, and Saving Metropolis from Lex's earth quake, were well crafted for the time this film came out. This film showed Superman accomplish more than the Christopher Reeve era could have hoped for. Note: I love that era as well.
Furthermore, I believe the film has great cinematography by Thomas Newton Senegal and a majestic musical score by X-Men and Fantastic Four composer John Ottman. Bryan Singer's direction is great. Respectful and epic at the same time.
For all the heart and awesome technical aspects of Superman Returns, it does have flaws. My issues with the film are that the film never quite feels right at home till the Air Force One sequence begins. Maybe beginning with Lex Luthor and not Kal-el was not the best choice. Also, there film's third act with Superman lifting an island into outer space feels odd for a third act conclusion. However, these are minor quibbles.
Overall, Superman Returns is a delightful film. The cast shines, being a spiritual sequel to Superman I & II gives the film a nostalgic feel. In fact, I feel this film has a lot in common with look and tone to the two J.J. Abrams Start Trek movies. Loving reverence towards the past for sure is the big similarity. I've always thought Superman Returns was a film that attempted to be the Dances with Wolves (1990) of Superhero films. Big, bold, and emotionally charged with real human emotions. Superman Returns is an unappreciated film that both plays it safe and takes risks. Much like Superman, the film sores and deserves its place among the clouds.
The film's story erases the third and fourth film from continuity, being set five years after Superman II. As most of the cast from the original two films are either old or passed away, most of the roles have been recast. Clark Kent/Superman is now played by Brandon Routh, who replaces the late Christopher Reeves (whom passed away before this film) and Kevin Spacey takes over the role of Lex Luthor from Gene Hackman. Kate Bosworth replaces Margot Kidder as Lois Lane. The film also utilizes archived footage of Marlon Brando as Kal-El (as the actor died two years before the film's release).
The film I actually enjoyed. Special effects have evolved in the 19 years between this and Superman IV, leading to the movie having some believable scenes (like Superman saving a Boeing 777 that had a space shuttle piggybacking, and a scene where a bullet is crushed making impact with one of his eyes, demonstrating his invulnerability). The script also has some nods to stuff said and done in the first two films (as a homage), and while the film is more serious, it does have its fair share of ridiculous scenes (Lex Luthor is as wacky as ever, especially with the scene where he says wrong, which became a meme, and another has Jason, Lois' son, playing the piano with one of Lex's henchmen). Despite it doing well with critics and making almost $400 million, it did not do good enough for Warner Bros., who cancelled a sequel in favor of a reboot, resulting in Man of Steel. This is an underrated superhero film that is a good homage.
So, here we have Superman in the first new film in almost 20 years. He has his issues, but unlike all the other Super heroes around, he seems to be very solemn about it all. After all, he is Superman, not Clark Kent; Clark Kent is his mask. Obviously a huge nitpick people will have is that Clark comes back the very, very same day as Superman and not one single idiot in the city of Metropolis seems to notice, right? Well, yes, that bugged me too, at first. But then, the more you think about it, that's just how Clark Kent is designed: completely forgettable (except by Jimmy), always in the background, and always overshadowed by the bigger story, which is Superman. David Carradine has a very great speech about Superman at the end of Kill Bill Volume 2 that justifies everything quite nicely to me, so I suggest seeing that if you haven't already. What this movie does a great job of doing is just showing this classic, iconic super hero doing what he does best: saving the day. There's something so refreshing about finally getting that clear view of Superman for the first time after he saves a planeload of passengers from certain doom, and saying with a smile: "Don't let this turn you off to flying, folks. Statistically it's still the safest mode of transportation."
But that brings us to the actual plot. It goes for simple, safe, repetitive tedious, even? And, honestly, it's the kind of plot that just doesn't justify the runtime. Lex Luthor comes up with a ridiculous plan that even in the world of comic books is pretty hard to swallow. He compares himself to Prometheus, how he is so generous with the "mortals" by sharing his wonderful discovery, though planning on killing billions in the process. Lex obviously forgot the last half of that story, where Prometheus is punished and confined to terrible pain for all of eternity. But maybe that's the point. I mean, we all know from the very beginning Lex won't win, he's doomed to lose, that's just how it's meant to be: Superman wins and Lex loses. Written in the scriptures: is, was, ever shall be, in comic strips, TV shows, feature films, living in an ageless universe, for all eternity.
Bryan Singer is obviously aware of this. Singer also directed X-Men 1&2, and I think his biggest problem as a director is that he lacks a sense of completion in his works. X-Men is not the kind of movie that you watch, and then once it's over, you want to watch it over again. It's the kind of movie that you watch, and then once it's over, you want to see the next one. The X-Men films were each done with the presumption that there would be a next instalment, and that's fine I guess if you like always being on the edge of your seat waiting for the next one, but when his Superman movie does the same thing and drags past the 2-and-a-half hour mark, there's a problem. If nothing else, the movie establishes that Superman is indeed back, and we should expect to see more of him in the future.
Superman Returns is definitely a grand film. It's big, it's loud, it's expensive. I usually don't think to myself, 'hey that looks expensive,' when watching a movie, but I did in this case. It doesn't try for anything new or bold, it doesn't want to, and it's nice to see a super hero movie where the hero is the generic do-gooder, and helps mankind because he really wants to. That's why I think Superman garners more universal appeal than any others. But, honestly, the angsty heroes can be much more interesting. Certainly so with last year's Batman Begins, which I thought was a great, perfect movie, while I though Superman Returns was really good, but probably could have been better.
My rating: 7.5/10
Did you know
- TriviaIn interviews, Kal Penn revealed he originally had a much greater role. It would have been revealed that his character was a disgraced former Daily Planet science reporter who was bribed by Lex Luthor to plant false evidence of Krypton's possible survival, thus inspiring Superman to leave Earth and explore Krypton's ruins.
- Goofs(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Quotes
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Crazy creditsThe opening credits are seen in a trip through space, from Krypton to Earth, in a manner reminiscent of the Superman (1978) opening credits sequence.
- Alternate versionsIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConnectionsEdited from Superman (1978)
- SoundtracksQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Superman regresa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $270,000,000 (estimated)
- Gross US & Canada
- $200,081,192
- Opening weekend US & Canada
- $52,535,096
- Jul 2, 2006
- Gross worldwide
- $391,081,192
- Runtime2 hours 34 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1