Pinjar: Beyond Boundaries...

I tend to find most Indian movies based on the 1946-1947 riots that took place in Punjab during the partition to be extremely melodramatic, one-sided, preachy, pretentious and sometimes even mocking. Barely any of these films presented an impartial look or even tell a convincing story. Not so old examples include successful films like 'Gadar, Ek Prem Katha', 'Refugee' and 'Border'.

Then comes Dr. Chandra Prakash Dwivedi's jaw-dropping 'Pinjar: Beyond Boundaries...' based on Amrita Pritam's astounding novel. Not only does this poignant film depict an unbiased view on the segregation and its devastating effects on thousands of lives but it haunts the viewer (in a good way) as one continues to think about it.

Dwivedi beautifully tells the stories surrounding the theme. His depiction of other themes such as the harsh reality of women from that time, of honour being the most valuable possession of a man for which he is willing to sacrifice his innocent daughter, of redemption, persistence, forgiveness and courage are excellently put together.

'Pinjar: Beyond Boundaries...' is an exceptionally well made film. It looks pleasingly colourful without appearing glossy or artificial. Muneesh Sappel's art direction dazzles. The sets and costumes look authentic and the landscapes are stunning. Santosh Thundiiayil's cinematography and Ballu Saluja's editing are brilliant.

Uttam Singh's score is one of a kind. I love all of the songs. Not only are they beauteously visualized and choreographed but they never look out of place as they contribute to the story. Moreover Gulzar's poetry is magic as they bring a lyrical quality.

Each and every actor delivers one of their career best performances. Sanjay Suri, Priyanshu Chatterjee, Kulbushan Kharbanda, Seema Biswas, Lilette Dubey, Sandali Sinha, Farida Jalal, Pratima Kazmi and Alok Nath are remarkable. Dina Pathak and Isha Koppikar are highly effective in small roles. If I had to pick the best performances then easily two names pop in mind. Manoj Bajpai and Urmila Matondkar. While Bajpai is phenomenal in a complex role, Matondkar performs all guns blazing leading to a transcendent performance and one of the best female lead performances I have had the pleasure to witness in Indian cinema.

'Pinjar: Beyond Boundaries...' is a personal favourite. I don't think there are enough words for me to describe this movie treasure. I have already seen it multiple times and it keeps getting better with each viewing.

Pinjar is one of the few movies that really leaves a mark and makes you think hard. Set in Partition India, this film Shows the true reality of partition India. Urmila gets full marks for her beautiful and deeply emotional portrayal of a suffering woman with no way to go. Her freedom, personal identity and family respect taken away overnight over a tragic land dispute. Manoj bajpai is simply brilliant as her remorseful abductor. There several moments in the film where one is brought to tears. The film at points is deeply traumatic. Some of the partition scenes are spine chilling, yet Urmila's endurance and survival are both remarkable. From a woman robbed of her freedom to woman who gave freedom to women in similar situations. A remarkable film that should be given credit for intelligent characters and storytelling.

wow wow wow wow wow

This unquestionable loss of words is what I felt like when I saw Pinjar. Going in not expecting anything from the movie was a good way to stay objective, but having watched it, it really makes you think of all the suffering and torment that went on during partition. Being born and brought up in the west, one tends to forget the pain and the struggle that our forefathers and mothers must have gone through. I would have to quote this as one of the most serious art movie that bollywood has made in some time. Although in my view an art movie, it managed to churn out wonderful cinematography, narration, characters and pace. Before this movie I was very dismissive of Urmila and this had made me change my view on her acting capabilities.

A definite movie to watch on a Sunday afternoon with a nice cup of chai.

Many of the reviewers have made it a point to note that Pinjar is unlike the run of the mill films produced in Bollywood. While this is true, Bollywood films in general are geared to a specific audience and should be appreciated for accomplishing their aims in this regard.

However,Pinjar is an excellent film for those seeking a change from the normal equation based Bollywood film. Set during the time of Partition between India and Pakistan, Pinjar focuses on a Punjabi girl who becomes the victim of societal and cultural attitudes toward the treatment of women in her time. Paro, the protagonist, is forced to choose between a life with a man who has abducted her and the fleeting hope of a life with her family back in Indian ruled Punjab. More than an issue of Hindus and Muslims, Pinjar addresses and defines a woman's role as a daughter, as a wife, and as a mother in India and Pakistan in 1947. Unlike typical Bollywood films which are escapist in nature, Pinjar is a film that makes its audience contemplate these issues during and after the film.

A very good adaptation of the novel by amrita pritam. Urmila and manoj bajpai have given their best.

there is a natural flair in the movie and i felt it right through. It looked like bollywood finally gave away it's glamor and had some quality artists performing on screen.

Content wise, the movie depicted very much what exactly happened during partition by showing the sufferings of a particular family and also shows that trust in one's life goes beyond religion.

The best part was they did not make it a drama with a lot of tear shedding and melodrama.

I simply loved it.