Svjedoci

Film Svjedoci (Witnesses) by Vinko Brešan is from Croatia. Brešan has won countless prizes and awards in his own country, and with Svjedoci he has been nominated for the Oscar for best foreign film. Already during production, the movie triggered a fierce debate in Croatia: set against the war in Yugoslavia, this young director portrays the fatal psychological impacts of war and violence in three parallel tales. The film is based on motifs from the bestseller The Plaster Sheep by Jurica Pavicic; which was inspired by a true story from 1991 when a group of Croatian soldiers brutally killed a Serbian family. Witnesses consists of three stories, each beginning at the same moment –the moment of murder investigation, and each story gives a new point of view of what actually happened.The film focuses on the idea of losing your soul in a war. Even during production, some of the more conservative town—councilors and some war veterans' organizations protested because of the topic of this film. The film has also been publicly cried out against, because one of the main characters is played by a popular Serbian actress Mirjana Karanovic. Recommendations to observe: First scene (lasting, photography, and exterior). All blow-ups and actors face expressions. Bad point: "Happy" and heroic end of the movie

Tough to digest movie. But it recalls very vividly the heaviness of war. It shows the gallery of characters who typically benefit from the war and also the ones who get lost in it. My favourite character is bartender Ljubo (Predrag Vusovic), disillusioned, "leave me alone" kind of person, who is very well embedded in the war economy. Kind of a survivor who hates the way his life still goes on. Some of the war scenes may seem shocking to the viewers who were lucky enough not to witness the war in their countries. But for the rest of us, they are very familiar. As for the technical part, the movie is somehow confusing with its back and forth story-line, and some of the acting is not always convincing, but all considered, it's still a great movie for vaccinating someone against military fever.

I find it hard to believe that someone might give this amazing film less than an 8. If they do, it is undoubtedly either because they do not understand it, or for nationalistic reasons. Those who ascribe to a simplistic, black-and-white view of the war in Croatia will be disappointed with the grey in which Svedoci operates.

What Bresan achieves is a stunningly human portrait of the nuance between good and evil which predominates in times of war. From virtually every standpoint--artistic, technical, acting, musical--this film is astonishingly good. Though it is about the war in Croatia during the 1990s, the film's themes are relevant to virtually every civil conflict.

I highly recommend it to any serious cinemaphile.

Civil War makes criminals out of neighbors and murderers out of soldiers. These are well known truths: painfully familiar lessons from the recent Balkan civil wars and now horribly visible in the Iraqi slaughter of Sunni and Shia. But there are always a few rare souls who will seek the same justice for all, whatever their own tragic hardships, whatever the added burden such moral commitment may bring. This remarkable war movie about the recent Serbo- Croatian War explores two such persons, living in a world of utter moral chaos. What is so special about them? Can we fathom their motivations?

When so many act out of greed, vengeance, ethnic hatred, it is hard to explain why a few refuse to do so. If we are all witnesses to atrocities in such situations, we are also all implicated in them. But how can persons who are caught up in the unmitigated horrors of a brutal, bloody civil war find the moral resources to resist such degradation, whatever the consequences to themselves?

Well done film about the Third Balkan War in the 1990s, in this case, Croats vs. Serbs. The film takes a single incident--the killing of a Serb civilian who lives in a predominantly Croat town during the war--by Croat soldiers. This starts the plot rolling. Soon layer after layer of the true story is revealed as the movie shifts backs to certain scenes and repeats them from a slightly different angle and perspective. In this particular film, the technique is used very effectively without being annoying or pretentious.

I agree with many of the other reviewers--an underrated film that should be watched. I give it 8 stars.

Note: as of Sep 2013, this film is available on Netflix Instant View as well as DVD. Glad I found it.