Mangal Pandey: The Rising

What is the definition of a good movie? Has there been any movie ever made that satisfies everyone's definition of a good movie? Perhaps not.

My definition of a good movie is something that commands my attention from start to end and that helps me exercise my intellect. A good movie makes me feel good when I talk about it.

A good movie can belong to any genre and can definitely have its own style (sometimes completely original). The Rising did not have a focus on the character development of all of its lead roles, like a typical movie, but that seems to be intentional. It was a little frustrating to see some movie experts dwelling on that issue.

The rising is about the character transformation of an idealistic but confused man called Mangal Pandey. It shows how he realized the true meaning of freedom and how it was passed on to an oppressed nation. The minute details of his personal life did not need any depiction in the movie. That could stir up even more controversy especially for some people in our subcontinent who need so little to feel offended and create chaos. The movie also shows the genuine remorse of a great soul like Captain Gordon who constantly tried to bring balance between rule and fairness. Hundred years old history became alive in the remarkable performances of the crew and the cast in this movie.

The movie is a masterpiece in almost all aspects. I sincerely have not seen many Indian movies of this standard. The only criticism I would have is the placement of the holy festival which could have been discarded in favor of showing more development of mutiny preparation, politics of the Indian kings and above all some more drama. The last 15-20 minutes seemed to have hasted a bit. The dance sequence of the two gypsy girls also felt a bit out of place.

Overall, I must say that I felt deeply satisfied after watching this movie.

I liked the whole atmosphere of the movie and the professional outlook. There should be more movies like this rather than the same soapy mushy mushy romantic movies.

The story built up nicely, from the point where Mangal (Aamir Khan) was just a normal soldier to the point of him fighting for freedom and leading from the front. The Foreign cast in the movie such as Toby also did a great cast in making the movie professional rather than a joke.

Heera(Rani Mukherjee) and Amisha did a good job although their roles were small. But it was needed since the emphasis was not them but Mangal.

All in all, a worthwhile movie. Although many dispute its originality and historical facts, with the amount of historical facts available, the movie was well directed and shot. Inspiring and the ending made my heart heavier .

I saw it. I was lucky enough to find the ticket. As for the movie goes...if you are expecting a Lagaan (I mean the flair) its not there BUT B U T BUT its a really well made movie. Cinematography is excellent, it meets the Hong Kong Film industry standard in every sense(Hong Kong has become better than Hollywood in cinematography lately). Music is not bad at all Mangal Mangal song is really good and there is one Banjara(Gypsi) song which is really FRESH. Choreography is as always good ....the best in the world. One thing that surprised me was the improved special effects. A technically well made movie in every sense..no issues on that.

Acting...you get what you expect of him... you know who I mean. Toby was really good but if compared quarter as good as him. Rani..not much scope...but she ended up creating an impact...every other character was good..the women in the role of KAMLA i think her name is MONA did a really good job (she was really good in that two bit role..thats what i call to make an IMPACT).

How I personally judge a movie is by its impact over me when i leave the hall. And there was an IMPACT. As per my movie experience goes this is a kind of movies that will grow on any one after every subsequent viewing.

Ketan Mehta perhaps wanted to make a lavish 'Braveheart' with 'The Rising: Ballad of Mangal Pandey'. Well, the end result is far from it. The depiction of the rebellion and the pursuit for revolution was very bleak. I can understand that Mehta wanted to make a lavish epic-type movie about an Indian hero but there is just too much exaggeration for the story to resonate. So much is spoon-fed to the viewer while it fails at telling a proper story. There are so many sequences that are unintentionally funny. Forget historical accuracy, even the characters (with the exception of a few) felt one-dimensional. Even the title character was poorly developed.

The mutiny preparation was rushed. While each and every one of the songs are beautiful, the holy song could have been left out as it doesn't add to the story and only slackens the pace. Even the romance between Jwala and William looked forced (this track shouldn't have been included at all).

Mehta does introduce some interesting issues that have not been depicted on screen earlier. Such as the Indian nanny breastfeeding the British baby while she struggles to feed her own child. His cinematographer does a superb job in capturing the picture with his camera. The art direction is eye candy.

A.R. Rahman's score deserves special mention. It is of an eclectic mix with a variety of songs, all of which have been beautifully visualized. I especially liked how 'Rasiya' and 'Vari Vari' were executed. Rani Mukherjee dances wonderfully. Many have made unfair comparisons to that of Madhuri Dixit's 'mujra' in 'Devdas'. Madhuri's character was a trained dancer while Rani's Heera had just been sold to the brothel and her primary task was to seduce. Back to Rahman's music, his background score is highly effective. It remains consistent and always contributes well to the scene (sometimes it's the only thing that works in a scene).

Aamir Khan makes a comeback after four years. However, this is far from his best work. He looks uninterested and wooden in most places and is easily overshadowed by Toby Stephens. He does seem to enjoy playing with his fake moustache. Stephens has the best character and he does full justice to it with a remarkable performance. Rani Mukherjee acts with full guns blazing. Whether her character is relevant or not to the movie, the actress is sensual, spontaneous and natural on screen and that's always great to watch. Amisha Patel has a few fits of hyperventilation (even though her character wasn't supposed to be someone sick with asthma).

'The Rising: Ballad of Mangal Pandey' is a lackluster film. It has very little to offer whether in the form of entertainment, enlightenment or engagement.

I went to see this movie with a friend of mine from India. I was going because of her, expecting to be bored to death. I was wrong! The Rising is one of these movies that are larger, bigger than life. The amazing powerful music sets the tone to a legend of a great folk hero for Indians. The acting, in most cases, was haunting. The cinematography was breathtaking and the songs, and I am not a big fan of people singing and dancing in movies, were magical and helped move the story along. Of course, it was a big history lesson form me (though the producers warn you that some of this is fictionalized), but I have a better understanding of the Indian culture now. I finally get to see Toby Stephens\playing a role that doesn't involve him being mean, a villain or plain evil.