In Hell, Satan appears to tell us that rhythm is coming to life again, then we're taken to a sound stage where Jimmie Lunceford conducts his dance orchestra. He's in black tie and a tuxedo o... Read allIn Hell, Satan appears to tell us that rhythm is coming to life again, then we're taken to a sound stage where Jimmie Lunceford conducts his dance orchestra. He's in black tie and a tuxedo of white tales and black trousers. He announces that rhythm is our business, and that's the... Read allIn Hell, Satan appears to tell us that rhythm is coming to life again, then we're taken to a sound stage where Jimmie Lunceford conducts his dance orchestra. He's in black tie and a tuxedo of white tales and black trousers. He announces that rhythm is our business, and that's the orchestra's first number, with vocal, sax, bass, and trumpet solos. Myra Johnson sings "Y... Read all
Photos
- Self
- (as Myra Johnson)
- Self - Double-Bassist
- (uncredited)
- Self - Saxophonist
- (uncredited)
- Self - Drummer
- (uncredited)
- Self - Band Member
- (uncredited)
- Self - Vocalist
- (uncredited)
- Self - Saxophonist
- (uncredited)
- Self - Trumpeter
- (uncredited)
- Self - Trumpeter
- (uncredited)
- Self - Trumpeter
- (uncredited)
Featured reviews
Why they needed that Satan gimmick I'm not sure for this short subject. Just listening to Lunceford's sound is good enough. A vocal by Myra Johnson and a little dancing by the three Brown brothers is an added treat.
Benny Goodman may have caused Lunceford's demise. It was big news when he engaged black singer Ella Fitzgerald for his band. That opened the way for a lot of black musicians to integrate into the name white orchestras. But like the Negro Leagues, all black orchestras declined unless you were Cab Calloway and a showman performer as well.
Lunceford died young in 1947 at the age of 45 under some mysterious circumstances that I won't go into since it seems a story unto itself. Once again we can thank the medium of film for the opportunity to see him as well as hear his recordings.
*** (out of 4)
Another in Warner's long-running series of shorts that would take a look at (then) current big bands. As usual, we don't get anything too fancy visually but that's made up for in some great music. I'm not sure how many people have heard of Jimmie Lunceford, I know I hadn't, but this is a very good short that contains some great music and dancing. I was a little bummed out to see that Lunceford didn't make any more of these shorts, which is a shame but at least what we have here is entertaining. The most interesting and entertainment segment of the short belongs to The Three Brown Jacks doing some great dance moves. "Rhythm Is Our Business", apparently the band's biggest hit, kicks the short off and things never slow down for the ten-minutes. Myra Johnson sings "You Can't Pull the Wool Over My Eyes", which is another winner.
'Rhythm is our business," announces Lunceford, so his big band plays some pretty up tempo stuff, which is fun to hear. In fact, this is - by far - the best of these short features I've seen because these guys have life to them. As kids would say today: they rock! In here are some great sax and trumpet solos, a colorful band that is having a lot of fun as they play and just a lot of foot-stomping feel-good music.
Being a fan of tap dancing, I really enjoyed The Three Brown Jacks but I think I had the most fun just watching the members of band.
Did you know
- TriviaIncluded on the 2005 Warner DVD of En suivant la flotte (1936).
- Quotes
Jimmie Lunceford, Himself: And let me tell you, rhythm is our business!
- ConnectionsFeatured in Jazz: A Film by Ken Burns: Swing: Pure Pleasure - 1935-1937 (2001)
- SoundtracksRhythm Coming to Life Again
(uncredited)
Music by Saul Chaplin
Lyrics by Sammy Cahn
Performed by male vocalist, with Jimmie Lunceford and His Orchestra
Details
- Release date
- Country of origin
- Language
- Also known as
- Melody Masters (1936-1937 season) #6: Jimmie Lunceford and His Orchestra
- Production company
- See more company credits at IMDbPro
- Runtime10 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1