A futuristic Brève rencontre (1945), this is a love story in which the romance is doomed by genetic incompatibility.A futuristic Brève rencontre (1945), this is a love story in which the romance is doomed by genetic incompatibility.A futuristic Brève rencontre (1945), this is a love story in which the romance is doomed by genetic incompatibility.
- Awards
- 4 wins & 10 nominations total
Taro Bahar
- Jim
- (as Taro Sherabayani)
- Director
- Writer
- All cast & crew
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Featured reviews
In the near future, Tim Robbins is sent to investigate a case of forged passports. This Orwellian government has strict control over everything. Unfortunately for Tim, he falls in love with a girl with whom he is not DNA-compatible, a violation of code 46.
Code 46 is derivative of course but ultimately it is fresh cinema, and there are several sub themes about science and morality to think about.
Most unique, i thought, was its vision of Shanghai where it seems only half the people are Asian, and everyone speaks English with just a few fundamental phrases from mandarin and Spanish. I am guessing that demographics and language are both controlled by the government. Incidentally, the classic book/movie Clockwork Orange showed a anarchistic world where English developed chaotically into a Russian mix as that was its geopolitical vision.
There are few great science fiction movies, i think this one is close to being great but in the end I think it lacked drama. But if you like science fiction, you will love this.
Code 46 is derivative of course but ultimately it is fresh cinema, and there are several sub themes about science and morality to think about.
Most unique, i thought, was its vision of Shanghai where it seems only half the people are Asian, and everyone speaks English with just a few fundamental phrases from mandarin and Spanish. I am guessing that demographics and language are both controlled by the government. Incidentally, the classic book/movie Clockwork Orange showed a anarchistic world where English developed chaotically into a Russian mix as that was its geopolitical vision.
There are few great science fiction movies, i think this one is close to being great but in the end I think it lacked drama. But if you like science fiction, you will love this.
I loved this film! It was (to my cinematographically uncultured palate, at least) different, and the characters seemed quite unconventional. Rather than just hollow acting, I found Tim Robbins' character to be a mental curve ball, which completely altered the way the film played out. It hinted at the socialisation and culture prevalent at the time.
I also enjoyed the (much-disputed) foreign terms slipped into the conversation - they weren't too frequent, and added a dimension - that there had been purely aesthetic as well as techno/political changes. As English becomes more dominant and other languages in the minority (and therefore more culturally significant), it is likely that foreign terms will be leaked, from the age-old Caucasian tradition of borrowing culture if nothing else.
I also loved the fact that the cityscapes were all filmed to imply the future, rather than CG'd or whatever.
The storyline was innovative, and there were many dead-ends which fleshed out the story and made it less linear. Unlike some, I easily followed the storyline, and I'm rather confused that some people felt that it didn't seem to touch on Code 46 itself much.
Interesting concepts, combined with a sense of triviality surrounding much of the technology, helped to create a more textured world, and while nothing was really explained, the evidence was there for you to draw your own conclusions. If you like thinking, definitely watch this film.
~pr0ph37~
I also enjoyed the (much-disputed) foreign terms slipped into the conversation - they weren't too frequent, and added a dimension - that there had been purely aesthetic as well as techno/political changes. As English becomes more dominant and other languages in the minority (and therefore more culturally significant), it is likely that foreign terms will be leaked, from the age-old Caucasian tradition of borrowing culture if nothing else.
I also loved the fact that the cityscapes were all filmed to imply the future, rather than CG'd or whatever.
The storyline was innovative, and there were many dead-ends which fleshed out the story and made it less linear. Unlike some, I easily followed the storyline, and I'm rather confused that some people felt that it didn't seem to touch on Code 46 itself much.
Interesting concepts, combined with a sense of triviality surrounding much of the technology, helped to create a more textured world, and while nothing was really explained, the evidence was there for you to draw your own conclusions. If you like thinking, definitely watch this film.
~pr0ph37~
I liked how the movie didn't scream at me, trying to deafen me with whatever kind of message the actors and director wanted to convey... I had to work a little bit to see what there was to be seen - which I like, and I found the lack of CGI and laser guns thoroughly refreshing. The pace was right, and the music fit the mood of the movie.
The movie as a whole has a distinct human quality like I used to enjoy in those 50's sci-fi stories the way Philip K. Dick could write them. The same atmosphere that's usually gone in Dick's flashy Hollywood rewrites.
The intercultural lingo is a lot of fun to listen to, it's not too tacky and not too overdone, it sounds almost natural to me.
All in all a good 8 out of 10 stars from me. If there was more of a puzzle to be solved throughout the film (it does have you wonder where things are going in the beginning) I would have probably rated it even higher, because I like my stories a little mysterious and not too straightforward. I can imagine that some people find the acting slightly too bland for their tastes, but I feel it's far better to err on the side of caution than to produce another vehicle for overacting and improbable characters.
The movie as a whole has a distinct human quality like I used to enjoy in those 50's sci-fi stories the way Philip K. Dick could write them. The same atmosphere that's usually gone in Dick's flashy Hollywood rewrites.
The intercultural lingo is a lot of fun to listen to, it's not too tacky and not too overdone, it sounds almost natural to me.
All in all a good 8 out of 10 stars from me. If there was more of a puzzle to be solved throughout the film (it does have you wonder where things are going in the beginning) I would have probably rated it even higher, because I like my stories a little mysterious and not too straightforward. I can imagine that some people find the acting slightly too bland for their tastes, but I feel it's far better to err on the side of caution than to produce another vehicle for overacting and improbable characters.
I was blown away by the portrayal of a multicultural community of the future. Languages and races all melded together into one global culture. This film is so coy in displaying its intelligence.
Being an average linguist, I loved the usage of Spanish, arabic, mandarin and more mixed in with English. Enough to entice, little enough to avoid viewer confusion. The backdrops of the scenes looked so natural yet foreign.
I was surprised by the sensuality displayed in the latter part of the film...not being used to seeing Robbins in such scenes. the main actress carries a curious beauty and attractiveness throughout her performance.
I was slightly disturbed by the code 46 violation, but not enough to say that this was not a fascinating experience. 7/10
Being an average linguist, I loved the usage of Spanish, arabic, mandarin and more mixed in with English. Enough to entice, little enough to avoid viewer confusion. The backdrops of the scenes looked so natural yet foreign.
I was surprised by the sensuality displayed in the latter part of the film...not being used to seeing Robbins in such scenes. the main actress carries a curious beauty and attractiveness throughout her performance.
I was slightly disturbed by the code 46 violation, but not enough to say that this was not a fascinating experience. 7/10
There are not many movies I would take time to comment on, but this is definitely one of them. I really love the mood and atmosphere in this film, its very soft and slow, which proves to be very effective in escalating the sexual tension to Mount Everest levels.
The acting is superb throughout, with Samantha Morton being particularly outstanding, sexy and bizarre, a cocktail that woos Tim Robbins over and over again. Her brief graphic nudity scene was definitely an original in mainstream cinema, I'm not sure what reaction the director was hoping to get from it? but I personally feel its wasn't required, don't forget, its the things we don't see that excite us the most.
It seems that every futuristic film is compared to Ridley Scott's Blade Runner, which I feel is always unfair, as Blade Runner is a classic in ever sense of the word, a true high point in the history of cinema. Code 46 does have certain parallels, forbidden love, futuristic worlds and an excellent morose tingling soundtrack, but Code 46 stands out on its own as a fantastic love story, with unique and bizarre complications and a very thought provoking look into the future.
A really good film 8/10.
The acting is superb throughout, with Samantha Morton being particularly outstanding, sexy and bizarre, a cocktail that woos Tim Robbins over and over again. Her brief graphic nudity scene was definitely an original in mainstream cinema, I'm not sure what reaction the director was hoping to get from it? but I personally feel its wasn't required, don't forget, its the things we don't see that excite us the most.
It seems that every futuristic film is compared to Ridley Scott's Blade Runner, which I feel is always unfair, as Blade Runner is a classic in ever sense of the word, a true high point in the history of cinema. Code 46 does have certain parallels, forbidden love, futuristic worlds and an excellent morose tingling soundtrack, but Code 46 stands out on its own as a fantastic love story, with unique and bizarre complications and a very thought provoking look into the future.
A really good film 8/10.
Did you know
- TriviaCode 46 refers to the twenty-two chromosome pairs, plus the two sex chromosomes in human beings.
- GoofsThe numerous seeming "errors in geography" are actually an intentional artistic choice. Because the film is set in a future where global cultures have become thoroughly merged, Michael Winterbottom purposely blended footage shot in Shanghai, Dubai and Rajastahn so that Shanghai has a desert outside it, etc.
- Crazy creditsThere is a looped animation running next to the names during the final credits. It shows a variety of things, including chromosomes, chromosome replication, and chemical structures.
- SoundtracksNo Man's Land
Written by David Holmes
Published by Universal/Island Music Ltd
Performed by David Holmes
Courtesy of Polydor UK Ltd
Licensed by kind permission from the
Universal Film and TV Licensing Division
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Kod 46
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,500,000 (estimated)
- Gross US & Canada
- $285,585
- Opening weekend US & Canada
- $20,170
- Aug 8, 2004
- Gross worldwide
- $886,018
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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