L'enfant au violon

He ni zai yi qi (or Together) is the stirring story of a young violin protege, Xiaochun, competing in the cutthroat world of Chinese classical music. Xiaochun's father dreams only of his son's success and goes to great lengths to accomplish this goal. Each character is developed and interesting and viewers will find themselves sympathisizing not only with Xiaochun, but with each person he comes in contact with. Director Chen Kaige weaves unique images together with a heartbreaking soundtrack to give this movie a definite feeling of realism. The acting by Tang Yun (Xiaochun) and Liu Peiqi (Liu Chen)is heartfelt and endearing. This is another example of quality Chinese-made cinema worth missing a few Hollywood run-of-the-mill flicks for. This is a definite don't miss.

I didn't have many expectations for this film having long since lost my patience for subtitles and slow-moving foreign films. This film was a very pleasant surprise. A beautifully rendered story about the sacrifices we make for art, the sacrifices parents make for children, and the sacrifices teachers make for their students. I found myself thinking about the larger questions in life as I watched Han ni zai yiki--the struggles of the young protagonist to become a man, the heart-breaking dilemma that allows his father to become one as well, and the ways in which we lose our ways in life, and luckily how the entry of a new love (in its platonic sense) can get us back on the path.

At its center, Han ni zai yiki is the story of a father and his son. Never have I seen this relationship told with such honesty and impact. Instead of a perfect father giving pearls of wisdom to a son eager for his approval, we see an imperfect man doing the best he can for a son who is not necessarily appreciative.

It is sentimental, but that doesn't stop it from being thought-provoking, or from teaching the viewer something he or she is likely to have forgotten in this age of kung-fu special effect sequences and digitized actors.

In the U.S. at least, we've been saturated with ever-dumber plot lines, plasticized breasts, and explosions to emphasize every character realization. It's unusual to go to the cinema to be treated to a real story with complex and realistic characters in difficult situations that actually have some bearing on our lives. Together was a breath of fresh air.

I hope that the negative opinions expressed earlier don't stop anyone from seeing this film. Although I'd waited four years to see the sequel to the Matrix, I'd have to say, without a doubt, Han ni zai yiki is the best film I've seen all year.

Human feelings are universal whether you are a Chinese living in a crowded and vulgar country village or an American living in a comfortable and affluent suburban neighborhood. However, the experiences are different enough that there are subtleties in this Chinese film that only Chinese can truly appreciate.

I never wrote an online comment of a film before even though I have read a great deal. Unlike most of other films, comments on Chen Kaige's "together" is surprisingly divided into two extremes: love it or hate it. Maybe this observation prompted me to write something to express my feelings during and after watching this film.

I grew up in a small town in rural China, very much like the one shown in the film. My father isn't a "vulgar" peasant as the father in the film, and I wasn't a "prodigy" of anything by any measures either. The kind of strong character and sensitivity the kid showed is something I wish I had when I was a teenager. The incredible sacrifice and love the father showed in the film is also a bit surreal to me. In other words, my experience is much more real with little melodrama involved.

However, the film actually made me cry when sitting in the cinema, not just because of the melodrama and the music, more so because it made me miss my own father and remember many small moments between us that are not so much drama but only our daily experiences.

When I left cinema, I overheard a middle-aged American white couple in front of me making comments: "a cute little film, isn't it?" I can tell from the dialogue that they experienced different things when watching the film because they appreciate the details of ordinary Chinese life such as how the coal is used for heating tea. To me, those details are not novelties to appreciate, they WERE my existence and everyday experiences.

I will stop here not to violate the IMDB guideline. After all, everyone's experience is unique. Everyone has their ethos deep from their upbringing and culture. I am just glad that this film brings me a Chinese experience of love between a father and a son that I can relate to.

I really liked this movie. I studied the violin for 8 years so I felt a strong connection to the film. The story is a touching tale about a child violin genius who goes to Beijing with his father and finds the best teacher he can. Truly the story is really about the love of a man for his son. The father shows the deepest emotion and devotion for his son throughout the movie. Unless your heart is made of stone and smaller than the Grinchs before it grew two sizes, you can't help but feel something for how much the son loves his father.

The music in the film is a nice selection of up-beat, touching, sentimental and refreshing. The emotion and message of feeling the music is executed with musical brilliance. The pieces are played exquisitely and even if your not into classical or violin you should still be entertained.

I realize this film may not be for some people or if your not in a particular mood. But if it sounds interesting you won't be disappointed in its poignant delight.

Here is fairly pleasant story of a 13-year-old violin prodigy and his financially-strapped father try to get the boy professional help to aid in the kid's musical career. The father is a bit on the pushy side but he has a good heart and he's pretty comical, too. The young teen is a likable kid and the other main characters - two of his teachers and the "big sister" - are all interesting people.

The dialog, as with many "foreign" films, is different from what we are used to hearing in North America and I, for one, find it appealing.

At almost two hours, this might be a bit long for most people to put up with subtitles, but I didn't find that a hindrance in keeping focused on this story. Along the way, you get to enjoy some excellent violin playing, too. People who like amiable-character stories and good music should enjoy this very much.