Rock Academy

A quick glance at the story or trailer tells you that School of Rock is probably the cheesiest, gratuitous, airhead excuse for a movie in ages, but if you thought that was a good reason to avoid it you'd be wrong. Jack Black plays the slightly past it rocker, stuck in a groove of 70s heavy metal rock and roll and refusing to move on – until his (more up to date) band fire him. Struggling to pay the rent, he takes a phone call intended for his schoolteacher flatmate and accepts a job as supply teacher at a top school. Soon he has the kids not only studying the history of rock and roll, soundproofing the room and playing rock instruments, but actually competing in a major ‘Battle of the Bands' competition.

Unbelievable? Yes. What's more unbelievable is that somehow the whole thing works – Jack Black's over-the-top enthusiasm for his subject is contagious, the edge-of-disaster suspense is continued throughout the length of the movie, and by the end the audience is so desperate to see how the kids (who they all play their own instruments by the way) perform in the concert that seat wetting would probably go unnoticed. Joan Cusack, as the gobsmacked headmistress, delivers a performance that is worth the price of your cinema ticket in itself. Achieving such tears-down-the cheeks laughter and adrenalin-packed excitement for air guitar music is nothing short of miraculous.

School of Rock is a movie that promises entertainment and delivers. Everything is as it says on the packet. For sheer feelgood factor, this movie is unbeatable – and you can even take the kids!

Jack Black gives a very lively and even astoundingly hilarious performance. The movie was well-made for the time and it's not only about a fake teacher/wannabe rock star trying to get a job and make quick money and instead ends up teaching rock and roll to kids at a private school, but about young individuals learning to uncover their hidden talent, foster a sense of self-confidence, and express themselves in a fun artistic way! The extras in the film did well too and I can see why Miranda Cosgrove was chosen to play Megan in Drake and Josh since she acted brilliantly as a young girl in this movie as well.

Glancing at what other people have written about this movie, it seems that these individuals are taking this film a bit too seriously. Worrying about the "messages" this movie is delivering? Come on, there is no way that the con that Jack Black's character pulls off could ever get far in the real world! I don't think any sane person watching this movie would take this seriously. This is a comedy, for crying out loud, made to make us laugh!

I thought Black was fine in this movie. Sure, maybe his character is a little one-note with his proclamations of "rock on" and "stick it to the man", but Black somehow manages to do it over and over without being boring. He's unbelievably energetic AND versatile, delivering these same things in different ways each time that prevent the movie from getting into a rut. I think it's safe to say that only Black himself could have made this role work so well.

There is plenty of humor and great music. Even my senior citizen parents kept laughing, and told me after it was over that they enjoyed the rock soundtrack as well. It's a great movie for the whole family. Why was this rated PG-13? Sure, there are some references to stuff like alcohol and groupies, but they are not emphasized at all in their brief passing - and your kids will already have seen these kind of things treated much worse elsewhere! In fact, here in British Columbia, the ratings board gave it a "G" rating.

After being fired from his own band, the guitar player Dewey Finn (Jack Black) needs to raise some money to pay for his rent and his bills. When his friend and school teacher Ned Schneebly (Mike White) is called to a temporary work in an expensive private school, Dewey pretends to be Ned and accepts the job. He finds talented young musicians in his class, and he decides to form a rock-and-roll band with the students and win a competition called "Battle of Bands" to raise the prize and be recognized in the show business.

"The School of Rock" is a very funny and politically incorrect comedy tailored for Jack Black. He steals the movie and rocks in the role of a rock-and-roll lover, who dreams to be successful as a guitar player. Most of the lines belong to him, and I believe this movie is his best individual performance in his successful career. Joan Cusack is excellent as usual, and Miranda Cosgrove seems to have potential and be a great promise as actress. The soundtrack is a great homage to rock-and-roll, with many classics including Led Zeppelin's "Immigrant Song". The DVD is full of worthwhile Extras, and in the end this film is an excellent funny entertainment. My vote is eight.

Title (Brazil): "Escola de Rock" ("School of Rock")

The perfect vehicle for Jack Black, a film to show that given the right material he's a bona fide comedic actor of some worth. Plot has Black as Dewey Finn, a wastrel musician who has no job prospects and who spends his time mooching off of his best mate Ned Sheebly (Mike White). When Dewey is fired from his rock band he's left in limbo and in danger of being homeless. But when he answers a phone call offering Ned a job assignment, Dewey decides to take it upon himself to impersonate Ned and take the employment himself; as a schoolteacher!

So it's Jack Black in a classroom full of kids, it probably shouldn't work, and even might seem like some sort of cruel and unusual punishment to anyone with an aversion to Black, but this is feel good nirvana and a paean to rock and roll. It's perhaps unsurprising that it's crammed with clichés from the classroom splinter of moviedom, the kids a roll call of characters we have seen numerous times. The spoilt swot, the roughneck, the one suffering parental peer pressure, the weight issue one and on it goes, but boy can they play music when Dewey takes them out of classical mode and into rock central.

How nice to find that director Richard Linklater and writer Mike White have managed to rise above the clichés and avoid syrupy fodder, there's such a zest and earnestness to it all, and the kids acting is high in quality as well, led by the big kid himself, Black on full tilt. But most of all, even as the morals and life affirming threads come wading in with the pulsing rock soundtrack, it's a very funny picture, the gag quota enormously high. Be it Black trying to bluff the kids, the kids trying to bluff everyone else - or the wonderful Joan Cusack as the scatty stickler for the rules Principal Mullins – a laugh is never far away. Rock on! 8.5/10