Saved!
- 2004
- Tous publics
- 1h 32m
IMDb RATING
6.7/10
50K
YOUR RATING
When a girl attending a Christian high school becomes pregnant, all of her former friends turn on her and she is ostracized and demonized.When a girl attending a Christian high school becomes pregnant, all of her former friends turn on her and she is ostracized and demonized.When a girl attending a Christian high school becomes pregnant, all of her former friends turn on her and she is ostracized and demonized.
- Awards
- 1 win & 6 nominations total
Birkett Turton
- Mitch
- (as Kett Turton)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this at a local indie cinema, hoping it would be one of those fairly funny American high school films - plenty of silly gags and good one-liners.
Sadly, I think "Saved!" is the worst film I've ever seen.
The plot had room for good jokes (especially with the potentially sensitive subject matter), but they were all missed or mis-fired.
Disabled kid is cool and rebellious; pretty girl is shallow and insecure; punk girl is tough but with a heart of gold; plain girl is strong and gets the guy; guy incongruously admires plain girl.
It's another one of those "Hey! Alternative is OK" films that can't decide whether to be funny or preachy (no pun intended). Yawn.
Sadly, I think "Saved!" is the worst film I've ever seen.
The plot had room for good jokes (especially with the potentially sensitive subject matter), but they were all missed or mis-fired.
Disabled kid is cool and rebellious; pretty girl is shallow and insecure; punk girl is tough but with a heart of gold; plain girl is strong and gets the guy; guy incongruously admires plain girl.
It's another one of those "Hey! Alternative is OK" films that can't decide whether to be funny or preachy (no pun intended). Yawn.
Saved! is a movie that will get to the hearts of people everywhere. It so poignantly captures the hardships and comedies of being a teenage girl.
Jena Malone is Mary, a typical teen attending a Christian school. After finding out her boyfriend is gay, a vision of Jesus provokes her to "cure" him by sleeping with him. But when Christian Mary finds out that she is pregnant, all hell breaks loose! She tries to hide the pregnancy, but it becomes difficult. Mary is shunned by her outgoing and devoutly Christian friend Hilary Faye (Mandy Moore), and finds solace with the uniquely rebellious Cassandra (Eva Amurri), who also happens to be the only Jew in the school. Mary also finds a friend in Patrick (Patrick Fugit), the pastor's son. Mary puts up with a lot from Hilary Faye and her friends trying to save her- even the pastor gets involved: "I want you to help" ... "You mean shoot her?" "No... I was thinking something a little less 'gangsta'". But when Hilary Faye goes too far, Cassandra, Mary, Patrick, and Hilary Faye's cool but wheelchair-bound brother Roland (Macaulay Culkin) team up to let Hilary Faye know that she can be "down with G-O-D", but has to be understanding of others as well.
The movie is full of hilarious lines and activities, but it remains believable. Malone portrays a typical teenager who is just trying to fit in and have fun despite her differences. Parts of the movie had me cracking up and quoting it for days on end, other parts were tear-provokingly sweet. As a whole, Saved! is one movie that you can't afford to miss. It just may save us all.
Jena Malone is Mary, a typical teen attending a Christian school. After finding out her boyfriend is gay, a vision of Jesus provokes her to "cure" him by sleeping with him. But when Christian Mary finds out that she is pregnant, all hell breaks loose! She tries to hide the pregnancy, but it becomes difficult. Mary is shunned by her outgoing and devoutly Christian friend Hilary Faye (Mandy Moore), and finds solace with the uniquely rebellious Cassandra (Eva Amurri), who also happens to be the only Jew in the school. Mary also finds a friend in Patrick (Patrick Fugit), the pastor's son. Mary puts up with a lot from Hilary Faye and her friends trying to save her- even the pastor gets involved: "I want you to help" ... "You mean shoot her?" "No... I was thinking something a little less 'gangsta'". But when Hilary Faye goes too far, Cassandra, Mary, Patrick, and Hilary Faye's cool but wheelchair-bound brother Roland (Macaulay Culkin) team up to let Hilary Faye know that she can be "down with G-O-D", but has to be understanding of others as well.
The movie is full of hilarious lines and activities, but it remains believable. Malone portrays a typical teenager who is just trying to fit in and have fun despite her differences. Parts of the movie had me cracking up and quoting it for days on end, other parts were tear-provokingly sweet. As a whole, Saved! is one movie that you can't afford to miss. It just may save us all.
This film exceeded my already high expectations. The director and screenwriter have delivered an amazingly acute study of high school dialogue and interaction, while simultaneously exploring the polarizing landscape of evangelical Christianity in America and still delivering consistent laughs from start to finish.
The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing
The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.
The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.
To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.
Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.
The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing
The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.
The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.
To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.
Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.
The non Christians who were involved in this production probably never stepped inside a church in their lives yet they feel free to dump on believers in Christ as a lunatic fringe and not the majority. It's non-believers who are in the minority in this country. A little perspective please.
Go into most churches today and you generally see white haired little old ladies and gentlemen and their simple families humbly reading the Bible, praying for others, collecting donations to help missions and the community, worshipping Jesus Christ and laughing, singing, fellowshipping. What is it about this humble group that so offends the elite non-believing hypocrites in Hollywood? That we don't vote the way you vote? That we don't all have the money you have?
This is just another blind attempt to lump all believers who care about biblical truth and morality into some fantasy group that has never existed. Most Christians would step in front of a truck and give their lives for any person in trouble, even a liberal. No man hath any greater love than this, that he give up his life for his friends. Most Christians would help an unwed pregnant girl in trouble, not condemn her. This film is ridiculous.
Maybe if the producers of this inept stereotypical film set foot in a church someday they might discover how wrong they were. Maybe they'd even find God themselves. What a concept!
Go into most churches today and you generally see white haired little old ladies and gentlemen and their simple families humbly reading the Bible, praying for others, collecting donations to help missions and the community, worshipping Jesus Christ and laughing, singing, fellowshipping. What is it about this humble group that so offends the elite non-believing hypocrites in Hollywood? That we don't vote the way you vote? That we don't all have the money you have?
This is just another blind attempt to lump all believers who care about biblical truth and morality into some fantasy group that has never existed. Most Christians would step in front of a truck and give their lives for any person in trouble, even a liberal. No man hath any greater love than this, that he give up his life for his friends. Most Christians would help an unwed pregnant girl in trouble, not condemn her. This film is ridiculous.
Maybe if the producers of this inept stereotypical film set foot in a church someday they might discover how wrong they were. Maybe they'd even find God themselves. What a concept!
Despite losing its punch in the latter stages, "Saved!" remains an enjoyable and viciously funny satire. Poking fun of judgmental fundamentalists really isn't that tough a task or groundbreaking. They tend to spoof themselves. But what writers Brian Dannelly (who also directed) and Michael Urban do is not ridicule the fundamentalists' beliefs but their awful behavior. And that definitely deserves to be satirized.
The first 50 minutes are sensational, brimming with pointed dialogue, terrific humor and sharp observations about the preposterous idea of "degayification," the real reason people are sent to deprogramming centers and these teens obviously missing the true meaning of Christ's message.
But the film falters in the third act when it veers from clever satire to preaching about intolerance. It's a noble idea, but the punchy writing gets forsaken for the message. And the film concludes with a tired denouement. Surely, there are more original ways to conclude a high school film than one seen many times before.
Some of the characters, I suppose, could be seen as stereotypes. Then again, speaking from personal experience, the Hillary Fayes of this world exist and they're every bit as judgmental and nasty as she is. Unfortunately, Mandy Moore goes over-the-top a bit, often turning Hillary Faye into a broad caricature. That's a shame. Reining Moore in would have done wonders, because the other performances are uniformly good.
Macaulay Culkin turns in a fine performance as Roland. He finally might have shed his "Home Alone" image, proving he's capable of perfectly delivering sharp, well-written dialogue. The other revelation is young Eva Amurri, who has all the attitude, spunk (and I hope much of the talent) of her mother. She gives Cassandra a delightfully anarchic spirit; the film soars whenever she's on screen.
One peeve: Why does the radiant and sexy Mary-Louise Parker dress down so much in this film?
People who are judgmental about gays, teen pregnancy, other religions, and see life's myriad issues in purely black and white terms likely will be offended by this film - they might see themselves manifested as Hillary Faye. But if you appreciate life's gray areas and take delight in biting satire, you're bound to enjoy this film.
"Saved!" is by no means an attack on Christianity. Quite the contrary. It shows the importance of stressing in our lives the true side of Christianity - one that's about compassion, love and tolerance, and not the biased, judgmental approach that seeks to take control and bastardize religion, whatever it may be.
Although "Saved!" deals primarily with Christianity, it proves we'd all be better off adopting Mahatma Gandhi's ideals – that each and every one of us is a Hindu, Christian, Muslim, Sikh, Buddhist and Jew.
The first 50 minutes are sensational, brimming with pointed dialogue, terrific humor and sharp observations about the preposterous idea of "degayification," the real reason people are sent to deprogramming centers and these teens obviously missing the true meaning of Christ's message.
But the film falters in the third act when it veers from clever satire to preaching about intolerance. It's a noble idea, but the punchy writing gets forsaken for the message. And the film concludes with a tired denouement. Surely, there are more original ways to conclude a high school film than one seen many times before.
Some of the characters, I suppose, could be seen as stereotypes. Then again, speaking from personal experience, the Hillary Fayes of this world exist and they're every bit as judgmental and nasty as she is. Unfortunately, Mandy Moore goes over-the-top a bit, often turning Hillary Faye into a broad caricature. That's a shame. Reining Moore in would have done wonders, because the other performances are uniformly good.
Macaulay Culkin turns in a fine performance as Roland. He finally might have shed his "Home Alone" image, proving he's capable of perfectly delivering sharp, well-written dialogue. The other revelation is young Eva Amurri, who has all the attitude, spunk (and I hope much of the talent) of her mother. She gives Cassandra a delightfully anarchic spirit; the film soars whenever she's on screen.
One peeve: Why does the radiant and sexy Mary-Louise Parker dress down so much in this film?
People who are judgmental about gays, teen pregnancy, other religions, and see life's myriad issues in purely black and white terms likely will be offended by this film - they might see themselves manifested as Hillary Faye. But if you appreciate life's gray areas and take delight in biting satire, you're bound to enjoy this film.
"Saved!" is by no means an attack on Christianity. Quite the contrary. It shows the importance of stressing in our lives the true side of Christianity - one that's about compassion, love and tolerance, and not the biased, judgmental approach that seeks to take control and bastardize religion, whatever it may be.
Although "Saved!" deals primarily with Christianity, it proves we'd all be better off adopting Mahatma Gandhi's ideals – that each and every one of us is a Hindu, Christian, Muslim, Sikh, Buddhist and Jew.
Did you know
- TriviaThe producers went through normal channels to try to obtain the rights to include a piece of the title song from the musical Jesus Christ Superstar (1973), but all their requests were denied. Finally, a friend gave them Tim Rice's personal phone number, and after seeing and loving the movie, Rice agreed to grant them the right to use the song.
- GoofsWhen Mary and Hilary Faye are painting the Jesus billboard in the opening scene, the break at Jesus' neck from when his head falls off later is clearly visible.
- Quotes
Hilary Faye: Mary, turn away from Satan. Jesus, he loves you.
Mary: You don't know the first thing about love.
Hilary Faye: [throws a Bible at Mary] I am FILLED with Christ's love! You are just jealous of my success in the Lord.
Mary: [Mary holds up the Bible] This is not a weapon! You idiot.
- ConnectionsEdited into Jake Gyllenhaal Challenges the Winner of the Nobel Peace Prize (2010)
- SoundtracksBeautiful Thing
(1997)
Written by Ian Ashley Eskelin
Performed by All-Star United
Courtesy of Reunion Records
- How long is Saved!?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $8,940,582
- Opening weekend US & Canada
- $345,136
- May 30, 2004
- Gross worldwide
- $10,275,509
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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