Saved!
- 2004
- Tous publics
- 1h 32m
IMDb RATING
6.7/10
50K
YOUR RATING
When a girl attending a Christian high school becomes pregnant, all of her former friends turn on her and she is ostracized and demonized.When a girl attending a Christian high school becomes pregnant, all of her former friends turn on her and she is ostracized and demonized.When a girl attending a Christian high school becomes pregnant, all of her former friends turn on her and she is ostracized and demonized.
- Awards
- 1 win & 6 nominations total
Birkett Turton
- Mitch
- (as Kett Turton)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Despite losing its punch in the latter stages, "Saved!" remains an enjoyable and viciously funny satire. Poking fun of judgmental fundamentalists really isn't that tough a task or groundbreaking. They tend to spoof themselves. But what writers Brian Dannelly (who also directed) and Michael Urban do is not ridicule the fundamentalists' beliefs but their awful behavior. And that definitely deserves to be satirized.
The first 50 minutes are sensational, brimming with pointed dialogue, terrific humor and sharp observations about the preposterous idea of "degayification," the real reason people are sent to deprogramming centers and these teens obviously missing the true meaning of Christ's message.
But the film falters in the third act when it veers from clever satire to preaching about intolerance. It's a noble idea, but the punchy writing gets forsaken for the message. And the film concludes with a tired denouement. Surely, there are more original ways to conclude a high school film than one seen many times before.
Some of the characters, I suppose, could be seen as stereotypes. Then again, speaking from personal experience, the Hillary Fayes of this world exist and they're every bit as judgmental and nasty as she is. Unfortunately, Mandy Moore goes over-the-top a bit, often turning Hillary Faye into a broad caricature. That's a shame. Reining Moore in would have done wonders, because the other performances are uniformly good.
Macaulay Culkin turns in a fine performance as Roland. He finally might have shed his "Home Alone" image, proving he's capable of perfectly delivering sharp, well-written dialogue. The other revelation is young Eva Amurri, who has all the attitude, spunk (and I hope much of the talent) of her mother. She gives Cassandra a delightfully anarchic spirit; the film soars whenever she's on screen.
One peeve: Why does the radiant and sexy Mary-Louise Parker dress down so much in this film?
People who are judgmental about gays, teen pregnancy, other religions, and see life's myriad issues in purely black and white terms likely will be offended by this film - they might see themselves manifested as Hillary Faye. But if you appreciate life's gray areas and take delight in biting satire, you're bound to enjoy this film.
"Saved!" is by no means an attack on Christianity. Quite the contrary. It shows the importance of stressing in our lives the true side of Christianity - one that's about compassion, love and tolerance, and not the biased, judgmental approach that seeks to take control and bastardize religion, whatever it may be.
Although "Saved!" deals primarily with Christianity, it proves we'd all be better off adopting Mahatma Gandhi's ideals – that each and every one of us is a Hindu, Christian, Muslim, Sikh, Buddhist and Jew.
The first 50 minutes are sensational, brimming with pointed dialogue, terrific humor and sharp observations about the preposterous idea of "degayification," the real reason people are sent to deprogramming centers and these teens obviously missing the true meaning of Christ's message.
But the film falters in the third act when it veers from clever satire to preaching about intolerance. It's a noble idea, but the punchy writing gets forsaken for the message. And the film concludes with a tired denouement. Surely, there are more original ways to conclude a high school film than one seen many times before.
Some of the characters, I suppose, could be seen as stereotypes. Then again, speaking from personal experience, the Hillary Fayes of this world exist and they're every bit as judgmental and nasty as she is. Unfortunately, Mandy Moore goes over-the-top a bit, often turning Hillary Faye into a broad caricature. That's a shame. Reining Moore in would have done wonders, because the other performances are uniformly good.
Macaulay Culkin turns in a fine performance as Roland. He finally might have shed his "Home Alone" image, proving he's capable of perfectly delivering sharp, well-written dialogue. The other revelation is young Eva Amurri, who has all the attitude, spunk (and I hope much of the talent) of her mother. She gives Cassandra a delightfully anarchic spirit; the film soars whenever she's on screen.
One peeve: Why does the radiant and sexy Mary-Louise Parker dress down so much in this film?
People who are judgmental about gays, teen pregnancy, other religions, and see life's myriad issues in purely black and white terms likely will be offended by this film - they might see themselves manifested as Hillary Faye. But if you appreciate life's gray areas and take delight in biting satire, you're bound to enjoy this film.
"Saved!" is by no means an attack on Christianity. Quite the contrary. It shows the importance of stressing in our lives the true side of Christianity - one that's about compassion, love and tolerance, and not the biased, judgmental approach that seeks to take control and bastardize religion, whatever it may be.
Although "Saved!" deals primarily with Christianity, it proves we'd all be better off adopting Mahatma Gandhi's ideals – that each and every one of us is a Hindu, Christian, Muslim, Sikh, Buddhist and Jew.
This film exceeded my already high expectations. The director and screenwriter have delivered an amazingly acute study of high school dialogue and interaction, while simultaneously exploring the polarizing landscape of evangelical Christianity in America and still delivering consistent laughs from start to finish.
The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing
The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.
The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.
To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.
Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.
The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing
The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.
The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.
To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.
Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.
As a non-Christian with left-leaning views, I was looking forward to watching Saved! due to favorable reviews from friends. Although I enjoyed the movie, I was disappointed by the heavy-handed, one-sided nature of the film. The acting was good, but the roles weren't so much characters as caricatures: The over-zealous, conniving hypocritical angel with a gorgeous face but a heart of coal. The non-Christian outcast reeking of immorality and sin but concealing a heart of gold. The brainwashed, disconnected, naive Christian mother. I'm sure these stereotypes do exist out there in the extreme-right, fundamental wing of American Christianity, but surely the majority are not the cardboard cutouts portrayed in Saved (I hope not!).
Ironically, the characters say it best when they point out that the world is not black and white. All in all, the film could have used a touch of subtlety. Furthermore, at times, due to the script and the background music, the film carried a made-for-TV, Nickolodeon tone. But I did laugh quite a bit and I understand the good intentions of the movie so I give it a 7 / 10 .
I am pleased to see a handful comments from Christians who were able to enjoy the movie and take it for what it is. There may be hope after all.
Ironically, the characters say it best when they point out that the world is not black and white. All in all, the film could have used a touch of subtlety. Furthermore, at times, due to the script and the background music, the film carried a made-for-TV, Nickolodeon tone. But I did laugh quite a bit and I understand the good intentions of the movie so I give it a 7 / 10 .
I am pleased to see a handful comments from Christians who were able to enjoy the movie and take it for what it is. There may be hope after all.
Not a bad movie for family consumption. Humorous and pushes its point home (that Christians should act like Christians and not bigots) without being too nasty. I watched with my wife and two high school daughters ... we all enjoyed it. Of course, if you're "sophisticated" you might sneer at this film -- but take it for what it is, a simple story with a talented young cast (the star, Jena Malone, is refreshing!), and you'll find it's worth the time spent to watch it and the money spent to rent it. If there's anything to criticize, it's the film's short length. They could have done much more with it in a longer format. However, that's a minor criticism. Overall the film is solid and enjoyable.
I recall the controversy surrounding Saved when it came out earlier this year, especially from the evangelical church, conservatives and fundamentalists. I wanted to judge for myself its merits, or lack there of, since I've been an evangelical for 30+ years. I felt the movie did exactly what it intended to do; bring to light the hypocrisy of the church. I don't see how anybody, Christian or non-Christian could miss the message. I thought the selection of actors and actresses for the cast was right on, with each doing a very good job of portraying the personality of their characters well. I'm sure the movie was particularly biting to many evangelicals, as it should be--it even 'stung' me in a few places. I could see how evangelicals and conservatives would be outraged. However, the one thing I was especially struck by was the fact that this movie was written by non-Christians. As I watched all the 'digs' on Christians and the points of the evident hypocrisy within the church and Christianity, I came to a conclusion; if this movie was written by a non-Christian, then obviously there is a significant segment of our culture who believe the 'church' really is like this. If anything should move we evangelicals to start living lives of authenticity that reflect the love and grace of Jesus, this movie was it!
Did you know
- TriviaThe producers went through normal channels to try to obtain the rights to include a piece of the title song from the musical Jesus Christ Superstar (1973), but all their requests were denied. Finally, a friend gave them Tim Rice's personal phone number, and after seeing and loving the movie, Rice agreed to grant them the right to use the song.
- GoofsWhen Mary and Hilary Faye are painting the Jesus billboard in the opening scene, the break at Jesus' neck from when his head falls off later is clearly visible.
- Quotes
Hilary Faye: Mary, turn away from Satan. Jesus, he loves you.
Mary: You don't know the first thing about love.
Hilary Faye: [throws a Bible at Mary] I am FILLED with Christ's love! You are just jealous of my success in the Lord.
Mary: [Mary holds up the Bible] This is not a weapon! You idiot.
- ConnectionsEdited into Jake Gyllenhaal Challenges the Winner of the Nobel Peace Prize (2010)
- SoundtracksBeautiful Thing
(1997)
Written by Ian Ashley Eskelin
Performed by All-Star United
Courtesy of Reunion Records
- How long is Saved!?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $8,940,582
- Opening weekend US & Canada
- $345,136
- May 30, 2004
- Gross worldwide
- $10,275,509
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content