Alive

Despite the fact that I waited until the ending credits for something to happen, I ended up leaving the room a few minutes before they started to role.

Why? Because of the horrible, throbbing headache that this movie induced in me. This happens to me from time to time when I'm bored to the brink of tears.

There really is NOTHING to this movie. The unpredictable bits are all Deus Ex Machina... and thusly dull, forced and contrived.

Not only did I not care about the lead character, I forgot he was in it for half the movie. The set, seemed to take center stage, and all that was left was a long, LOOOOOONNNNNGGGGGGGGGGGGGGGG, drawn-out story of... you know... I'm not even sure what it was about.

I can't imagine that it matters.

I love bad movies. A lot. But this one was just not worth it.

Miss It.

ALIVE is a big letdown for fans of Kitamura's VERSUS. It's not a big surprise Kitamura chose this movie as his sophomore effort coming off the massive success of the hyper kinetic VERSUS. The result, unfortunately, is a terribly dull and drab movie that expends way too much energy on a silly story and even sillier fights. The first half is mostly nothing happening, with the film's first 40-minutes completely superfluous, as it has nothing to do with the rest of the movie. What amounts to "tension" is one nice guy (who was condemned, but is still pretty nice) and a not-so-nice guy (who was also condemned, and deservedly so) trying to outdo each other when it comes to weak acting. The nice guy just mopes a lot and the mean guy just shouts and acts crazy. Amateur hour, anyone?

It doesn't help that Kitamura shows his familiarity with American films by, basically, reusing up all the action sequences that he liked from those films in this one. THE MATRIX special effects was used, as well as James Cameron's ALIENS sequence where characters run around screaming into each other's helmet/vid contraption as they're attacked. (For "elite soldiers", these guys "lost it" pretty darn quick!) We also get "psychic powers" very, VERY similar to Proyas' DARK CITY.

Not that ALIVE is completely bad. It's just...mostly dumb and bad.

5 out of 10

I found this movie to be very well-paced. The premise is quite imaginative, and as a viewer I was pulled along as the characters developed. The pacing is done very well for those that like to think--enough is kept hidden from the viewer early on, and questions keep arising which are later answered, producing a well-thought out and very satisfying film, both cerebrally and from an action standpoint.

It seems some people were looking for a non-stop roller-coaster ride with this film--one of those that comes charging out of the gate. This would be more analogous to one of those coasters that first takes you slowly up the hill--creating a wonderful sense of anticipation--and is ultimately, in my mind, more fulfilling for the foundation initially laid.

Excellent film.

Rating: 2.5 out of 5 stars Directed by Ryuhei Kitamura, "Alive" (2002) is a Japanese film adaptation of a manga that brings an inventive idea to the screen but falls short in delivering a coherent plot. The movie is visually engaging, with fun and dizzying camera work that keeps the audience on their toes. However, the action sequences can be disorienting, making it difficult to follow the storyline.

The film is heavily influenced by the post-Matrix era, evident in its stylistic choices, including the use of "bullet time" effects. While these elements add a certain flair, they also contribute to the overall sense of chaos and confusion.

Unfortunately, "Alive" is a disappointment compared to Kitamura's previous works, Versus and Azumi. While "Versus" was more fun and didn't take itself too seriously, "Alive" tries to push boundaries but ultimately gets lost in its own ambition.

Despite its shortcomings, "Alive" offers a unique viewing experience for fans of manga adaptations and those who appreciate experimental cinematography.

Between "Versus" and "Azumi", I was getting around to liking director Kitamura, but after this entry I'm not so sure anymore. It's got all the promise, but never lives up to it.

A man is sent to the electric chair for the murder of his girlfriend's rapist. However, he survives the execution and is subsequently put into an experiment involving seedy government types, fellow prisoners, containment and a rather hostile alien entity trapped in a girl's body. It seems this entity only likes to latch onto the most blood thirsty host it can find, so death row inmates should make good subjects for government research. Oh, what will happen?

Any and everyone who has sat through one or more Japanese sci-fi flicks should be able to predict who the alien will latch onto and what will happen once it does. Giving that is a moot point, the film doesn't get going until it happens. Unfortunately, it takes a LONG time before the story gets moving, before that viewers have to sit through dry, dull dialogue scenes ad nausea.

Once the film finally takes off, it starts to have some fun. Guys with guns, super-powered fights, the works. It's just way too little, way too late to salvage much interest. Most viewers will not sit long enough to see things pick up, which is really too bad, there is some good sci-fi stuff later on.

A note about the ending: I won't ruin anything, but I think watchers should know that like other films by Kitamura, the movie concludes, but the story doesn't have much of an ending. Make of it what you will.

So many good ideas are wasted on dull story telling and limited conception. Worth a view only to hard-core J-film fanatics.

6/10