Onze heures quatorze

This is one of those movies that you really ought to see. We rented it based on the back cover, and we were glad we did. 11:14 has been compared to Crash and Memento. We haven't seen Crash, but it looks like we should, and while I thought that 11:14 was not quite as terrific as Memento, I felt it was definitely in the running with it.

I came to IMDb to see what else this guy, Greg Marcks, has done and was surprised to see that the only other entry is a 19 minute short film. How on earth did he get stars such as Patrick Swayze and Hillary Swank? If you do decide to see this movie, DO NOT WATCH THE TRAILER FIRST. What a rotten trailer. The trailer gives away virtually the entire plot.

Festival. Based on what I'd read, I was expecting some sort of Tarantino rip-off.

Instead I got run over by a very fast, very clever film. Directed by 27 year old Greg Marcks, the film is populated by up and coming young stars including Colin Hanks and Rachael Leigh Cook. It's actually 5 stories that all take place in a small town in middle America at around 11pm on a random night.

Characters keep running into each other and bad bad things happen, but the stories are all strung together in really clever, often darkly funny ways. The dialog is sharp and real, and Marcks has a real skill with his young cast. There are some really excellent performances, especially by Rachael Leigh Cook, who as the trashy Cherie is just the right combination of evil and desperate.

Although even in her trailer park costume she's breathtakingly beautiful! Also look for Ben Foster, who surprised me with a very realistic performance, after something REALLY bad happens to him. Hanks is also good, as is Shawn Hatosy. I was blown away! And the strangest part of the Premiere screening? It finished at exactly 11:14.

11:14 is a decent film you must watch all of to appreciate. Using multiple story lines, a series of lives all come together at 11:14 in a body hits car accident. Good casting and acting help keep your attention as the sometimes mundane lives of all the characters come together one piece at a time over a 24 hour period. While the disjointed stories are simple mini-movies of themselves, it isn't too hard to figure out how they all come together. I like the complexities of movies such as these, but they are not for people who want simple entertainment. You need to watch this uninterrupted and concentrate on the subplots to get the full value.

A clever little thriller/black comedy, which holds interest. 11:14 tells the inter-connected stories of a group of people, all revolving around a tragic car-accident. We see the accident, which occurs at 11:14pm, from different perspectives, as the puzzle slowly comes together.

Sure, the story works a lot on coincidence, but it's still a great build up and interesting ending, despite it being somewhat of a let-down.

The very black humour includes two sections which might just be some of the most cringing moments for men in cinema history – one of them in particular had me cowering fear.

Good performances from Patrick Swayze and Hilary Swank make this a good cinematic treat.

It is 11:14pm, an accident happens. Different people cross paths on the road, and all of them play their part in the accident. The movie tells us the partial stories of each of the parts involved, how the actions of each of them lead to what happens at the beginning and end of the film. The movie is a presented as a puzzle in which all the pieces are assembled when the film ends. A second frozen in time and dissected for the benefit of the viewer.

This is a dark thrilling movie, full of action, with a great mood and tempo, very engaging and never dull. The movie has no pity with its own characters, all of them depicted as mean, nasty, stupid and/or untruthful, deserving of the drama that unfolds during the night. Just some of the secondary characters are neutral or good.

All actors are OK in their respective roles. Two of them especially shine: Hillary Swank, who really nails her role as red-neck shop attendant, and Rachael Leigh Cook is terrific as the nasty Lolita around which all the story, directly or indirectly, revolves.

The movie is entertaining with a round story that will keep you glued to your chair. Its only problem is the mediocrity of the dialogs, and that the characters have no dramatic depth, but, well, you cannot expect depth from a thriller.