Elina - Som om jag inte fanns

Wonderful movie for children, which should be addressed for adult/family audiences as well. Clear minded and straight ahead story with terrific children actors, shot in a breathtaking landscape, about a stubborn and righteous girl (11), fighting for her rights, getting into deadly trouble, but finally succeeding against all odds and against the majority of everybody else. Very touching, moving, striking, just wonderful. Obviously (almost) only the Scandinavian countries are able to produce such intense, rich and wonderful family films. Seen on the award ceremony of childrens section of Berlin Filmfestival 2003, where the film, with good reason, won the main award.

This is one of my favorite movies. It is breathtakingly beautiful with many outdoor shots. I am a guy with a short attention span, and I get bored quickly but even though this movie was going on at a leisurely pace it still had me spellbound.

It has an amazingly simple plot, a clash of wills between a teacher and a student. It is one of those rare movies that show a child's point of view in a truthful and refreshing manner without over-dramatizing. Acting by everybody concerned is exceptional especially Bibi Andersson as Tora Holm and Natalie Minnevik as Elina.

If you are reading this review give this movie a chance.

I watched this movie at the Berlin film festival 2003 where it was awarded the Glass Bear (The prize of the children's jury). It is a well-told story about the problems experienced by a minority group in the society. In this case the finnish-speaking minority in Sweden in the beginning of the 1950's. The film makes it easy to understand the problems that can occur for such a minority group in an intolerant society. I believe this may be applicable for minority groups in many places of the world and thus it is possible for people around the world to recognize the situation. This is the debut for the director Klaus Härö in a full-length movie and I think he has succeeded well.

ELINA - AS IF I WASN'T HERE Sweden in the early 1950s. Elina is a member of the Finnish-speaking minority living in northern Sweden. Her father, whom she loved dearly, died of tuberculosis a few years ago. Out in the moor just behind her house, Elina believes that she can still talk to her Dad. She is a very lonely girl. Because she was ill for so long, Elina is obliged to repeat a whole year at school. Her teacher,Ms.Holm, thinks that her new pupil is unkempt; she decides to take her in hand and turn her into neat and tidy schoolgirl.This entails speaking perfect Swedish, not using Finnish expressions and, above all, respecting persons of authority - especially her teacher. The shy Elina, proud and offended by so little attempt to understand her situation, rebels against the way Ms.Holm treats her. A battle of wills ensues, and Elina's only recourse is to refuse to cooperate. Nobody seems able to mediate between these two stubborn opponents.Again and again,Elina takes to wandering out into the moor to try and commune with her father. The situation becomes unbearable. Then, one day while out in the moor again, Elina sinks so deeply into the ground that it threatens to engulf her. At this moment Elina realises that she is not alone; she is loved and needed.When Elina goes to school the next morning, everything is quite different. Even Ms. Holm senses that her pupil will not be intimidated any longer.

I saw this film at the Scandinavia House in New York City, liked it, and I thought I should counter the silly comment I noticed by haunt3d. The first thing to remember is that this film is meant for children primarily, so the story has to be reasonably simple and linear. Otherwise they either do not get the message or get disinterested. What is actually remarkable about "Elina", though, is that it also seems to appeal to (at least some) adults. The New Yorkers that attended the screening on that cold night --- hardly any kids --- were quite taken by it.