A young woman from the future forces a local gunman to help her stop an impending alien invasion which will wipe out the human race.A young woman from the future forces a local gunman to help her stop an impending alien invasion which will wipe out the human race.A young woman from the future forces a local gunman to help her stop an impending alien invasion which will wipe out the human race.
- Director
- Writers
- Stars
- Awards
- 2 wins & 4 nominations total
Hôshi Ishida
- Shifan
- (as Hoshi Ishida)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you watch enough Japanese sci-fi films (live-action or animated), you'll see that their makers *love* to get their ideas from American films. This one is no exception; among other films, you'll see elements of THE TERMINATOR, INDEPENDENCE DAY, and E.T. There's even evidence that the filmmakers saw the Jack Scalia/Dennis Christopher direct-to-video flick THE SILENCERS! As derivative as the movie may be, it's still pretty entertaining. Sure, the story has a few murky plot points, but none that terribly confuse you about what is going on. And while it's directed in that stiff and somewhat sterile style often found in Japanese films, that feeling is much less intense than usual. The movie rolls along at an acceptable clip, there are some neat action scenes, and the special effects are often pretty good for what must have been a limited budget. Not a movie to actively seek out, but it's a good one to pick up when your neighborhood Asian DVD rental place is offering 3 rentals for $10. Ten lashes with a whip for the Universe Laser & Video Co., however, for one of the crummiest DVD transfers to date!
Rating: *** out of ****
On first impression, I enjoyed Returner very much, but I can easily see why many others didn't care for it. The movie's plot is a rip-off of countless American blockbusters (just on first viewing I see E.T., The Terminator, Back to the Future, ID4, Stargate, Dune, The Matrix, MI:2, and even a little bit of The X-Files) and there's nothing really all that special in the way the story is executed but in general most Asian action flicks don't have much plot so I at least count it a blessing that ripping off all the aforementioned films gives the film enough story to sustain interest.
Takeshi Kineshiro stars as Miyamoto, a mercenary who has an agenda against Yakuza boss Mizoguchi (Goro Kishitani). But before he can fulfill his vengeance, a time-traveling girl (Ann Suzuki) interrupts his task, giving Mizoguchi the opportunity to escape. Frustrated, Miyamoto takes the dazed girl back to his apartment. There, she informs him her name is Miri and that she's traveled back from the year 2084 to save the world from an incoming alien invasion.
Naturally, he doesn't believe her, but finds he has no choice but to help her when she tapes a bomb to his neck. Miri informs him that an alien spacecraft has crashed and the surviving crew member will signal the mothership, thus instigating the war between humans and these aliens called the Daggra. Joining Miri's mission to kill this surviving alien, Miyamoto gradually believes her when he witnesses some astonishing sights. But what should be an easy task proves difficult when the Yakuza get involved and want the alien technology for themselves.
Japan's first (or maybe they've done it before, I sure as hell don't know) attempt at crafting a summer blockbuster that can rival those of American cinema is an unqualified success as a work of great entertainment. It delivers what one would expect from a popcorn blockbuster: fast-paced thrills, big laughs, and visual spectacle, but there's a layer of genuine heart and emotion that propels this far above the crap one could expect from Michael Bay or Jerry Bruckheimer.
Takeshi Kaneshiro is understandably one of Asia's biggest heartthrobs, the man looks great in tousled hair and long trench coats. But along with the cool exterior, he boasts solid acting talent to go with all that charisma. No doubt, he'll probably be Asian cinema's most popular star within the next five years. Ann Suzuki also impresses as the young teen who's had to grow up fast for her age. It's the natural and sweet rapport the two develop that raises the stakes; the addition of human interest makes the action and the story more compelling. As the hilariously laconic and irredeemably evil Mizoguchi, Goro Kishitani is fun to watch, his villainous performance evoking a mix of past work from Alan Rickman and Gary Oldman.
Returner boasts numerous terrific action sequences, rousing gun battles that employ fluid camera-work and stylish slow motion. The opening setpiece, with Kineshiro taking down scores of Yakuza, is a total blast and the coolest opening sequence since Equilibrium. Some of the action scenes employ bullet-time techniques, but that's thankfully limited to only a few moments. There's a potentially cool motorcycle chase that ends way too quickly, but otherwise, the action is first rate.
As for the f/x, I was really quite impressed. I don't know what budget this film had to work with, but the visuals are mostly excellent. Most of the f/x are at least on par with a Sci-Fi Channel miniseries (like Children of Dune), and occasionally are up there with even expensive Hollywood blockbusters (the effects sure as hell are better than, say, The Core). The CGI work on the alien mothership is gorgeous, a definite improvement on the model work from Independence Day.
Returner is not without its faults. There are a few moments that are simply too similar to its "inspirations." The riffs from Independence Day go all the way down to the inclusion of telepathy, alien body armor, and force fields. The battle sequence between the aliens and the last human outpost is gripping. The sets, the direction, and the f/x are all impeccably handled in this setpiece. It probably should have been the film's highlight, but the scene is marred by some poor acting from foreign actors who clearly shouldn't be trying to fake American accents.
But despite its blatant unoriginality, Returner is spirited and thrilling. The climax, set aboard an ocean-bound oil rig, is an exhilarating race against time amid several blazing gun battles. There's some sentimentality on hand, and I'll even admit I got a bit choked up near the end. Admittedly, the movie runs a bit long after all the action, but there's a nice post-climactic plot twist that should please most sci-fi fans.
(Major spoiler warning) I gather that the filmmakers were assuming that once Miri returned to the future, she'd still have the same memories of the former timeline (a la Back to the Future, Frequency), thus enabling her to save Miyamoto. But I'm not sure why she'd automatically return to the future after thwarting the war, or why she didn't arrive after Miyamoto realized she'd saved his life to spend some time with him (End spoiler).
And what's up with playing a Lenny Kravitz song over the end credits? It's a bit of a distraction for an otherwise rather touching final scene. But on the whole, Returner is enthusiastically recommend to sci-fi action fans.
On first impression, I enjoyed Returner very much, but I can easily see why many others didn't care for it. The movie's plot is a rip-off of countless American blockbusters (just on first viewing I see E.T., The Terminator, Back to the Future, ID4, Stargate, Dune, The Matrix, MI:2, and even a little bit of The X-Files) and there's nothing really all that special in the way the story is executed but in general most Asian action flicks don't have much plot so I at least count it a blessing that ripping off all the aforementioned films gives the film enough story to sustain interest.
Takeshi Kineshiro stars as Miyamoto, a mercenary who has an agenda against Yakuza boss Mizoguchi (Goro Kishitani). But before he can fulfill his vengeance, a time-traveling girl (Ann Suzuki) interrupts his task, giving Mizoguchi the opportunity to escape. Frustrated, Miyamoto takes the dazed girl back to his apartment. There, she informs him her name is Miri and that she's traveled back from the year 2084 to save the world from an incoming alien invasion.
Naturally, he doesn't believe her, but finds he has no choice but to help her when she tapes a bomb to his neck. Miri informs him that an alien spacecraft has crashed and the surviving crew member will signal the mothership, thus instigating the war between humans and these aliens called the Daggra. Joining Miri's mission to kill this surviving alien, Miyamoto gradually believes her when he witnesses some astonishing sights. But what should be an easy task proves difficult when the Yakuza get involved and want the alien technology for themselves.
Japan's first (or maybe they've done it before, I sure as hell don't know) attempt at crafting a summer blockbuster that can rival those of American cinema is an unqualified success as a work of great entertainment. It delivers what one would expect from a popcorn blockbuster: fast-paced thrills, big laughs, and visual spectacle, but there's a layer of genuine heart and emotion that propels this far above the crap one could expect from Michael Bay or Jerry Bruckheimer.
Takeshi Kaneshiro is understandably one of Asia's biggest heartthrobs, the man looks great in tousled hair and long trench coats. But along with the cool exterior, he boasts solid acting talent to go with all that charisma. No doubt, he'll probably be Asian cinema's most popular star within the next five years. Ann Suzuki also impresses as the young teen who's had to grow up fast for her age. It's the natural and sweet rapport the two develop that raises the stakes; the addition of human interest makes the action and the story more compelling. As the hilariously laconic and irredeemably evil Mizoguchi, Goro Kishitani is fun to watch, his villainous performance evoking a mix of past work from Alan Rickman and Gary Oldman.
Returner boasts numerous terrific action sequences, rousing gun battles that employ fluid camera-work and stylish slow motion. The opening setpiece, with Kineshiro taking down scores of Yakuza, is a total blast and the coolest opening sequence since Equilibrium. Some of the action scenes employ bullet-time techniques, but that's thankfully limited to only a few moments. There's a potentially cool motorcycle chase that ends way too quickly, but otherwise, the action is first rate.
As for the f/x, I was really quite impressed. I don't know what budget this film had to work with, but the visuals are mostly excellent. Most of the f/x are at least on par with a Sci-Fi Channel miniseries (like Children of Dune), and occasionally are up there with even expensive Hollywood blockbusters (the effects sure as hell are better than, say, The Core). The CGI work on the alien mothership is gorgeous, a definite improvement on the model work from Independence Day.
Returner is not without its faults. There are a few moments that are simply too similar to its "inspirations." The riffs from Independence Day go all the way down to the inclusion of telepathy, alien body armor, and force fields. The battle sequence between the aliens and the last human outpost is gripping. The sets, the direction, and the f/x are all impeccably handled in this setpiece. It probably should have been the film's highlight, but the scene is marred by some poor acting from foreign actors who clearly shouldn't be trying to fake American accents.
But despite its blatant unoriginality, Returner is spirited and thrilling. The climax, set aboard an ocean-bound oil rig, is an exhilarating race against time amid several blazing gun battles. There's some sentimentality on hand, and I'll even admit I got a bit choked up near the end. Admittedly, the movie runs a bit long after all the action, but there's a nice post-climactic plot twist that should please most sci-fi fans.
(Major spoiler warning) I gather that the filmmakers were assuming that once Miri returned to the future, she'd still have the same memories of the former timeline (a la Back to the Future, Frequency), thus enabling her to save Miyamoto. But I'm not sure why she'd automatically return to the future after thwarting the war, or why she didn't arrive after Miyamoto realized she'd saved his life to spend some time with him (End spoiler).
And what's up with playing a Lenny Kravitz song over the end credits? It's a bit of a distraction for an otherwise rather touching final scene. But on the whole, Returner is enthusiastically recommend to sci-fi action fans.
Version: Columbia Tristar's DVD release. Japanese / English subtitles.
Time travel is cool. Explosions are cool, as are gun fights. Any movie that attempts to incorporate 'The Terminator', 'Independence Day', 'Leon', and nearly every John Woo movie made between 'A Better Tomorrow' and 'Face/Off' is cool. 'Returner' features all these elements, and therefore, is awesomely cool. Or at least a fun action movie.
In 2084, the Earth has been nearly overrun by aliens. The last survivors of the human race are fighting a losing battle in the mountains of Tibet. Naturally, these survivors have mad scientists with them who develop all these cool gadgets, as well a time-machine. Milly (Anne Suzuki) volunteers to go back to 2002 to stop the war from beginning. Upon arrival, she teams up with Miyamoto (Takeshi Kaneshiro). Miyamoto is a mercenary seeking vengeance against the Triad gangster, Mizoguchi (Goro Kishitani), who in turn, may actually have caused the war in the first place. Convenient.
A Japanese friend of mine originally recommended 'Returner' to me, and another friend of ours, knowing full well we are easily impressed by explosions. If, like me, you are easily impressed by explosions and have not yet seen 'Returner', you should stop reading and go watch it right now.
'Returner' is little more than a stylish action movie. Most of the plot seems to be taken from random elements of 'Terminator', ID4, and 'Leon', and styled in a similar way to ID4, 'Matrix', and a fair number of John Woo movies. I must admit that any comparison to the 'Matrix' is a tad unfair, as the 'Matrix' was also made up of elements from nearly every movie John Woo ever made. As a sci-fi / action movie, 'Returner' is entertaining, if a little cheesy. The action scenes are generally awesome and exciting.
'Returner' is a fun action movie. It should at least satisfy hardcore action fans, and should be entertaining enough for anyone looking for a fun movie - 7/10
Time travel is cool. Explosions are cool, as are gun fights. Any movie that attempts to incorporate 'The Terminator', 'Independence Day', 'Leon', and nearly every John Woo movie made between 'A Better Tomorrow' and 'Face/Off' is cool. 'Returner' features all these elements, and therefore, is awesomely cool. Or at least a fun action movie.
In 2084, the Earth has been nearly overrun by aliens. The last survivors of the human race are fighting a losing battle in the mountains of Tibet. Naturally, these survivors have mad scientists with them who develop all these cool gadgets, as well a time-machine. Milly (Anne Suzuki) volunteers to go back to 2002 to stop the war from beginning. Upon arrival, she teams up with Miyamoto (Takeshi Kaneshiro). Miyamoto is a mercenary seeking vengeance against the Triad gangster, Mizoguchi (Goro Kishitani), who in turn, may actually have caused the war in the first place. Convenient.
A Japanese friend of mine originally recommended 'Returner' to me, and another friend of ours, knowing full well we are easily impressed by explosions. If, like me, you are easily impressed by explosions and have not yet seen 'Returner', you should stop reading and go watch it right now.
'Returner' is little more than a stylish action movie. Most of the plot seems to be taken from random elements of 'Terminator', ID4, and 'Leon', and styled in a similar way to ID4, 'Matrix', and a fair number of John Woo movies. I must admit that any comparison to the 'Matrix' is a tad unfair, as the 'Matrix' was also made up of elements from nearly every movie John Woo ever made. As a sci-fi / action movie, 'Returner' is entertaining, if a little cheesy. The action scenes are generally awesome and exciting.
'Returner' is a fun action movie. It should at least satisfy hardcore action fans, and should be entertaining enough for anyone looking for a fun movie - 7/10
This Japanese Sci-Fi thriller is actually quite good, and it starts out in a fairly good pace and keeps rolling forward at that pace. The movie is driven by an equal amount of story, action and character development. There are some similarities to the "Terminator" movie though.
"Returner" (aka "Ritânâ") is about Milly (played by Anne Suzuki) who is living in a war-torn future, the year is 2084 and aliens are waging war on mankind, and mankind is losing. In a desperate attempt, Milly flings herself through a vortex, traveling back in to to the days prior to the incident that sparked the war. Here she gets help from a reclusive gunman named Miyamoto (played by Takeshi Kaneshiro).
Story-wise then "Returner" is entertaining and fast paced. The dialogue is good and the characters are alive and colorful.
The effects were good and passes as believable, although I was puzzled at how the driver and gunman disappeared from inside an exploding car as it came crashing down on the road.
Fun and action-filled entertainment, "Returner" is well worth watching, regardless if you like Japanese movies or not.
"Returner" (aka "Ritânâ") is about Milly (played by Anne Suzuki) who is living in a war-torn future, the year is 2084 and aliens are waging war on mankind, and mankind is losing. In a desperate attempt, Milly flings herself through a vortex, traveling back in to to the days prior to the incident that sparked the war. Here she gets help from a reclusive gunman named Miyamoto (played by Takeshi Kaneshiro).
Story-wise then "Returner" is entertaining and fast paced. The dialogue is good and the characters are alive and colorful.
The effects were good and passes as believable, although I was puzzled at how the driver and gunman disappeared from inside an exploding car as it came crashing down on the road.
Fun and action-filled entertainment, "Returner" is well worth watching, regardless if you like Japanese movies or not.
This has admittedly taken a lot of inspiration from Matrix, Terminator, Independence Day, ET, Predator, and probably a few others that I didn't notice. However, it seems more like a tribute to the movies, than a lazy ripoff, as it treats the source material with the respect it requires. The plot is very good, it borrows heavily from Terminator, but it gives it a bit of a twist that is pretty interesting. The science fiction portion of the movie is pretty good; the effects are nothing short of stunning and mind-blowing. The CGI totally mixes in perfectly with the live action, without at any point in the movie looking out of place. The action sequences are fantastic; sure, the action is often heavily inspired by films like The Matrix, but they pull it off pretty good. Some sequences leave you yearning for more. The acting is pretty good. I saw it with English audio, so I can't really say anything about the original actors voices, but the English/American voice actors did their job well. The only negative thing I can say about the film, is that the plot drags a bit in some places. At certain times, the movie seemed to not move on at all. However, this is only a few instances in the first part of the movie, and no one should be discouraged from watching it simply because of that. It's a damn good action/sci-fi movie, as long as you can accept that the concept is not particularly original. I recommend this to anyone who liked The Matrix, or similar films. 8/10
Did you know
- TriviaThe name of the aliens in this film, the "Daggra", is the Tibetan word for "Enemy".
- GoofsDuring the highway chase when the car is blown into the air and falls back down, the cable that was used by the crane to lift the car up into the air so they could drop it again is visible as the vehicle crashes to the ground.
- ConnectionsFeatured in Troldspejlet: Episode #30.9 (2004)
- SoundtracksDig In
Performed by Lenny Kravitz
- How long is Returner?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Returner
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $73,060
- Opening weekend US & Canada
- $29,214
- Oct 19, 2003
- Gross worldwide
- $9,978,256
- Runtime
- 1h 56m(116 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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