Les Désastreuses Aventures des orphelins Baudelaire

First of all, let me go on record saying that I think this is a wonderfully entertaining film. The sets and costumes are perfect; even the little details like the odd instruments on the car dashboard were carefully thought through for their effect. Jim Carrey is perfect as Count Olaf and his disguises, partially because he has always been adept at creating convincing odd characters with his flexible face and voice. The kids were likable, even the cute baby. Thomas Newman's score is a quirky mix that's just right for the film. (I want to ask him if there's a reason why one of his themes sounds like "We Three Kings" gone awry.) I'm writing this comment primarily to respond to the wacky criticisms of LEMONY that I've been reading here on IMDb. Most fall into two categories: 1) people who don't "get" the movie and haven't read the books (and therefore are offended by its dark tone), or 2) adolescents who are obsessed with the books and are disappointed that their little dreams of how the movie should be haven't been perfectly realized (e.g., "the boy doesn't have glasses, so this movie stinks").

Let me address the second group. WAKE UP!! The Lemony Snicket books are a pre-packaged, heavily-marketed series that was deliberately created to appeal to your age group...the Harry Potterites. Unlike the history of J. Rowling and the Potter books, the Snicket books were the result of some money-mad marketing guru coming up with the idea and finding a writer to execute it.

The Snicket series is not "classic children's literature," although I must say that the actual author has done a fun job with the idea (yes, I have read several of the books, in case you're wondering). One Snicket book does NOT equal one Potter book in length or quality; therefore it's perfectly suitable that they put three Snickets together for this movie. The little gimmicks that made the early books amusing (the author's asides to define words, the translations of the baby's gurgles) become tediously annoying tics in the later books. And if you're going to have a tantrum because someone's hair isn't the color you imagined, or an actor is taller than you thought he should be, WELCOME TO THE REAL WORLD of movie adaptations! Perhaps if someone took liberties with Jane Austen, Dickens, or Tolstoy, it would be worth getting upset...but this is LEMONY SNICKET, for crying out loud! Read some real books for a change; not just cynically contrived kiddie lit designed to make big bucks with marketing deals and product tie-ins.

And to the first group I say...lighten up and read a couple of the Snicket books before you lament about the "dark tone," or the abuse of children, etc., etc. It's part of the joke, and one of the aspects of the books that the producers did a good job conveying on screen. In fact, the movie even softened the tone a bit with the touching flashbacks about the missing parents, building a "sanctuary," etc.

And what's with the wonderful, yet thrown-away closing credits? Seems to me these were made for the opening, but they realized that they would conflict with the "faux" Elf movie that starts the film. As someone else said, this is one of the most delightful parts of the film, but my son and I were the only ones who stayed to watch! DON'T LEAVE THE THEATER 'TIL IT'S OVER!

If your childhood was anything like mine, at some point you whined to your parents or another adult, "That's not fair!"--at which point the adult blithely retorted, "Life's not fair." A hard lesson, sure, but one we all learn eventually--life isn't fair; people die, bad things happen to good people, and justice isn't always served. Lemony Snicket's "A Series of Unfortunate Events" books, in which siblings Violet, Klaus, and Sunny Baudelaire start off being orphaned by a fire and then having things go downhill from there, embraces that philosophy with a dark, sly humor that is irresistible. Fortunately, Brad Silberling has kept the spirit of the series mostly intact with this film translation.

The movie encompasses Snicket's first three books, in which Violet (Emily Browing), Klaus (Liam Aiken), and Sunny are foisted off on several guardians by the dimwitted executor of their parents' estate (Timothy Spall). The first and worst of these is Count Olaf (Jim Carrey), a thorough scoundrel who's after the kids' immense inheritance. The children manage to escape, and over the course of the film encounter a kindly snake enthusiast (Billy Connolly) and an ultra-hypochondriac (Meryl Streep), each of whom try to look after the children in their own way. But mostly the Baudelaires look after themselves, each resourceful in their own way--Violet invents contraptions with whatever is at hand, Klaus is a reference desk unto himself, and baby Sunny practices her teething on whatever (or whoever) is convenient. The trio share the sort of unique bond that can only come from having survived a long string of misadventures. Olaf pursues them throughout, aided by disguises which he considers brilliant and which fool everyone except, of course, the ever-observant Baudelaires.

Most of the elements which make Snicket's books so appealing are present here: the entertaining characters, the cleverness of the children, Snicket's delightful black humor (given voice by Jude Law), and even the cunning reverse-psychology promotional scheme of the series (in which the reader/viewer is told, no really, you DON'T want to hear this story, go find something more cheerful, etc.). Carrey gleefully gnaws the scenery as Olaf, and indeed with such a character he can do no less. Browning and Aiken are quite appealing, but the real scene stealer is Sunny (played by twins Kara and Shelby Hoffman). Sunny does not actually speak, but her coos and gurgles are translated via subtitle in a dry and witty manner (another inspiration taken from the series). The production design (combining the best parts of Tim Burton and Edward Gory) creates a fanciful but accessible world which modern inventions like remote car-keys are wielded by characters who dress like they just stepped out of a Victorian melodrama.

It is perhaps too much to ask that the film could have avoided a Hollywood-style attempt to soften its delightfully dreary outlook, or that Carrey could have gone the entire movie without having at least one sequence in which he's just required to be Jim Carrey. But this is kept to a minimum--as Violet herself says, there really is more good than bad here.

LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS puts the spotlight on two kids who suffer an almost Dickensian fate complete with a villainous uncle, Count Olaf (JIM CARREY) and an eccentric Aunt Josephine (MERYL STREEP). The uncle wants to deprive them of their rightful inheritance and pulls all sorts of schemes to do exactly that, each time confronted by the clever children who are always able to escape his clutches.

As the children, LIAM AIKEN and EMILY BROWNING are excellent and believable as they confront their wicked and devious uncle with methods of their own.

Carrey is hilarious in his usual over-the-top sort of performance that suits the material and Meryl Streep is equally skillful in an amusing characterization as the aunt who is afraid of just about everything while supposedly taking charge of the three orphans that show up at her doorstep.

The humor is cleverly imposed on all of the characters, especially Carrey, Streep and Timothy Spall who has a fine time in another good character role. Costumes, make-up, settings are all way above average with the look of the film closely resembling something Tim Burton would devise.

A film that never got its due acclaim, it's well worth your time as a fascinating excursion into another world, both darkly grim and still intentionally humorous in conception. Thomas Newsman's score is a major asset, as is narration by Jude Law.

The end credits is a ten minute long cartoon of such incredible beauty that it is a great shame that most people will never watch it. Simply its some of the best animation to come out all year.

While I can give the end credits a 10 out of 10 I can only give the rest of the film a begrudging 7 out of 10, although it should probably be a 6.5. Certainly this is a fantastically well made movie, that is for the most part very well acted but something is amiss in the tone of the film and so it never really is what it should be.

The story of three children who's parents are killed and who are forced from guardian to guardian by the murderous acts of Count Oloff is pretty bleak. And with a title like "A Series of Unfortunate Events" you really can't expect dancing elves, but the film makers have chosen to add a vein of madcap silliness to the proceedings that works against the rest of the film. It seems as if they were afraid that the material was going to be seen as too dark, which is a shame since its clear from the sequences where they left well enough alone that the film could have stood on its own.

Its a good movie, instead of the great one it wants to be.

Definitely worth seeing.

I first heard of these books when I saw my younger brother reading them. I got curious and when I saw they were making a movie was sure to read the first three before seeing it. Right off the bat, I can tell you that if you are a completely possessive fan of these books you might be rather disappointed by this movie. The movie condenses books "The Bad Beginning," "The Reptile Room," and "The Wide Window" by slicing the first book in half and placing the other two inside of it, like a sandwich. Of course in order for this to be possible the story has to change to make it work, so some elements are not factual. Combine this with Snicket's usually clever details in the book having to be cut down and very loyal fans are going to be disappointed. The movie also adds in a subplot that the first three books do not possess, but that the later ones (according to my brother) do, so I was a bit bothered by having that element ruined if i choose to read more of the series. I, however, understand the difference between books and movies, and think that on the whole they succeeded in keeping the tone and uniqueness of this series. Carrey as Olaf is wonderful and adds something to a character that seems to be rather dry in the books and the children are believable and easy to sympathize with. While humor was scarce, the tone of the books is more clever than humorous anyway. Overall my only issues are plot-wise and how this creates a choppy feel to the film, but I don't know of a way it could have been done better. The movie was well done with(as many are saying) excellent scenery, costumes, etc., yet nothing made this film completely amazing. It is however, worth the time and money and one should definitely read the books. ~Steven C