Meet Aric Blue. He's young. He's handsome. He's successful. He's also a serial killer. He picks his victims at random, stalking them and taking advantage of the patterns in their life to kil... Read allMeet Aric Blue. He's young. He's handsome. He's successful. He's also a serial killer. He picks his victims at random, stalking them and taking advantage of the patterns in their life to kill them. He's the ultimate serial killer. But when he finds his next victim already dead, a... Read allMeet Aric Blue. He's young. He's handsome. He's successful. He's also a serial killer. He picks his victims at random, stalking them and taking advantage of the patterns in their life to kill them. He's the ultimate serial killer. But when he finds his next victim already dead, a note on the body reading: "I'VE GOT YOUR PATTERN", Aric realizes he's being stalked by a ... Read all
- Awards
- 3 wins total
- Doug Fellows
- (as James H. Fellows III)
- Charles Anders
- (as David Gil)
- 2nd Movie Victim
- (as Bradley Pfeffer)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A serial killer, Aric, who has no pattern to follow narrates his inner thoughts as he takes you on a journey of human hunting. His theory is that every one has a pattern and once he establishes yours, your number is up. As he is moving along without a hitch, he discovers that a fellow serial killer is hunting him. A battle of which one can outdo the other's murder ensues along with the cornyness of each one hiring a P.I. to follow the other. Aric gets a hold of his stalker's information and now they hunt each other. I don't want to say anymore in case you would like to see it. It's worth a look in my opinion if you have too much spare time.
That's okay. The scary part were the crew credits, where many of the names of the actors reappeared in other capacities. Since it is rare to find excellent crew people who can really act, or excellent actors who work on crews, I correctly feared for the quality of the movie. The bottom line was that the film managed to develop some good energy when it stuck to essentially MOS (mit-out-sound) footage accompanied by voice over. However, there wasn't a single good dialogue scene in the film. Technically, the sound recording itself was horrible, but not anywhere as bad as the acting itself. The lead, Rick Ganz, is adequate, but I would venture to say that the guy who plays Aric's annoying co-worker gave the worst performance I have ever seen in a commercially released film. This is all a shame because this film offered a fresh and original perspective on the tired serial killer genre, and small snatches of it worked reasonably well. This was a frustrating movie. I wish it were better.
The bad- for the most part was the sound mix. It sucked, you could pick out where sound tracks were added- not much was seamless. I don't know if this was shot on 16mm or super -16, but you could often hear the camera sound. Until I heard the camera sound i thought iit was shot on a cheap miniDV cmaera. i don't know why the footage looks below average, but it wasn't too distracting.
But i'd have to say that the orchestral score ROCKED. it was great. don't know where you got it, but it was really good.
Ultimately I respect what the filmmakers were doing, and I say keep rockin'. There was a good story here. Just get better actors and a better camera next time. Rick and Kevin rock, though.
Did you know
- TriviaPolice found the DVD in "Highway Killer" Adam L. Lane's truck.
- Crazy creditsThe Director does not wish to extend his personal thanks to the following for a variety of reasons: Kodak, Peri, Mr. Lah-Lee, Annapolis Mall Security, Al & Doug.
- ConnectionsFeatured in Autopsie d'un meurtre: Call the Coroner (2016)
- Soundtracks3 murders, 3 nights
Written by Powell, Charles Levi (as Levi), Nogood, Black
Performed by Hellbent
From the Album "Regurgitator"
Courtesy Invisible Redords
Details
Box office
- Budget
- $21,000 (estimated)
- Runtime1 hour 29 minutes
- Color