Alexandra's Project

Yes, this movie is probably the height of sickness. And it probably should be rated <R> instead of <MA15+> But it was kind of interesting. This is a female revenge type movie, but not your typical thelma and louise. Most of the film is a video that the wife has taped, which some find tedious but it puts a bit of a spin on it. The greatest irony in the movie is that the husband works for the Australian psychological society but has not picked up on the fact that his wife is suffering acute depression. DO NOT TAKE KIDS WHO ARE UNDER 15 TO SEE THIS (unless you really don't care about censorship, which i don't but i'm just warning the general public). But if you don't mind an interesting flick which is based on a bad marriage and a screwed up housewife, then you may enjoy it.

"Alexandra's Project" begins masterfully, setting a dark and heavy mood long before the plot reveals itself. When the plot does reveal itself, it is done craftily, piece by piece, as if you were a bird being led into a trap one crumb at a time. This is exactly how the main character is trapped also.

For the first hour I loved this film and couldn't believe I had never heard of such an intelligent thriller before. This abruptly turned when the complex story quickly unravelled to a cheap rip off of every bad Hollywood cat-and-mouse flick ever made.

How did this happen? Because the lead character who, for the first half of the movie, was shown to be smart, resourceful and level-headed, turns into a whiskey swilling moron, gets drunk and spends the the last half of the movie soaking in self-pity while not taking the obvious actions to fix the situation.

That's what I mean in my title. You will be so aggravated at how dense the main character becomes that you will likely hurl your popcorn at the screen in disgust. Like in those cheap slasher flicks when the murderer is hiding in the house, and somehow the idiot victim decides it's a good idea to go into that dark room anyway. Cheap thrills are fun in cheap movies, but I was led to expect a bit more from this award-winning film.

The message of the film itself, offensive as it may be to some, wasn't what bothered me. The movie ridicules feminism by portraying the villain as a rabid, man-hating, feminist psycho. But my gripe isn't about that. My gripe is the fact that the villain's plan turned out to be totally half-baked, and only a total dolt would play into it. A simple call to the cops, and all the bad guys could've been traced, rounded up and punished. But no, instead let's get plastered on whiskey and feel sorry for ourselves until the end of time. As others have commented, the characters and their actions defy sensibility.

I actually recommend that you watch this film so you'll see how a great idea can come apart with shoddy writing. This movie will probably leave you feeling sickened, not by the plot or the director's message but simply by the director's ability to ruin an otherwise good idea. Four stars out of 10, only because it did keep me interested for an hour.

An ambitious film, which continues in the tradition of De Heer's fearless tackling of issues which began with the confronting "Bad Boy Bubby". Despite "Alexandra's Project's" interesting premise, the film fails to sustain emotional impact on the viewer, thanks to the scant nature of the plot. In what boils down to be one woman's tirade against her partner's sexual aggression, this film is so heavily weighted towards her own perspective, the viewer is never emotionally complicit, because the film fails to deliver a full and realistic portrait of the marriage. We briefly witness the family's interaction, but after that, we are left to consume Alexandra's bitterness - and believe it.

Gary Sweet delivers a raw and emotional performance, and Helen Buday as Alexandra is polished and convincing. Her character, however, is two dimensional, and, by the end, the viewer is left in a state of not caring about her actions. Add to this Alexandra's unbelievable and unjustified final torment, and you are left with a film which had a fantastic concept at its core, but sustains only a mildly successful delivery.

For a good De Heer film, get "The Tracker", which is more subtle, and a more accomplished piece overall.

This film is certainly not for everyone. If you loved `Lantana', then you might be ready for Rolf de Heer's `Alexandra's Project'. My late-20's son recommended I see this. His summary was that it simplifies and summarises a very complex issue - this issue of sexual politics between men and women within long-tern relationships.

This film is not meant to be realistic. It is meant to confront and to shock and to anger the viewer. Your response to this film will tell you everything about yourself, but little about the film. I consider it a rare work of genius. But it is obviously not for those looking for a nice night's entertainment.

Recently on `Big Brother 4' in Australia one of the young female evictees mentioned to Gretel Killeen, the host, that she hadn't removed all her clothing whilst showering in the BB house because her boyfriend had asked her not to, and she wanted to respect his wishes. Killeen replied with, `But it's your body, and it's your choice as to what you do with it.' The 22-year-old (who'd entered the BB house to `find herself'!!!) said `No, I wouldn't like it if the situation were reversed and he took off all his clothes.' This film is for girls like that!!! Unfortunately, the point would be lost on girls who believe that their boyfriends have ownership of their bodies. They would find this film boring and pointless.

For this reason, I feel that this film perhaps only speaks clearly to those - like myself - who have a personal experience of the issues it raises. Watch for the brief moment when Sweet's character fast-forwards through the tape when his wife begins to tell him - obviously for the umpteenth time!! - how unhappy she is. He says, `Yeah, yeah, heard it all before.' That moment was a concise metaphor for their relationship. Yes, the outcome is extreme, but it's not meant to be a skip and a dance down reality road.

See it if you dare.

The movie was perfectly shot. I was nervous and afraid from beginning to end. The director brought me along every step of the story. The acting is spectacular. What shocked me the most about this movie is the utter, pure hate. I have one question though: what is wrong with Anglo-Saxon culture? What inspired Rolf De Heer to write a story about a woman who hates her husband so much that she wants to humiliate, debase, destroy and keep him from his own children forever. I understand that she would want to get back at him for having humiliated and neglected her but not want him killed alive. I've noticed that women in Anglo-Saxon movies can be protrayed as extremely hatefull and vendictive. This movie made me realise how bad things could become between two people. If anyone wants to get married they should first see this movie. Then if they still want to, they will have been forewarned.