Jericho Mansions

Alberto Sciamma's "Jericho Mansions" is a strange film that hides a secret we are not going to be told until the end. This is a story of a building super, who is evidently slow, or mentally challenged. The film is mildly engrossing and it shows a director whose sensibilities seem to be rooted in European film making.

At the center of the story we have Leonard Grey, who we realize early on has a mental problem. The landlady, Lily Melnick is a horrible woman who seems to get pleasure in berating her employee. We wonder, why not fire him? Well, that's not possible because we discover toward the end the nightmare Leonard has gone through in his life and how the truth has eluded him all the years he was under Mrs. Melnick's employment.

James Caan makes a rare appearance in this indie production. He is good as the super that seems to be perplexed by all what's going on around him. Genevive Bujold, rarely seen these days, also makes an interesting landlady from hell. The supporting cast does good work under Mr. Sciamma's direction, notably Jennifer Tilly and Maribel Verdu.

"Jericho Mansions", while not breaking new ground, is different in the way the story is presented and developed.

The most accurate description of this film is to say it is a cross between Roman Polanski's "The Tenant" and Marc Caro & Jean-Pierre Jeunet's "Delicatessen." Though not quite as successful as either of those two films, it is nonetheless worth checking out. Despite a few holes in the story and some derivative film-making, there is much of interest here. The art direction is fine, James Caan's performance is quite good, Genevieve Bujold and Jennifer Tilley are lots of fun, and the director is quite astute at making the apartment building a character in itself. Overall the film has a surreal, haunting quality that resonates long after viewing.

There seems to be several pieces missing in this puzzle. A phone call from a sister intensifies a landlady's inexplicable mistreatment of her slow agoraphobic building superintendent. The butt of jokes among the local cops, she once again accuses him of theft but nothing is ever found. But after thirty years, the super's confusing dreams of what appears to be a bad spaghetti western suddenly come into focus when he becomes the focal point of a brutal murder. Has he murdered someone while sleepwalking? The tenants bear witness to his wild swings of passivity and passion.

Wildly confusing at times, it all becomes crystal clear in the end when we discover why the landlady is sure the super has been stealing from her for years. When at last, he comes to understand who and what he is, will he actually know what it is he wants? When the ones who desert it, get what they deserve, will he get what he wants and deserves? For those who willing pay attention and stick this movie out, they will enjoy having all their questions answered.

"Jericho Mansions" is a seriously eccentric indie thriller with a surprising amount going for it. Acting heavyweights James Caan and Geneviève Bujold are both featured in inspired late career turns. Caan gives a nuanced, intricate performance as the mistreated handyman for an apartment building. Bujold reaches for the rafters as a wrathful landlord that despises Caan and wants to see him put away. They're really fun to watch together, with the always welcome bonus of Jennifer Tilly to add to the camp and surreality.

In addition to the strong performances, this arty film sports an elaborate visual style that punches way beyond its meager budget. There's even unusually effective use of CGI to explore the building's cavernous interiors. There's probably a little too much going on in this very ambitious movie: it can be tough to keep track of the apartment dwellers and their significance to the story. Still, things wrap up with a bang (!) and I was thoroughly satisfied.

This film is so bad it's definitely good. A decent cast led by James Caan & Genevieve Bujold, a tortured script and one of the best buildings ("Jericho Mansions") in cinema since "the Bates Mansion" of Alfred Hitchcock's 1960 classic black comedy "Psycho." I would not be the least surprised if this perfect bomb eventually became a cult classic. Maybe if it could get an extended Halloween run at an Art House cinema in Cambridge (MA)? The dialog is pure camp and the cinematography is so confusing and disjointed that a viewer could begin wondering if their sanity could really be counted upon if reality were to be ever so slightly tweaked. In spite of all this it miraculously, somehow, works! From one bad scene to the next one finds oneself, almost hypnotically, waiting to see what will happen next.

To avoid including any spoilers I will not comment on the plot. Basically, it probably can be categorized as belonging to the "Mystery" genre but this does not do it full justice as it has aspects of comedy, both black, screwball and otherwise, as well as farce and satire.

I would not hesitate to recommend this one to anyone looking for an escape from the mind numbing mainstream cinema that is afflicting the public in these times.