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Emile

  • 2003
  • R
  • 1h 32m
IMDb RATING
6.3/10
838
YOUR RATING
Deborah Kara Unger and Ian McKellen in Emile (2003)
International Trailer for Emile
Play trailer2:19
1 Video
13 Photos
Drama

In a story weaving the past and present together, Emile seeks redemption from the family he abandoned.In a story weaving the past and present together, Emile seeks redemption from the family he abandoned.In a story weaving the past and present together, Emile seeks redemption from the family he abandoned.

  • Director
    • Carl Bessai
  • Writer
    • Carl Bessai
  • Stars
    • Ian McKellen
    • Deborah Kara Unger
    • Theo Crane
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    838
    YOUR RATING
    • Director
      • Carl Bessai
    • Writer
      • Carl Bessai
    • Stars
      • Ian McKellen
      • Deborah Kara Unger
      • Theo Crane
    • 16User reviews
    • 9Critic reviews
    • 58Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 3 nominations total

    Videos1

    Emile
    Trailer 2:19
    Emile

    Photos12

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    Top cast10

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    Ian McKellen
    Ian McKellen
    • Emile
    Deborah Kara Unger
    Deborah Kara Unger
    • Nadia…
    Theo Crane
    • Maria…
    Tygh Runyan
    Tygh Runyan
    • Freddy
    Chris William Martin
    Chris William Martin
    • Carl
    Ian Tracey
    Ian Tracey
    • Tom
    Janet Wright
    Janet Wright
    • Alice
    Nancy Sivak
    • Superintendent
    Frank Borg
    • Taxi Driver
    Sean Behnsen
    • Graduating Student
    • (uncredited)
    • Director
      • Carl Bessai
    • Writer
      • Carl Bessai
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews16

    6.3838
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    Featured reviews

    5postglock

    Brilliant acting, but flawed direction

    Wonderful performances by all actors involved, Ian McKellen especially gives a typically intelligent and nuanced rendering. The plot is solid, but the main flaws lie in the tedious direction, cinematography and editing. Flashbacks are overused and signalled with horrendous transparency. The direction is terribly heavy-handed, which is unfortunate; plot-lines that are already capable of arousing viewer sympathy are then dwelled upon with even less subtlety. The ponderous soundtrack would be palatable under normal circumstances, but rapidly becomes irritating when prefaced by a "have you ever...?" question and combined with slow-motion, sepia effects. There is also a problem with the audio, where inconsistent mixing/mastering have allowed too many low-mids in the mix about half of the time, making some of the dialogue indistinct.

    Worth watching if you appreciate Ian McKellen's work, but expect to lose interest by the end.
    7theunholy-1

    A very thoughtful story, a great character movie. If you're looking for another meaningless blockbuster don't try it.

    Emile is an upper-class British man, a university professor who just retired. But also a man who has a past to deal with. Four decades ago he was a young farmer in Saskatchewan, living with his two brothers on the farm he was born. Their parents died young, making them responsible too soon of the family's farm.

    The youngest brother wanted to be a writer, Emile wanted to be a scientist. They both didn't really care about the farm, which was unacceptable for their older brother for whom it was their fate. Therefore he became angry and violent, continuously putting them under pressure.

    Emile found his way out with a scholarship to study in England, a premeditated way to abandon them and never look back. A country thousands of miles away to start all over, and forget. He only came back once ten years after when his two brother died to rent up the farm, learning he was the only family left of his young niece and left her in an orphanage without even seeing her. He went back alone to England and never came back.

    Forty years after he first left, he has to go back for a second time, to receive a degree from a Canadian university. And now that he's an old man, he feels it's his last chance to make peace with his past and his niece...

    Emile is a wonderful story about terrible choices we sometimes have to make. About unforgivable wounds you have to find a way to forgive.

    During the whole movie there's a terrible tension between Emile and his niece. They both have a terrible need to know each other, and a terrible need to talk about the past, and you see them finding their way through, step by step.

    Every moment has its emotion, every actor is brilliant, every line is thoughtful. You just let yourself go in the movie and finish it to think about yourself, about life, about your own choices. About things you've done and may need to be forgiven for. A true movie my friends
    5john-wildfong

    fans of Deborah Unger will not be disappointed.

    This is definitely a character based movie. As such it's never a total waste to watch Ian McKellan work - playing someone trying to come to terms with the difficulties and poor choices in his past, and Deborah Unger truly nails her character - a woman who is bruised and bitter but determined not to give up on life. It's always a treat to see a movie filmed in Canada that doesn't pretend to be somewhere else. Alas the resolution seemed a little too easy and contrived, and I found the soundtrack monotonous and intrusive.
    10bmatt-1

    Wonderful performances

    Ian McKellan does a compelling rendition of an aging man come back to revisit and face his past indiscretions. This is augmented by some wonderful performances by some remarkable Canadian actors. Particularly Tygh Runyan and the young Theo Crane. They give refreshingly honest and real performances.
    8marysia

    Easy to identify with

    I liked the movie a lot more than I expected. Not that I thought it was going to be a bad movie, but I had no real concept of what I'd think of it so really enjoying it was a nice surprise. We had heard it was slow, but I actually found it to be quite gripping and as such it didn't appear slow at all. At first it was a little distracting watching the movie with Ian McKellen two rows behind us and a couple of seats along, but my focus settled down as we got further in. Not particularly helped by the antarctic blasts of cold coming from the air conditioning right in front of me. I'm lucky I didn't die of hypothermia before the end of the evening. The movie was much more easily identified with than you might expect, being a movie about a 65 year old man and me being anything but. The theme was something I think can get to anyone and what really got me was the story of Emile leaving his two brothers behind and what happened to them subsequently. I think anyone who moves away from their family can understand the need to separate and how easy it can be to let that separation become too vast. As someone who has never lost a close member of my family, and lives in vague terror of the day it finally happens (as it must do unless I'm hit by a bus in the near future), I found the movie very touching and even teared up a couple of times. On a less precise scale, Emile's flaw was that he ran away from responsibility and difficulty and as a result never really lived his life, as far as we can tell. It's always easy to tell ourselves that what we're doing is for the best, but often that can be an excuse for not doing something that seems too hard.

    The only flaw I would pick with the movie is that occasionally the music was a little too much. Aside from that the acting was excellent, the script was excellent and the shooting was beautifully done. I think a lot more people will find something to associate with in this movie than might think they would. Have you ever moved away from home? Have you ever not kept in touch when you knew you should? Have you ever been hurt by or betrayed a family member?

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      While in British Columbia, Sir Ian McKellen developed an obsession with Beaver Tails, a long donut with sugar on it. He told Director Carl Bessai that his character had to have a line with "beaver tails" in it, which is how that piece of dialogue got into the movie.
    • Goofs
      The film was shot in British Columbia but some parts of the action are set in Saskatchewan. In one Saskatchewan scene, there are mountains on the horizon. There are no mountains in (or visible from) Saskatchewan.
    • Connections
      Featured in Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004)

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    Details

    Edit
    • Release date
      • January 9, 2004 (Canada)
    • Countries of origin
      • Canada
      • United Kingdom
    • Language
      • English
    • Also known as
      • Эмиль
    • Filming locations
      • University of Victoria, Victoria, British Columbia, Canada
    • Production companies
      • BV International Pictures
      • Emile Productions Inc.
      • Helkon SK
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • CA$3,000,000 (estimated)
    • Gross US & Canada
      • $5,799
    • Opening weekend US & Canada
      • $1,529
      • Feb 6, 2005
    • Gross worldwide
      • $5,799
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 32m(92 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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