Sherlock

After reading comments on IMDB for some some years now I'm beginning to think that there are an awful lot of self-styled film critics on the board that believe they'll be taken more seriously if they sneeringly disparage everything they see. True, it's easier to carve up a film than really critique it, but that ill serves the other board visitors who are mostly trying to get an impression of a movie to see if it's worth seeing.

This is far exaggerated with any Sherlock Holmes film, since they (including me) can be pretty picky and very purist in outlook. I don't mind straying a bit from The Canon, or even taking a severe liberty or two if the end product is enjoyable. I was perfectly prepared, of course, to dislike this made-for-TV movie and went in expecting very little. I was pleasantly surprised.I enjoyed it.

It took many liberties with The Canon, to be sure, but I enjoyed the several departures from established plotlines and character. It's hard to take new approaches to this genre, and I think this one worked well in the end.

I'd give it a good honest seven, or thereabouts, which is more than I'd give most of the critics on this Board. If you're a Holmes fan, watch this one. It's miles better than some of the sappy efforts we're used to.

The dullest,most unconvincing piece of acting since Anna Nicole Smith told everyone,she wasn't marrying the eighty year Texan Billionare for his cold hard cash. The accents are laughable...I was waiting for Dick Van Dyke to appear,and shout,"Cor blimey Sherlock Holmes..you're a proper gent and no mistake...Gawd bless you Guv'nor".. And as for you Richard E Grant...shame on you...give your agent a slap.

I saw this movie recently with the very greatest of hopes.

I have been a Sherlock Holmes fan for as long as I can remember, so when I saw the box for this film on the shelves at my local video store, I yanked it up without even looking at the synopsis on the back. After watching the movie, I might have enjoyed the synopsis more...a LOT more.

The characters were two-dimensional and under-developed at very best: no depth at all was brought to any one of them, but for the struggling Rebecca Doyle, portrayed by Gabrielle Anwar...and in this setting, finding anything to like about her was a struggle. James D'Arcy never even saw the mark in attempting to bring humanity to the legendary Holmes; he just came off weak and vacillating in D'Arcy's hands. Vincent D'Onofrio - of whom I am an incredible fan normally, and who is notoriously known as "the Human Chameleon" for his most uncanny ability to lose himself in a role - just phoned this performance in, when I'd have loved to have seen a far more layered interpretation of this legendary bad guy. Roger Morlidge does a serviceable job of Dr. Watson, but it's just not enough.

The plot was presumptuous of far too much detail relevant to the Holmes legend to introduce such intricacies as the reasoning behind the heroin addiction suffered by he and his brother, without providing much substantive sub-plot to make it plausible...or even make us care.

The fencing battles between Holmes and Moriarty are well-executed, but only consume a cumulative twenty minutes of the film at the very most.

Writer Piers Ashworth didn't think outside the box in his creation of this "new perspective", he just created a new box and hopped right in. Director Graham Theakston didn't seem to even attempt to transcend the poor scripting with crafty, smart, or inspiring visuals.

I just didn't get it.

A young private detective Sherlock Holmes becomes famous overnight when he discovers and kills the most dangerous man of England; Professor Moriarty. The fame is short lived as a series of killings start that indicate Moriarty being still alive. Holmes sets out to discover the truth with a help of Doctor Watson, a mortuary who takes interest in Holmes' cases.

I watched this movie "Sherlock: A Case of Evil" (2002) during sort of a Holmes obsessed time in my life, even when I had heard lots and lots of bad things about it. To tell you the truth, movie is not all bad. Production value is decent, sets and costumes nicely Victorian, and music, while a bit modern, not at all distracting. The plot also had some nice things going on for it, I thought the idea of Moriarty inventing heroin was clever, and there are some touches for Arthur Conan Doyle's stories like the rifle-stick and the game Sherlock and Mycroft play.

So the story is not the worst thing here. The characterization is. This film wants to be sort of beginning for Holmes career as the famous detective we all love, wanting to explain his drug addiction and why there is no romance in his life. However, as the film starts Holmes is hot-headed party favorite who likes to have a different girl every night (sometimes two). His sudden change at the end to the Holmes of Doyle's stories is not a least bit realistic. It also doesn't help that James D'Arcy isn't least bit interesting. Well, he's not as annoying as Matt Frewer but still horribly miscast here. I can understand they wanted to make Holmes younger but they should have found someone else.

Richard E. Grant seems a bit wasted in this movie, playing Holmes' brother Mycroft. I can't believe that he's already appeared in two Sherlock movies (other being The Hound of the Baskervilles with Richard Roxburgh) and not having played Sherlock himself, even when he has the perfect looks for the part. On the other hand, I did like Watson in this movie, played by Roger Morlidge. It's interesting to see that Watson doesn't become Holmes' best friend instantly but actually dislikes the detective very much first. Gabrielle Anwar as Holmes' supposed love interest is just a wallflower.

The highlight of this movie for me was Vincent D'Onofrio's portrayal of Moriarty. It's a bit sad to say so because he is awfully campy and theatric, nothing like Professor Moriarty from Conan Doyle's stories, but he does play a competent villain. Though God only knows what kind of accent he is trying to have.

All in all, "Sherlock: A Case of Evil" is not the worst Sherlock Holmes movie I have seen and while it certainly could be a lot better with very little effort, it does make a nice evening watch. However, if you really want to see a film of Sherlock Holmes' early years that actually tries to keep characters faithful to Arthur Conan Doyle's stories, watch Barry Levinson's 1985 underrated movie "Young Sherlock Holmes" instead.

I must admit to having enjoyed Young Sherlock Holmes, as unfaithful to Doyle's stories as it may have been. But there are limits.

A Case of Evil is simply dreadful. The Holmes played by James D'Arcy is a man completely ruled by his passions, the very opposite of the character portrayed by Doyle, who occasionally showed an appalling indifference to justice, enjoying the solution of a puzzle for its own sake and ignoring the suffering of innocent victims.

The movie begins with Holmes apparently killing off Moriarty, and follows with the nation celebrating him for the gallant deed. Huh? According to Doyle, practically no one but Holmes was aware of Moriarty's role as the Napoleon of Crime. Holmes bragging of murdering the man should have gotten him locked up.

The whole thing seemed to be an excuse for making Moriarty responsible for the invention of heroin. This involves Sherlock's original grudge against Moriarty to be the addiction of his brother Mycroft, portrayed as a pathetic wimp by the wasted talents of Richard Grant, who made such a grand villain in a recent version of The Hound of the Baskervilles.

I must admit that I was spellbound whenever Vincent d'Onofrio's Moriarty was chewing up the scenery. Quite a contrast from his portrayal of Conan creator Robert E. Howard as deluded hick in The Whole Wide World.