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5.5/10
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A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.
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Nikki Barnett
- Bernadette
- (as Nikki Barnette)
Mary-Colin Chisholm
- Sarah
- (as Mary Colin Chisholm)
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this was without a doubt one of the best books i've ever read. i just finished it this weekend and was so excited to find out that it had been made into a movie AND that it was playing today on lifetime. now i wish i hadn't found out. this is quite possibly the WORST movie i've ever seen - the acting is horrendous and they ruined an amazing book. i usually love to see other people's interpretations of books i've read (and love cheesy lifetime movies), but not in this case - don't waste your time!!
This movie is absolute craziness! You heard, as I said, it's a film about eating disorders, and being anorexic yes, but is there a life lesson? Moral value? No. First of all, the mother in this movie insists her daughters be stick thin which is not a real body type at all (my mother's parents are the same way), and puts pressure on her daughters for how they look. With that, Shelly is driven to anorexia, and in a mental hospital and drives herself completely insane, and gets all these websites, and kills herself and is alarmingly thin. It shows no life lesson or moral value, because nobody talks to her about her anorexia. I, for one was anorexic at a young age, but I'm well now because I had the help I needed.
So, I really wouldn't recommend this movie. It can screw you up if you believe the crap that goes on in it. What this world needs to learn is positive thinking, and that magazines and junk like that aren't real. It's all airbrushing and camera angles. Not the real thing.
So, I really wouldn't recommend this movie. It can screw you up if you believe the crap that goes on in it. What this world needs to learn is positive thinking, and that magazines and junk like that aren't real. It's all airbrushing and camera angles. Not the real thing.
Hunger Point got my attention because of Barbara Hershey's name. She would not lend her respected name to an ordinary tale of eating disorders. Before giving this Lifetime film a try, I can recall watching no other treatment since the major network TV movie of Karen Carpenter's tragic struggle (1989). Hershey plays a difficult role with empathy, allowing us to care for her even as we see the horror of her well-intentioned child-raising habits. How else can her younger daughter, who is so clearly torn by conflicting feelings, keep going back to her?
Other subtleties are implicit in this younger daughter's characterization: Frannie Hunter as played by Christina Hendricks. For most of the film Frannie sees wrong only in the way others live their lives, and resists all hints that she needs help too (like family members affected by someone's drinking, usually seeing the drinker as the only sick one, slow to realize they've become sick too). The eating disorder (ED) counselor was also played with subtlety: to the uninitiated, a less than ideal worker; to the experienced, doing her best in an greatly discouraging medical field.
After watching Hunger Point, I wanted to check the names of the writers, but first saw the name of the director: Joan Micklin Silver. As soon as I Googled her name I saw she's one of the outstanding directors of the last thirty years, first coming to my attention with Crossing Delancey. At the time (1988), I noticed only the critical praise, not the director's name. After reading about her list of contributions to film, I have no doubt she wanted to work on this film because it was worthy, one of the better treatments of eating disorders even if it comes seemingly late, when the general public is tired of the theme. In time, I have no doubt this film will stand out from the rest, and will be recommended viewing for many people caught up in the ED cycle.
Thanks to writers Jillian Medoff and Deborah Amelon for the novel and screenplay that attracted Barbara Hershey's talents, and the great directing skills of Joan Micklin Silver.
Other subtleties are implicit in this younger daughter's characterization: Frannie Hunter as played by Christina Hendricks. For most of the film Frannie sees wrong only in the way others live their lives, and resists all hints that she needs help too (like family members affected by someone's drinking, usually seeing the drinker as the only sick one, slow to realize they've become sick too). The eating disorder (ED) counselor was also played with subtlety: to the uninitiated, a less than ideal worker; to the experienced, doing her best in an greatly discouraging medical field.
After watching Hunger Point, I wanted to check the names of the writers, but first saw the name of the director: Joan Micklin Silver. As soon as I Googled her name I saw she's one of the outstanding directors of the last thirty years, first coming to my attention with Crossing Delancey. At the time (1988), I noticed only the critical praise, not the director's name. After reading about her list of contributions to film, I have no doubt she wanted to work on this film because it was worthy, one of the better treatments of eating disorders even if it comes seemingly late, when the general public is tired of the theme. In time, I have no doubt this film will stand out from the rest, and will be recommended viewing for many people caught up in the ED cycle.
Thanks to writers Jillian Medoff and Deborah Amelon for the novel and screenplay that attracted Barbara Hershey's talents, and the great directing skills of Joan Micklin Silver.
this movie does address some key issues. If one compares it to other movies of this type, it is certainly much better, than say, the Lifetime movie with Lynda Carter, same subject, (forgot the name of the movie, though!!) Christina Hendricks and Susan May Pratt are the daughters of a neurotic mother who has also made her rounds through therapy, Valium addiction, etc. (The movie may have explored her pathology more, to better explain the daughters problems). Both actresses are excellent, and Barbara Hershey fits the bill, as the mother who is overbearing and vain.
Susan May Pratt is the anorexic, I will not delve into the outcome, but she is quite good in the role. We see the denial and control issues of her mother, and the selfishness of her sister (Christina Hendricks); who flirts with an intern at her sister's hospital. We also see how later she has deluded herself, and how the doctor cannot even remember the patient's name; I thought this was quite realistic, and have experienced a similar situation; the anorexic patient and family puts their trust in a physician, only to be let down.
We see the general despair, denial and blame that families have in a situation like this, especially when any psychiatric problems are addressed; the family reacts differently; Barbara Hershey throws herself into work, the father goes into denial, and the sister experiences depression.
All in all, a good movie that at least explores emotional issues, instead of the tired idea that ..."girls want to be models"...it is so much deeper than that; self-esteem, career, women's roles and societal pressures are all part of this, and it doesn't seem society has gotten any smarter in the last 20 years, since anorexia was first addressed by the media, and medical organizations as an epidemic.
The book is certainly excellent, and Jillian Medoff, the author, also has a website, I hope she will continue to write about women's issues, as she is so empathic and astute.
Finally, if you cannot talk to your daughter about these issues, have her watch; she will certainly relate to the daughters in the movie, and Frannie (Christina Hendricks) is a real character who develops into a mature healthy young adult, at the end of this film.
Susan May Pratt is the anorexic, I will not delve into the outcome, but she is quite good in the role. We see the denial and control issues of her mother, and the selfishness of her sister (Christina Hendricks); who flirts with an intern at her sister's hospital. We also see how later she has deluded herself, and how the doctor cannot even remember the patient's name; I thought this was quite realistic, and have experienced a similar situation; the anorexic patient and family puts their trust in a physician, only to be let down.
We see the general despair, denial and blame that families have in a situation like this, especially when any psychiatric problems are addressed; the family reacts differently; Barbara Hershey throws herself into work, the father goes into denial, and the sister experiences depression.
All in all, a good movie that at least explores emotional issues, instead of the tired idea that ..."girls want to be models"...it is so much deeper than that; self-esteem, career, women's roles and societal pressures are all part of this, and it doesn't seem society has gotten any smarter in the last 20 years, since anorexia was first addressed by the media, and medical organizations as an epidemic.
The book is certainly excellent, and Jillian Medoff, the author, also has a website, I hope she will continue to write about women's issues, as she is so empathic and astute.
Finally, if you cannot talk to your daughter about these issues, have her watch; she will certainly relate to the daughters in the movie, and Frannie (Christina Hendricks) is a real character who develops into a mature healthy young adult, at the end of this film.
When I saw the previews for this movie I was intrigued. I was expecting a movie about a young woman who was battling anorexia that delved into how it all began and followed her along her struggle. However the "background information" that would set up the childhood of this suffering character is quickly plowed through and immediately she is checking into a hospital.
There are a few heart breaking scenes that, despite some cheesy and ill-delivered lines, are haunting. When Frannie and Mother first visit Shelly, her utter anger is portrayed extremely well. This is someone who controls her eating because she feels her life is in a tailspin and everything else is out of her control. The other scenes is the two sisters in the restaurant and Shelly asks Frannie to order the sandwich and put on "more dressing" and is practically salivating.
Then 'Hunger Point' meets a fork in the road of the plot and goes in another direction. Shelly becomes an underlying theme or can even be considered a catalyst, for the rest of the film.
If you watch this movie expecting it to be centered around Shelly, it ends up being about Frannie. But if it reruns, I'll tune in. You must at least once!
There are a few heart breaking scenes that, despite some cheesy and ill-delivered lines, are haunting. When Frannie and Mother first visit Shelly, her utter anger is portrayed extremely well. This is someone who controls her eating because she feels her life is in a tailspin and everything else is out of her control. The other scenes is the two sisters in the restaurant and Shelly asks Frannie to order the sandwich and put on "more dressing" and is practically salivating.
Then 'Hunger Point' meets a fork in the road of the plot and goes in another direction. Shelly becomes an underlying theme or can even be considered a catalyst, for the rest of the film.
If you watch this movie expecting it to be centered around Shelly, it ends up being about Frannie. But if it reruns, I'll tune in. You must at least once!
Did you know
- TriviaThe final film of Joan Micklin Silver.
- SoundtracksOnly Way
Performed by Blaise Pascal
Written by Blaise Pascal, Matt Chapman and Roy Salmond
Courtesy of BMG Music Publishing
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- Hunger Point
- Filming locations
- Dartmouth, Nova Scotia, Canada(Oakwood Terrace)
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