Actions de défense

In the battle for civil rights in the south, it wasn't all about turning the other cheek and not defending yourself. SCLC, CORE, and SNCC garnered the most headlines due to such tactics, but there were a number of African Americans not willing to be human pinatas. The Deacons for Defense were one such group.

"Deacons for Defense" takes place in Bogalusa, LA in 1965. The biggest employer there was the Patterson Paper Plant. They employed Whites and Blacks, they were segregated, and Blacks couldn't rise above the lowest paying jobs. On the national scene Lyndon Baines Johnson was the president and he'd just signed the Civil Rights Act, yet its effect hadn't taken hold in many parts of the south. When a couple of northern white men, Michael Deane (Jonathan Silverman) and Charles Hillibrand (Adam Weiner), came to Bogalusa to reopen the national civil rights office they were met with mixed emotions. There were those who relished their presence and their mission, while there were those who dreaded it. Marcus (Forest Whitaker) was one who disdained their presence. But that all changed when his daughter was beaten for marching. He would go on to form the Deacons for Defense.

This movie does two things:

1. It shines a light on some lesser known, but instrumental people in the struggle for civil rights and

2. It presented the non-violent v. armed defense argument.

As a TV movie, "Deacons for Defense" lacks the budget and cinematic quality of a theater-released movie, but it still gets the point across. Mississippi and Alabama weren't the only southern states coming down hard on African Americans-- Louisiana had its dirt too--but in one small community they stood their ground.

I saw this excellent film and was so impressed with the performances. Forrest Whittaker, in one of his strongest roles, proves once again he is one of the most under appreciated actors working today. In a town of Louisiana in 1964, at the dawn of the Civil Rights movement, he portrays a hard working man who, as a spokesperson for the Black workers in a local paper mill, is simply trying to survive in a United States that refuses to recognize a Black man's truth worth and self dignity. This small town in Louisiana of this time period is very oppressed, racism is overt, the Klu Klux Klan is a dominant force, many of the police are in the Klan, and Whittaker's character wearily knows his place, that he and his brethren will never rise above the oppressive segregation that stifles them and their families each and every day. Two things happen to spur action here. When one of his co-worker friends is beaten by the local white powers that be for simply adding his name on a posted list at work for consideration for a promotion to Supervisor, and 2 white Civil Rights workers (one played impressively by Jonathan Silverman) come to town to help raise consciousness and organize the Black locals for non-violent demonstrations, Whittaker-out of necessity-evolves into a man of purpose (and action). He and his friends form a covert group of armed military man called the "Deacons Of Defense" to protect fellow Blacks from the racist police and covert mill workers who are dead set against any integration. What knocked me out at the core of this film was the uneasy alliance/relationship between Silverman, who, as a young idealist, sincerely wished to promote a non-violent agenda, and Whittaker, who knew the only way to preserve and survive was to arm and fight the white power structure on the same terms as they did. When Silverman (and his Civil Rights coworker) get badly beaten as "nig--r lovers" by the racist locals, and the federal government announces that all forms of segregation must be abolished (per Lyndon B. Johnson's mandate), a final confrontation occurs between the white KKK supremists and the Deacons. The law now reads "local law enforcement officials MUST protect Black citizens". But will they? It is chilling for a TV film to create this level of tension, yet there is a balance in characterization, considering the touchy subject matter. Director Bill Duke shows his flair, style and sensitivity to the historical content. He filmed this explosive film in a quasi-documentary style, using some very disturbing footage, and black and white photography that makes you feel you are there. This material, while little known, was treated with utmost respect and factual data. Ossie Davis is wonderful as the local minister, who grows to finally understand that there is no recourse but to support what the Deacons are doing. And as the previous reviewer well noted, the man just cannot give a bad performance. Supporting roles were well casted and portrayed. But it is Whittaker's show all the way. I feel this film is so relevant today; it needs to be seen by all youth. Actually, everyone should see this movie. It's that moving. A must see film.

while we like to think of a world where violence is not necessary, there are times when one needs to defend oneself. this film mentions an important example: how is it that a man is allowed to fight against strangers in a war on another continent, and yet not allowed to defend his own family at home? we are still not where we need to be. i can think of too many examples of racism that i, as a white man have witnessed against people of color. we should not tolerate hate. one day i hope that understanding will conquer the ignorance that is the source of all hatred. this movie is a powerful reminder that we should not tolerate injustice. we all need to defend against those who allow violence to oppress.

we cannot allow the characterization of those different from us in the simplistic terms of being "less than" us. it is one thing to be proud of yourself, but as a race, as the human race, we cannot be proud of ourselves until we truly establish that one of us has no need to defend himself against another.

and this message could be just as easily translated into the way we deal with the difference in culture and religion between the west and the middle east. this film shows the true price of civil rights and reminds us that we cannot tolerate ignorance wherever it rears its proud, lazy, and ugly head.

This is supposed to be a historical account, and I believe it to be just that..... so the story itself doesn't get points - I'm just glad that the story is getting out. As a viewer, I was truly moved to anger, to passion, to compassion, and finally to tears of victory over an evil that should be brought out to the light. I give the movie a score of 9 out of ten.... but I can't honestly say what I would do to improve it. The performances of every one were excellent. The children weren't cute moppets, nor were they incredibly heroic. I could relate to the feeling of 'don't rock the boat' that was the world of Marcus, and also the "Never again" battle cries once he realized that, though he is one person, every one of us can make a difference. It was entertaining and inspiring

The only nitpick I have with this film is that it is obviously NOT filmed in Bogalusa, LA. It also does not show the poverty of African Americans who lived and worked there - one gets the impression the blacks there were leading perfectly cozy middle class lives, save for racial segregation and oppression. These folks did not live in 3 bedroom nicely decorated, cozy homes. They live in what amounts to shanties and the poverty there is third world. Bogalusa is not some idyllic looking, charming small town. It is a very depressing, gloomy place, centered around a paper mill which smells horrible (and you can smell it all over town). By not showing this it disconnects racial oppression from how bad the economic oppression was (and still is), and it's always there.

Other than that, the Deacons rock, and predated the Panthers by several years.