Ultimate Force

Dealing with the lives and missions of a small group of soldiers in Britain's most elite Army unit, the SAS, this is definitely one of the best British action / drama series for years. Although there's a definite nod towards `political correctness' in that this fictional SAS unit has a multi-ethnic make-up, plus a female member (in the real world, no women serve in the SAS), the series on the whole succeeds in striking the perfect balance between strong storylines, gritty realism, exciting action scenes, personal drama and the occasional touch of humor. The quality of the stories is also consistently good, and so far (after two series of six episodes each) I'd say that there hasn't been one single `weak' episode. Only perhaps the odd episode that's been `less good' than the others.

But last night – after watching the finale of Series 2 – I was left disappointed. Now I've never served in the military so I don't pretend to be an expert on these matters, but as a layman I've always thought that one of the series' main strengths is that it seems pretty realistic with regard to its portrayal of Army life and the kind of missions that UK special forces troops perhaps get sent on in real life etc. etc. However, the end of last night's episode left something of a bitter aftertaste, simply because the series' main character, Sergeant `Henno' Garvie (ably played by Ross Kemp of `Eastenders' fame) gunned down in cold blood his troop CO, Captain McElwaine, for no other reason than the latter had been shagging the wife of one of his men. The killing was done in cold blood and using a captured AK47 rather than Henno's own weapon to make it appear that the Captain had been killed by enemy fire – thus instantly transforming the Henno character into nothing more that a cold-blooded murderer. True, soldiers are trained to kill without hesitation if necessary. But I find it inconceivable that - given the (on the grand scale of things) relatively trivial nature of the Captain's `offence' - these would be the actions of an experienced, senior NCO in Britain's most elite military unit. And I found the actions of the rest of the squad (including their Colonel, who they'd just freed in a daring rescue mission) almost equally bizarre – namely dumping the (admittedly unpopular) dead Captain's body in a freezer full of beer and cracking jokes over it. Unbelievable. I hope that this is not the end of the series and that it will be back. Firstly because that last night's closing scenes notwithstanding, it's been such a great show up to now and secondly it would be a pity to end the whole thing on such a negative note – there definitely needs to be some character redemption!! Still – it's great that all six episodes of Series 1 are now available to buy on DVD, because this series is a must for anyone who enjoys hard-hitting action and / or military drama that pulls no punches.

Dramatic licence has been taken with a capital D (and L) here, despite the consultant on the series being Chris Ryan, formerly of the SAS. It does feel as though the production opted out of reality and instead borrowed heavily from a number of previous action films and series, adding the voguish cliches of multi-ethnic troops, tough-talking female and 'new man' sentiments.

The reviews have almost universally criticised the writing and the on-screen violence. I can't argue with the former, despite being a fan of Rob Heyland since the excellent 'Between the Lines'. Rob: integrate your jokes and make them feasible references for young men in their twenties, please! I'd say the violence is not gratuitously explicit, considering it's a series about the death-or-glory boys, but to show a character able to walk, talk and perform physical tasks after extreme torture is a little unbelievable and, dare I say it, irresponsible.

Notwithstanding, I watched it. As a vehicle for Ross Kemp it is perfect, and the other central cast members are a talented - and yes, very attractive - ensemble of actors. It was also refreshing in a world awash with soaps and so-called relationship dramas to focus on something plot-driven. I've heard a rumour it's been recommissioned, so it would seem that I and a few million others (mostly young men, according to the ratings demographic) aren't wrong. Here's hoping the next series ups the credibility and keeps the pace. After all, Who Dares Wins, eh?

Where to start. As a big fan of the SAS, I've watched countless documentaries, & after finding this immediately knew I had to watch. As a whole it's a decent show worth a watch at least once, however; series 1 & 2 were by far the superior as it lost its way in series 3 & only slightly brought it back for series 4. Series 1 & 2 showed a varied selection of different Operations with the SAS assault scenes filmed perfectly, probably due to the input of Chris Ryan, but series 3 relied heavily on typical action style shootouts with bullets flying everywhere as opposed to the normal SAS precision. Series 4 however went slightly back to the old format of the show, but on a whole not a bad show if you enjoy the SAS or any form of military drama.

We need a series like this. It does exactly what is says on the tin. Most of the situations are unbelievable but what do you expect from a show about the SAS? The production values are OK and the action is exciting without being silly (compared to made for TV American action movies). There are some stock characters but the script isn't laughable and the actors seem to care about what they are doing. As the new team member Jamie Draven portrays the right amount of innocence and brings a sense of duty to his role; his interactions with the rest of the cast are well thought out; you can see some chemistry between him and Alex Reid and I hope this is fleshed out in the next series. Although billed as such I never found Ross Kemp to be the star of the show and at times we aren't even supposed to like him; I am glad character is written this way and that his obvious mental scars dictate the person he is. This is in stark contrast to badly written imported shows where we are expected to believe that hardened battle veterans who are emotionally scarred and have shattered private lives are really nice guys who never do any thing wrong.

Some episodes are better than others; I actually thought the first episode was fairly weak but the second with the pressure group sniper story was excellent and allowed us to see flashes of how good the series could be.

I only got to see the first episode of the second series which took place on board a ship; the standout fight scene being that in the belly of the ship between Jamie Draven and the legionnaire, it was a tough no nonsense scrap and as exciting as the fight in the Bourne Identity.

Looking forward to the DVD.

I really enjoyed the first couple of seasons of the show, but season 3 and 4 wandered off into a fantasy land. The action seemed to be cartoon-like. It was also bizarre that season 4 seemed to focus on Americans as bumbling fools and/or untrustworthy enemies. Perhaps it was the zeitgeist of the day, or more likely a desperate attempt to salvage a very limited show that had run out of ideas. At any rate, it didn't save the show from cancellation. The other problem probably facing the show was that political correctness in the UK doesn't really allow for "bad guy profiling," so they needed to pick an enemy that isn't going to sue them or protest in the streets. So that leaves out the various Muslim nations, North Korea, Japan, the French (one supposes) and pretty much leaves the good old US of A.

The effort to salvage the show also led the producers to ever bigger stunts of daring do, ultimately requiring some pretty unconvincing Green Screen effects. Prior to season 4 the show was respectable because the actors did a pretty decent job of moving and coordinating tactically

I especially found humor in the episode where Red Team was on joint ops with the Green Berets. The Green Berets were portrayed as clueless and clumsy victims of friendly fire, who were badly in need of saving by the SAS. Being a UK show, I have no qualm with Red Team always being portrayed as the cool kids in every episode. On the other hand, if the show's creators actually felt confident then they wouldn't have to go that way, would they?

Make no mistake, the badged members of SAS are awesome, but there are other awesome special-operators out there as well. No sense making a spitting contest out of the question of superiority. All one big happy family.