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Stevie

  • 2002
  • R
  • 2h 20m
IMDb RATING
7.8/10
2.8K
YOUR RATING
Stevie (2002)
Trailer
Play trailer1:43
2 Videos
11 Photos
Documentary

In 1995, director Steve James (of 'Hoop Dreams') returned to rural Southern Illinois to reconnect with Stevie Fielding, a troubled young boy to whom he had been an "Advocate Big Brother" ten... Read allIn 1995, director Steve James (of 'Hoop Dreams') returned to rural Southern Illinois to reconnect with Stevie Fielding, a troubled young boy to whom he had been an "Advocate Big Brother" ten years earlier.In 1995, director Steve James (of 'Hoop Dreams') returned to rural Southern Illinois to reconnect with Stevie Fielding, a troubled young boy to whom he had been an "Advocate Big Brother" ten years earlier.

  • Director
    • Steve James
  • Stars
    • Steve James
    • Stephen Fielding
    • Tonya Gregory
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    2.8K
    YOUR RATING
    • Director
      • Steve James
    • Stars
      • Steve James
      • Stephen Fielding
      • Tonya Gregory
    • 58User reviews
    • 38Critic reviews
    • 72Metascore
  • See production info at IMDbPro
    • Awards
      • 5 wins & 7 nominations total

    Videos2

    Stevie
    Trailer 1:43
    Stevie
    Stevie
    Trailer 2:31
    Stevie
    Stevie
    Trailer 2:31
    Stevie

    Photos10

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    Top cast11

    Edit
    Steve James
    Steve James
    • Self
    Stephen Fielding
    Stephen Fielding
    • Self
    • (as Stephen Dale Fielding)
    Tonya Gregory
    • Self
    Bernice Hagler
    • Self
    Verna Hagler
    • Self
    Brenda Hickam
    • Self
    Doug Hickam
    • Self
    Judy James
    • Self
    Tim Hicks
    • Self
    Wendy McIntosh
    • Self
    • (as Bernice Hagler's sister)
    Greg Rowe
    • Greg Rowe
    • Director
      • Steve James
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews58

    7.82.7K
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    Featured reviews

    10DeCore5

    Stevie comment

    I watched Stevie last night at work...I work in a children's home with young children who were sexually abused or are sexual offenders (the kids were asleep when I watched this). He spent six years of his life in a place like this which was supposed to help him. It's very hard to get through to kids like this and even though people like me try, the kids do not get the therapy they so desperately need. Did anyone see the way Stevie backed down when faced with anyone that was dominant or made him responsible for his actions? His family and the filmmaker were enablers and told him what he wanted to hear and never addressed the issue. If he were to be held responsible for his actions all his life by the people he cared about and respected and not just told things to pacify him, maybe he would be a different person. I thought that this was a wonderful documentary and it makes me take the work that I do much more seriously because I see how it can turn out.
    friedanjohn

    A complex, hard-hitting view into others' reality

    According to sociologists, we are a product of our own culture. Naive about the true reality of others, many of us blithely make pronouncements about what people should or should not do to have a good life. Then a movie like "Stevie" comes along - a movie that shows a complex, rough-edged world in which there are no simple answers. To me, "Stevie" was kick-in-the-teeth reality - not voyeurism.

    This movie reminded me of a number of other movies that give one a view into how others live... The "Bicycle Thief," "Chan is Missing," "The Harder They Come," "Milagro Beanfield War," "The Postman," "Secrets and Lies," and "Ping Pong," to name a few. I thought the director of "Stevie," the OTHER Steve, did an excellent job of showing people and their environment without trivializing them. I *cared* about the people in this film; I wanted them to love each other, work out their problems, and overcome their secrets and lies. Like my own real life, however, things don't always get tied up nicely in a pretty bow.

    I think that "Stevie" is an excellent snap/slap of cold water for those of us who think we know it all. Life isn't simple, whether we're up to our necks in alligators or see ourselves as the alligator hunter.
    NORDIC-2

    Overlong, boring, voyeuristic

    As a documentarian, Steve James has a lot to learn, especially about editing. STEVIE rings in at more than two and a half hours but should have been cut to 90 minutes or less. In any film, every scene needs to count, to have a narrative purpose, and a movie needs to have some definite dramatic shape and narrative drive to hold its audience and justify its running time. STEVIE doesn't exhibit any of these qualities. In fact, it's an overlong, meandering mess that soon becomes a very tedious viewing experience. Bad form is one thing but bad faith is something else entirely. To be blunt, the implicit class politics of this film really suck. Steve James says he is making a film about Stephen Fielding out of a sense of guilt for not having kept up with Fielding in the decade since serving as Fielding's Big Brother. Maybe the guilt is real but the film smacks of a kind of pitying bourgeois condescension toward "white trash" life that conceals what is at base a lurid, voyeuristic fascination with the awful ignorance, dysfunction, and backwardness of the rural poor that get educated yuppies morally exercised but also affords them an exhiliarating sense of their own superiority. Much of middle America is a wasteland of bigotry, violence, ignorance, susperstition, and sloth. The film's implicit message? Aren't we glad we're not them...
    8markblanton-1

    Unwanted

    "There but by the Grace of God go I". Stevie never had a chance...at least not at first with his birth mother. It all starts in the womb. He was never wanted. Except for his story as sad and tragic as it is Stevie would have been better off not to have made it out of the womb. Certainly the little girl he molested would be.

    The real tragedy is he did have a chance with the Hubers and his Big Brother Steve...both abandoned Stevie and knew it. You just can't trip in and out of children's lives and expect them to be "OK". Mrs. Hubers comment "well life goes on" was so trite. What she meant was HER life goes on. Stevies just stopped.....again.

    All Children, especially the Stevies, need a lifetime of commitment. Commitment is what transforms the promise into reality. IT is the words that speak boldly of your intentions. And the actions that speak louder than the words. It is the making of time when there is none. Coming through time after time after time. Year after year. Commitment is the stuff character is made of; the power to change the face of things. It is the daily triumph of integrity over skepticism.
    10jonr-3

    Powerful and troubling

    This, to my mind, is how a documentary should be. The filmmaker makes no direct appeal for sympathy, he doesn't try to explain things, he just shows what is and lets the involved parties state their versions of what happened. In short, he documents: he does not propagandize.

    Rarely have two and a half hours of viewing slipped by so rapidly for me. I was near tears at the end of it--not because my emotions had been "tweaked" or played with by the film's creator, but simply out of a feeling of despair for our miserable human condition. This superb film lays a lot of truths about humanity pitilessly bare.

    I cannot recommend it highly enough.

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    Storyline

    Edit

    Did you know

    Edit
    • Quotes

      Stephen Fielding: [to his baby niece, lovingly] Hey, you got your new face there, don't you? You got your new face there, don't you?

    • Connections
      Referenced in Chai Vasarhelyi for Galerie: Chai Vasarhelyi on Stevie (2002) (2023)
    • Soundtracks
      I Ain't Ever Satisfied
      Written by Steve Earle

      Performed by Steve Earle

      Courtesy of MCA Records

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    FAQ17

    • How long is Stevie?Powered by Alexa

    Details

    Edit
    • Release date
      • March 13, 2003 (Netherlands)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Стиви
    • Filming locations
      • Chicago, Illinois, USA
    • Production companies
      • Kartemquin Films
      • SenArt Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $103,401
    • Opening weekend US & Canada
      • $9,383
      • Mar 30, 2003
    • Gross worldwide
      • $103,401
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 20 minutes
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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