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6.8/10
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Two individuals, Jeff and Kelly, claim to be in love with the 80's pop singer Tiffany.Two individuals, Jeff and Kelly, claim to be in love with the 80's pop singer Tiffany.Two individuals, Jeff and Kelly, claim to be in love with the 80's pop singer Tiffany.
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I THINK WE'RE ALONE NOW chronicles two over-obsessed Tiffany fans, who's sole purpose in life (or one of the top three life goals, according to one fan) is to marry the burnt-out pop singer.
I saw the film several days ago and I've already heard some criticism on the Slamdance grapevine. Several fellow filmmakers seem to think the documentary does less documenting and more exploiting of these two individuals. While I agree the film doesn't necessarily portray them in a positive light, I don't think they themselves portray themselves positively either--at least in the "normal" mainstream light.
Jeff Turner, a victim of Asperger syndrome, is a likable enough guy and I'd totally hang out with him because he's a vessel of knowledge. However, most of this knowledge is dedicated to his pseudo-relationship with Tiffany. He's taken great steps and read many books in an attempt to justify his idea that Tiffany loves him as much as he "loves" her. For example, Tiffany's appearance in Playboy was apparently a silent gesture of love for Jeff.
Towards the end of the documentary, we learn that he's begun a similar fascination with Alyssa Milano. He even thinks she's gone back in time in order to prevent his relationship with Tiffany! Jeff's innocuous attitude and gentle perspective on life really persuades the viewer to fall in love. He's kooky and fascinating and I really adore him and it's the opinion of this reviewer, that he's portrayed fairly and accurately.
Kelly McCormick, however, is really where I believe all the controversy lies. A hermaphrodite, Kelly already has to deal with a great deal of persecution already. She (I say "she" because Kelly's ultimate desire is to fully become a woman) too believes she's destined to be with Tiffany, but for a very different reason. After a bicycle accident that left her in a coma, she claims she had a vision of a woman who looked just like Tiffany (even though she'd never seen the pop star, nor heard of her) surrounded by a white light and all the other normal comatose visions people claim to have. This vision has thrown her into a tailspin of mental anguish and depression every day she's not with her love. At one point she really breaks down and while I did not feel it was appropriate to laugh as some did, it did disturb me a great deal.
A documentary, in order to stay true to its form, must be unbiased and objective about its subject(s). In this case, the documentarian, Sean Donnelly (this is his first feature film), does just that. He shows these people for who they are and they're more than happy to display themselves. Whether you like them or not, or feel sorry or pity for them, the fact of the matter remains: this documentary is a) true to its form and b) interesting.
I saw the film several days ago and I've already heard some criticism on the Slamdance grapevine. Several fellow filmmakers seem to think the documentary does less documenting and more exploiting of these two individuals. While I agree the film doesn't necessarily portray them in a positive light, I don't think they themselves portray themselves positively either--at least in the "normal" mainstream light.
Jeff Turner, a victim of Asperger syndrome, is a likable enough guy and I'd totally hang out with him because he's a vessel of knowledge. However, most of this knowledge is dedicated to his pseudo-relationship with Tiffany. He's taken great steps and read many books in an attempt to justify his idea that Tiffany loves him as much as he "loves" her. For example, Tiffany's appearance in Playboy was apparently a silent gesture of love for Jeff.
Towards the end of the documentary, we learn that he's begun a similar fascination with Alyssa Milano. He even thinks she's gone back in time in order to prevent his relationship with Tiffany! Jeff's innocuous attitude and gentle perspective on life really persuades the viewer to fall in love. He's kooky and fascinating and I really adore him and it's the opinion of this reviewer, that he's portrayed fairly and accurately.
Kelly McCormick, however, is really where I believe all the controversy lies. A hermaphrodite, Kelly already has to deal with a great deal of persecution already. She (I say "she" because Kelly's ultimate desire is to fully become a woman) too believes she's destined to be with Tiffany, but for a very different reason. After a bicycle accident that left her in a coma, she claims she had a vision of a woman who looked just like Tiffany (even though she'd never seen the pop star, nor heard of her) surrounded by a white light and all the other normal comatose visions people claim to have. This vision has thrown her into a tailspin of mental anguish and depression every day she's not with her love. At one point she really breaks down and while I did not feel it was appropriate to laugh as some did, it did disturb me a great deal.
A documentary, in order to stay true to its form, must be unbiased and objective about its subject(s). In this case, the documentarian, Sean Donnelly (this is his first feature film), does just that. He shows these people for who they are and they're more than happy to display themselves. Whether you like them or not, or feel sorry or pity for them, the fact of the matter remains: this documentary is a) true to its form and b) interesting.
I liked this documentary because I have always been curious about these type of people. It's pretty good at giving insight into what motivates stalkers and how they are built. The movie consists of two people talking, in their own words, without judgement or influence from the director. They go on describing their perceived relationship with former pop star Tiffany, and taking part in various concerts and "fan" activities. The movie is sad and very pathetic, but beyond that it is interesting. These two people seem to read into things deeply. Things that an average person would never attribute to being directed at them, these people see as a personal message or action directed to them from celebrities. Both state they are "destined" to be with Tiffany but can never really explain why. I honestly think they are severely lonely for human connection and grasp at anything. So much so when someone says a simple hello they can become fixated and interpret it as an act of love. If they stopped the obsession and started looking beyond physical appearance they might just meet someone they can have a relationship with. If you are interested in the stalker mentality, because that is honestly what this is, it is an interesting watch and offers an objective viewpoint. I would probably get restraining orders though if I were Tiffany, I can see how this could end up going very bad for her.
"Biggest fans" can often be innocuous, but many times they cross the threshold from adoring to creepy. The latter is how I would best describe the two fans in this film.
The documentary outlines the quest of both these fans to meet Tiffany and attend one of her concerts. The film itself is quite fair in their portrayal of the fans, allowing themselves to share details of their lives and not setting the stage to brand them as stalkers. Through the fans' own words and actions, they set that stage for themselves. Jeff is the seemingly more harmless of the two, in that he is on the autism spectrum, and seems more to be living in his own dream world than present a safety risk to Tiffany. Kelly, however, shows signs of possible mental illness, referenced by jealously exhibited towards Jeff, and several things said during the course of the film which most people would consider at least slightly unnerving. I would be worried for Tiffany's safety in the lone company of Kelly.
I came away from this film with a feeling of uneasiness and a new understanding for stars who have to endure stalkers.
The documentary outlines the quest of both these fans to meet Tiffany and attend one of her concerts. The film itself is quite fair in their portrayal of the fans, allowing themselves to share details of their lives and not setting the stage to brand them as stalkers. Through the fans' own words and actions, they set that stage for themselves. Jeff is the seemingly more harmless of the two, in that he is on the autism spectrum, and seems more to be living in his own dream world than present a safety risk to Tiffany. Kelly, however, shows signs of possible mental illness, referenced by jealously exhibited towards Jeff, and several things said during the course of the film which most people would consider at least slightly unnerving. I would be worried for Tiffany's safety in the lone company of Kelly.
I came away from this film with a feeling of uneasiness and a new understanding for stars who have to endure stalkers.
I watched this doco as part of the Melbourne International Film Fest. At first the doco was a surreal chuckle fest and the characters topped anything Christopher Guest could dream up. However as the film unraveled a sense of palpable disquiet settled over the audience when reality set in and we realized we were watching two sad and even scary individuals battling with life. this was no mockumentarty. i found my self questioning my laughter and even felt guilty at times when i found mirth in their misfortunes, so as a documentary it was successful in having one question assumptions and beliefs. I do think though there was an air of exploitation about the flick esp when the two stalkers meet. i also think tiffany is 1 very brave or 2 very stupid or 3 very desperate for fans to have these characters in her life. an interview with her would have been a boon. a wonderful collection of some true oddballs that make this world colorful and a little scary.
I didn't learn much here, except for seeing a shallow portrait of an unusual older Asperger's man and an intersex person as they struggle with life and their particular obsession. I came away with a feeling of sadness without any depth or wisdom gained (and I do very much like many "sad" documentaries/films, but this one was more like an overlong episode of Catfish without the humorous hosts.)
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By what name was I Think We're Alone Now (2008) officially released in Canada in English?
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