IMDb RATING
7.8/10
2.8K
YOUR RATING
In 1995, director Steve James (of 'Hoop Dreams') returned to rural Southern Illinois to reconnect with Stevie Fielding, a troubled young boy to whom he had been an "Advocate Big Brother" ten... Read allIn 1995, director Steve James (of 'Hoop Dreams') returned to rural Southern Illinois to reconnect with Stevie Fielding, a troubled young boy to whom he had been an "Advocate Big Brother" ten years earlier.In 1995, director Steve James (of 'Hoop Dreams') returned to rural Southern Illinois to reconnect with Stevie Fielding, a troubled young boy to whom he had been an "Advocate Big Brother" ten years earlier.
- Awards
- 5 wins & 7 nominations total
Stephen Fielding
- Self
- (as Stephen Dale Fielding)
Wendy McIntosh
- Self
- (as Bernice Hagler's sister)
Featured reviews
10DeCore5
I watched Stevie last night at work...I work in a children's home with young children who were sexually abused or are sexual offenders (the kids were asleep when I watched this). He spent six years of his life in a place like this which was supposed to help him. It's very hard to get through to kids like this and even though people like me try, the kids do not get the therapy they so desperately need. Did anyone see the way Stevie backed down when faced with anyone that was dominant or made him responsible for his actions? His family and the filmmaker were enablers and told him what he wanted to hear and never addressed the issue. If he were to be held responsible for his actions all his life by the people he cared about and respected and not just told things to pacify him, maybe he would be a different person. I thought that this was a wonderful documentary and it makes me take the work that I do much more seriously because I see how it can turn out.
According to sociologists, we are a product of our own culture. Naive about the true reality of others, many of us blithely make pronouncements about what people should or should not do to have a good life. Then a movie like "Stevie" comes along - a movie that shows a complex, rough-edged world in which there are no simple answers. To me, "Stevie" was kick-in-the-teeth reality - not voyeurism.
This movie reminded me of a number of other movies that give one a view into how others live... The "Bicycle Thief," "Chan is Missing," "The Harder They Come," "Milagro Beanfield War," "The Postman," "Secrets and Lies," and "Ping Pong," to name a few. I thought the director of "Stevie," the OTHER Steve, did an excellent job of showing people and their environment without trivializing them. I *cared* about the people in this film; I wanted them to love each other, work out their problems, and overcome their secrets and lies. Like my own real life, however, things don't always get tied up nicely in a pretty bow.
I think that "Stevie" is an excellent snap/slap of cold water for those of us who think we know it all. Life isn't simple, whether we're up to our necks in alligators or see ourselves as the alligator hunter.
This movie reminded me of a number of other movies that give one a view into how others live... The "Bicycle Thief," "Chan is Missing," "The Harder They Come," "Milagro Beanfield War," "The Postman," "Secrets and Lies," and "Ping Pong," to name a few. I thought the director of "Stevie," the OTHER Steve, did an excellent job of showing people and their environment without trivializing them. I *cared* about the people in this film; I wanted them to love each other, work out their problems, and overcome their secrets and lies. Like my own real life, however, things don't always get tied up nicely in a pretty bow.
I think that "Stevie" is an excellent snap/slap of cold water for those of us who think we know it all. Life isn't simple, whether we're up to our necks in alligators or see ourselves as the alligator hunter.
As a documentarian, Steve James has a lot to learn, especially about editing. STEVIE rings in at more than two and a half hours but should have been cut to 90 minutes or less. In any film, every scene needs to count, to have a narrative purpose, and a movie needs to have some definite dramatic shape and narrative drive to hold its audience and justify its running time. STEVIE doesn't exhibit any of these qualities. In fact, it's an overlong, meandering mess that soon becomes a very tedious viewing experience. Bad form is one thing but bad faith is something else entirely. To be blunt, the implicit class politics of this film really suck. Steve James says he is making a film about Stephen Fielding out of a sense of guilt for not having kept up with Fielding in the decade since serving as Fielding's Big Brother. Maybe the guilt is real but the film smacks of a kind of pitying bourgeois condescension toward "white trash" life that conceals what is at base a lurid, voyeuristic fascination with the awful ignorance, dysfunction, and backwardness of the rural poor that get educated yuppies morally exercised but also affords them an exhiliarating sense of their own superiority. Much of middle America is a wasteland of bigotry, violence, ignorance, susperstition, and sloth. The film's implicit message? Aren't we glad we're not them...
"There but by the Grace of God go I". Stevie never had a chance...at least not at first with his birth mother. It all starts in the womb. He was never wanted. Except for his story as sad and tragic as it is Stevie would have been better off not to have made it out of the womb. Certainly the little girl he molested would be.
The real tragedy is he did have a chance with the Hubers and his Big Brother Steve...both abandoned Stevie and knew it. You just can't trip in and out of children's lives and expect them to be "OK". Mrs. Hubers comment "well life goes on" was so trite. What she meant was HER life goes on. Stevies just stopped.....again.
All Children, especially the Stevies, need a lifetime of commitment. Commitment is what transforms the promise into reality. IT is the words that speak boldly of your intentions. And the actions that speak louder than the words. It is the making of time when there is none. Coming through time after time after time. Year after year. Commitment is the stuff character is made of; the power to change the face of things. It is the daily triumph of integrity over skepticism.
The real tragedy is he did have a chance with the Hubers and his Big Brother Steve...both abandoned Stevie and knew it. You just can't trip in and out of children's lives and expect them to be "OK". Mrs. Hubers comment "well life goes on" was so trite. What she meant was HER life goes on. Stevies just stopped.....again.
All Children, especially the Stevies, need a lifetime of commitment. Commitment is what transforms the promise into reality. IT is the words that speak boldly of your intentions. And the actions that speak louder than the words. It is the making of time when there is none. Coming through time after time after time. Year after year. Commitment is the stuff character is made of; the power to change the face of things. It is the daily triumph of integrity over skepticism.
10jonr-3
This, to my mind, is how a documentary should be. The filmmaker makes no direct appeal for sympathy, he doesn't try to explain things, he just shows what is and lets the involved parties state their versions of what happened. In short, he documents: he does not propagandize.
Rarely have two and a half hours of viewing slipped by so rapidly for me. I was near tears at the end of it--not because my emotions had been "tweaked" or played with by the film's creator, but simply out of a feeling of despair for our miserable human condition. This superb film lays a lot of truths about humanity pitilessly bare.
I cannot recommend it highly enough.
Rarely have two and a half hours of viewing slipped by so rapidly for me. I was near tears at the end of it--not because my emotions had been "tweaked" or played with by the film's creator, but simply out of a feeling of despair for our miserable human condition. This superb film lays a lot of truths about humanity pitilessly bare.
I cannot recommend it highly enough.
Did you know
- Quotes
Stephen Fielding: [to his baby niece, lovingly] Hey, you got your new face there, don't you? You got your new face there, don't you?
- ConnectionsReferenced in Chai Vasarhelyi for Galerie: Chai Vasarhelyi on Stevie (2002) (2023)
- How long is Stevie?Powered by Alexa
Details
Box office
- Gross US & Canada
- $103,401
- Opening weekend US & Canada
- $9,383
- Mar 30, 2003
- Gross worldwide
- $103,401
Contribute to this page
Suggest an edit or add missing content