A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.
- Director
- Writers
- Stars
- Nominated for 2 Primetime Emmys
- 2 wins & 3 nominations total
Kirsten Bishop
- Judith Nathan
- (as Kirsten Bishopric)
Michael Jeffrey Woods
- Sam
- (as Michael Woods)
Francis X. McCarthy
- Jim Kossler
- (as Francis-Xavier McCarthy)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
It would have to have been Ray Liotta in the title role.He's probably the only other actor who could stand a chance of matching the nigh on terrifying manic intensity with which he plays Giuliani.This aside,this biopic,charting Giuliani's rise and fall to triumphant rise again as mayor of New York,from his initiation in 1994 to his prostate cancer scare in 2000,to his leadership during the dark days of and the aftermath of the notorious twin towers attack in 2001,is dogged by other problems.It's TV movie all the way,with see through production values and what's almost certainly borrowed real life footage,and it's ultimately told in too much of a downbeat and depressing way to be truly endearing.But it's not completely unwatchable.**
It would have to have been Ray Liotta in the title role.He's probably the only other actor who could stand a chance of matching the nigh on terrifying manic intensity with which he plays Giuliani.This aside,this biopic,charting Giuliani's rise and fall to triumphant rise again as mayor of New York,from his initiation in 1994 to his prostate cancer scare in 2000,to his leadership during the dark days of and the aftermath of the notorious twin towers attack in 2001,is dogged by other problems.It's TV movie all the way,with see through production values and what's almost certainly borrowed real life footage,and it's ultimately told in too much of a downbeat and depressing way to be truly endearing.But it's not completely unwatchable.**
A superficial puff-piece about a fascinating political character that stays so much on the surface that it verges on soft-core propaganda. Neither James Woods nor the script really bears a particularly close resemblance to Guiliani, both making him look better than he really was.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
I was all waiting for 'Rudy' which profiled mostly the latter years of Rudolph Guliani to be mostly a puff piece, since I have seen the (excellent) critical documentary on him, Guliani Time. But actually, I was quite pleasantly surprised at how balanced this seemed to be. While I'm some people are jumping up and down protesting that last comment, let me explain. I'm sure there are very very deep explanations about the flaws and mistakes Guliani made that were basically brushed over in this film, but really, with a 90 (??!??) minute time frame, how much info can you put in? This isn't a fluff piece, Guliani's mistakes, including his ridiculous womanizing, his almost fascist stance on crime, and his deep dark family past are all examined, and of course, that all disappeared when he was made into a National Hero because of 9/11. I mean, this is not the first time a guy with a dark history walked away a winner is it? The film itself looks amazing. I really like the mixture of video (for the 9/11 scenes) and film (for all the back story), it deftly cuts into stock footage seamlessly, and this looks quite amazing.
The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL
The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL
I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.
As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.
The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.
Oh, I forgot, his love of opera. Its all in there.
I hope there will be a DVD release.
The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.
As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.
The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.
Oh, I forgot, his love of opera. Its all in there.
I hope there will be a DVD release.
Not all biographical films on politicians are made equal. Some try to tell a sprawling tale of someone's political life, such as Oliver Stone with his Nixon and W, while others capture a momentous slice of an historical event, such as Roger Donaldson's Thirteen Days which was gripping from start to end. Then there are those like Rudy, which tries to do both, but don't really get there, undoubtedly having the story mooted since Rudy Giuliani (James Woods) was the mayor of New York during the fateful event of September 11 2011, and having this film weave a glimpse of his political career culminating in that horrendous disaster.
Granted this had a limited budget, and in many ways that showed in the film, having some scenes crafted in sparse studios, although looking like a million dollars when Robert Dornhel, whose experience and filmography point to a lot of made for television films which this one also belonged to, had deliberately opted for the documentary look and feel for the event of September 11. Everything else looked indoors and not on location, removing that sense of authenticity of filming it all in the Big Apple.
There's also very little on his political and professional career before Mayorship, and what I thought was a very interesting bit in his life during his Attorney General days as he locked horns with the mafia, was grossly glossed over, which was a pity because there's so much narrative potential there to be explored, but I guess writer Stanley Weiser, who based this film on the book by Wayne Barrett, didn't find it interesting enough for a big screen treatment. Much instead is preferred to focus on the man's incredibly bad temper behind closed doors, demonstrating that Giuliani is a man who doesn't mince his words, and shoots very fast from the hip without due care whether it'll hurt anyone at all with his pointed, loud barbs.
With 9/11 stock footage mixed with its own documentary presentation, the story unfolds in flashbacks, as we glimpse into Rudy's marriage to newscaster Donna Hanover (Penelope Ann Miller) who had once interviewed him and begun a whirlwind romance, before his suspected infidelities and indiscretion led to breakdowns in both his marriage and almost always threatening his political career, isolating him from strong, key advisers who don't quite see eye to eye with his blind trust of his communications director. I suppose Robert Dornhelm prefers to tell the age old story of how the strong almost always fall prey to the advances of the fairer sex, and in some ways become the seeds to their downfall, in more ways than one.
James Woods puts in a riveting performance as the go-getter in the titular character, but ultimately got let down by the weak narrative that didn't get to dig deeper into what made the man, skimming only on the surface and focused on his anger management issues. Supporting cast didn't outside Woods in his role, and that may be attributed to the more caricature like treatment the supporting characters had to deal with since a biopic that's about 90 minutes long doesn't leave a lot of room for the spotlight to be shared with others.
For a man who was to provide a leadership beacon in what would be one of the most tragic terrorist attacks in human history, Rudy had all the potential to paint a more complex, detailed picture of just who the man was, someone whom most had seen on their television screens in the aftermath of that attack, but you're likely to come out from this just a wee bit more knowledgeable about the man himself, if at all, no thanks to its summarizing of key milestones in the man's life, and the indecision to just want to focus on an episode, or be a little bit more ambitious to cover a whole lot of ground.
Granted this had a limited budget, and in many ways that showed in the film, having some scenes crafted in sparse studios, although looking like a million dollars when Robert Dornhel, whose experience and filmography point to a lot of made for television films which this one also belonged to, had deliberately opted for the documentary look and feel for the event of September 11. Everything else looked indoors and not on location, removing that sense of authenticity of filming it all in the Big Apple.
There's also very little on his political and professional career before Mayorship, and what I thought was a very interesting bit in his life during his Attorney General days as he locked horns with the mafia, was grossly glossed over, which was a pity because there's so much narrative potential there to be explored, but I guess writer Stanley Weiser, who based this film on the book by Wayne Barrett, didn't find it interesting enough for a big screen treatment. Much instead is preferred to focus on the man's incredibly bad temper behind closed doors, demonstrating that Giuliani is a man who doesn't mince his words, and shoots very fast from the hip without due care whether it'll hurt anyone at all with his pointed, loud barbs.
With 9/11 stock footage mixed with its own documentary presentation, the story unfolds in flashbacks, as we glimpse into Rudy's marriage to newscaster Donna Hanover (Penelope Ann Miller) who had once interviewed him and begun a whirlwind romance, before his suspected infidelities and indiscretion led to breakdowns in both his marriage and almost always threatening his political career, isolating him from strong, key advisers who don't quite see eye to eye with his blind trust of his communications director. I suppose Robert Dornhelm prefers to tell the age old story of how the strong almost always fall prey to the advances of the fairer sex, and in some ways become the seeds to their downfall, in more ways than one.
James Woods puts in a riveting performance as the go-getter in the titular character, but ultimately got let down by the weak narrative that didn't get to dig deeper into what made the man, skimming only on the surface and focused on his anger management issues. Supporting cast didn't outside Woods in his role, and that may be attributed to the more caricature like treatment the supporting characters had to deal with since a biopic that's about 90 minutes long doesn't leave a lot of room for the spotlight to be shared with others.
For a man who was to provide a leadership beacon in what would be one of the most tragic terrorist attacks in human history, Rudy had all the potential to paint a more complex, detailed picture of just who the man was, someone whom most had seen on their television screens in the aftermath of that attack, but you're likely to come out from this just a wee bit more knowledgeable about the man himself, if at all, no thanks to its summarizing of key milestones in the man's life, and the indecision to just want to focus on an episode, or be a little bit more ambitious to cover a whole lot of ground.
Did you know
- TriviaDespite being credited, Stanley Weiser claims that his entire script was thrown out at the request of James Woods and replaced by one written by an uncredited Lionel Chetwynd, a well-known politically conservative screenwriter, to make it more pro-Giuliani.
- GoofsIn the scene where Giuliani is telling his wife about going after the crime bosses, as she approaches, he lifts up the cigar in his left hand, but in the next shot, the hand with the cigar is back on the table and never lifts it up.
- Quotes
Rudolph 'Rudy' Giuliani: You spend your whole life seeing and hearing about people dying. You just never think it will happen to you.
- ConnectionsFeatured in The 55th Annual Primetime Emmy Awards (2003)
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