Tess and her daughter, Anna, do not get along. However, things take a turn when, in a freak incident, they switch bodies and are forced to live each other's lives.Tess and her daughter, Anna, do not get along. However, things take a turn when, in a freak incident, they switch bodies and are forced to live each other's lives.Tess and her daughter, Anna, do not get along. However, things take a turn when, in a freak incident, they switch bodies and are forced to live each other's lives.
- Director
- Writers
- Stars
- Awards
- 5 wins & 11 nominations total
Dina Spybey-Waters
- Dottie Robertson
- (as Dina Waters)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Freaky Friday' (2003) is celebrated for its comedic timing, standout performances by Jamie Lee Curtis and Lindsay Lohan, and relatable humor. The film explores generational divides with heartwarming moments and realistic mother-daughter struggles. Critics praise the chemistry between the leads, clever humor, and touching scenes. Despite minor flaws like over-the-top scenes, it remains a fun, family-friendly remake.
Featured reviews
This is about the third adaptation of the Mary Rodgers novel. Finally, the team behind this film has gotten it together. It's obvious the original text has been revised in order to include the language of today. But the best thing about the movie is the casting assembled for it, with a sure director's hand behind it.
Actually, this is about the first film that has made me laugh since "Bringing down the house" that came out earlier this year. Most comedies today seem to forget that the basic premise for their existence is to amuse the audiences and entertain them, at the same time.
Mark Waters, the director shows he has a fine sense of how to make things move constantly in this comedy about identity changes. Of course, this film wouldn't be half the fun it is without Jamie Lee Curtis, who has never been as effective in any previous films. Her take on Tess Coleman, the not so cool therapist, strikes the right tone.
Her daughter is played with a lot of conviction by Lindsay Lohan, who is totally believable as the typical teen ager working through the pain of losing a father and getting a replacement she is not too fond of.
Things move at a rapid pace; there is never a dull moment in the film. It's a perfect summer comedy that will leave the viewer satisfied and happy.
Actually, this is about the first film that has made me laugh since "Bringing down the house" that came out earlier this year. Most comedies today seem to forget that the basic premise for their existence is to amuse the audiences and entertain them, at the same time.
Mark Waters, the director shows he has a fine sense of how to make things move constantly in this comedy about identity changes. Of course, this film wouldn't be half the fun it is without Jamie Lee Curtis, who has never been as effective in any previous films. Her take on Tess Coleman, the not so cool therapist, strikes the right tone.
Her daughter is played with a lot of conviction by Lindsay Lohan, who is totally believable as the typical teen ager working through the pain of losing a father and getting a replacement she is not too fond of.
Things move at a rapid pace; there is never a dull moment in the film. It's a perfect summer comedy that will leave the viewer satisfied and happy.
Fun and harmless remake of the popular 1977 Disney film of the same name.
Jamie and Lindsay star as a mother and teenage daughter, who don't exactly see eye to eye. They constantly argue and don't understand each others livelihoods and problems in any way shape or form. That is of course until they are magically transferred into each others bodies for a day with genuinely funny consequences.
Despite the over familiarity of this type of subject, it is handed with real skill and does more than enough to have you chuckling throughout and basically watching the stars make fools of themselves! Lindsay Lohan is great, but the real star of the show is Jamie Lee Curtis in her best performance for years, she clearly enjoys herself in her role as mother (and daughter!!).
Jamie and Lindsay star as a mother and teenage daughter, who don't exactly see eye to eye. They constantly argue and don't understand each others livelihoods and problems in any way shape or form. That is of course until they are magically transferred into each others bodies for a day with genuinely funny consequences.
Despite the over familiarity of this type of subject, it is handed with real skill and does more than enough to have you chuckling throughout and basically watching the stars make fools of themselves! Lindsay Lohan is great, but the real star of the show is Jamie Lee Curtis in her best performance for years, she clearly enjoys herself in her role as mother (and daughter!!).
At first I couldn't understand why this was the version to see. It didn't seem any better than the Shelley Long/Gaby Hoffmann version I enjoyed years ago. Lindsay Lohan was a holy terror and her mom was merely uptight but nothing special. But of course all that changed when the magic spell took effect and Anna woke up horrified.
There are many deserving performances, mostly dramatic, that get Oscar nominations each year. It's easier for a movie like this to get recognition when comedy has its own categories. But Jamie Lee Curtis was amazing. Such a bizarre sight, this middle-aged woman acting like a teen! Maybe Oscar would be asking too much because of the competition, but Curtis certainly deserved a Golden Globe nomination. And Lindsay Lohan did a capable job of the mom in a teen's body, trying so hard to fit in at school.
Harold Gould's performance also should be noted. He made quite a likable buffoonish grandfather. I liked Rosalind Chao's clueless, almost stereotypical restaurant hostess. Lucille Soong made us notice as Chao's meddling mom who just HAD to help this family. And Jeff Marcus as one of Tess' more troubled patients.
Although the musicians showed talent, I will say I agree with the first opinion Tess had of her daughter's music. It was all just noise! I liked the music for the wedding rehearsal.
I still want to see the Jodie Foster original, and twice I have been annoyed that someone felt the need to do a remake rather than show the original. But this one was really worth it!
There are many deserving performances, mostly dramatic, that get Oscar nominations each year. It's easier for a movie like this to get recognition when comedy has its own categories. But Jamie Lee Curtis was amazing. Such a bizarre sight, this middle-aged woman acting like a teen! Maybe Oscar would be asking too much because of the competition, but Curtis certainly deserved a Golden Globe nomination. And Lindsay Lohan did a capable job of the mom in a teen's body, trying so hard to fit in at school.
Harold Gould's performance also should be noted. He made quite a likable buffoonish grandfather. I liked Rosalind Chao's clueless, almost stereotypical restaurant hostess. Lucille Soong made us notice as Chao's meddling mom who just HAD to help this family. And Jeff Marcus as one of Tess' more troubled patients.
Although the musicians showed talent, I will say I agree with the first opinion Tess had of her daughter's music. It was all just noise! I liked the music for the wedding rehearsal.
I still want to see the Jodie Foster original, and twice I have been annoyed that someone felt the need to do a remake rather than show the original. But this one was really worth it!
Freaky Friday has just the right touch. In making an identity-switch movie, there is always the temptation to overdo things, in both the comedy and the pathos sides. Jamie Lee Curtis has just about the right balance portraying a 15-year-old in a 40-year-old body. On the comedy side, although on occasions coming across as just a little bit too silly, Curtis has on the whole brought out the funny side of the situation without undue exaggeration. The important thing is her success in making the whole thing believable. On the pathos side, her toasting speech in the engagement ceremony is touching performance. Lindsay Logan, on the other hand, has much less opportunity of repeating her brilliant performance in The Parent Trap (1998). The fault is not hers. It's just that it's much less fun watching a 40-year-old in a 15-year-old body than the other way around. While this is obviously the ladies' show, the two beaus provide reliable support. However, it is the fantastic pair of grandpa (Harold Gould) and little brother (Ryan Malgarini) who stole the show, particularly the little guy. I for one would love to see a sequel with this pair swapping bodies. Good flick; well worth the admission price.
Look . . . I'm mainly into sci-fi, fantasy, action-thriller, and special effects movies (i.e. Matrix, LOTR, Identity, Star Wars, etc.) and generally try to avoid chic flicks and warm-fuzzy feel-good movies. After watching the current Freaky Friday starring Jamie Lee Curtis and Lindsay Lohan now I understand why.
See, I'm a guy, and guys don't cry, well, that's what we've been told. On top of that I'm 48 years old so I'd better have my maturity act together. So, what happened? Besides laughing my butt off at the truly funny scenes (my wife and I caught a few stares from other movie-goers), I had to strain every muscle in my body to keep from bawling like a, no, it can't be true .. . girl.
I might have to consult a therapist (Jamie Lee can certainly fill that role anytime) to understand why this movie had such a profound effect on my emotions. Maybe it's because my parents never really understood me (I certainly understand them now) or maybe it's because I have a couple daughters and I've rarely tried to put myself in their shoes. This movie accomplished that for me, big time . . . the ultimate exercise in empathy.
The interaction between mother and daughter was superbly acted and very believable especially with the switched roles. Moreover, the supporting characters, from the little brother, to the fiancé, to the grandfather, to even the detention monitor at the school were also outstanding and made this story a real winner.
I can honestly say that this is in my top 20 favorite movies of all time and I will most certainly buy the DVD when available. I can't believe I've been saying all this about a movie way out of my usual genre but here it is, in writing. Please watch this movie, and then tell me I'm not losing it. Enjoy!
See, I'm a guy, and guys don't cry, well, that's what we've been told. On top of that I'm 48 years old so I'd better have my maturity act together. So, what happened? Besides laughing my butt off at the truly funny scenes (my wife and I caught a few stares from other movie-goers), I had to strain every muscle in my body to keep from bawling like a, no, it can't be true .. . girl.
I might have to consult a therapist (Jamie Lee can certainly fill that role anytime) to understand why this movie had such a profound effect on my emotions. Maybe it's because my parents never really understood me (I certainly understand them now) or maybe it's because I have a couple daughters and I've rarely tried to put myself in their shoes. This movie accomplished that for me, big time . . . the ultimate exercise in empathy.
The interaction between mother and daughter was superbly acted and very believable especially with the switched roles. Moreover, the supporting characters, from the little brother, to the fiancé, to the grandfather, to even the detention monitor at the school were also outstanding and made this story a real winner.
I can honestly say that this is in my top 20 favorite movies of all time and I will most certainly buy the DVD when available. I can't believe I've been saying all this about a movie way out of my usual genre but here it is, in writing. Please watch this movie, and then tell me I'm not losing it. Enjoy!
Did you know
- TriviaWhen Jamie Lee Curtis found out that Lindsay Lohan, who was going to be playing her daughter, had starred in À nous quatre (1998), she asked, "Which twin did she play?", unaware that Lohan had performed both roles.
- GoofsWhen Tess (in Anna's body) wakes up after the swap, she makes her way out of Anna's room and the door, which was removed the night before, is still there. In subsequent shots, and conversations, it's obvious that the door isn't supposed to be there.
- Quotes
Anna (in Tess's body): Like cooking: I mean, have you never heard of takeout? And cleaning: let's don't and say we did. Quality time with your kids: You know what? Quit bugging 'em. Leave 'em alone. They like it!
- Crazy creditsThe beginning of the end credits are shown to appear hand-written.
- Alternate versionsScenes cut from a 2008 ABC airing include Jake singing "Hit Me Baby" to Tess's bedroom window and Pei-Pei's mother attempting to switch Harry and his grandfather. The ABC version instead ends with Tess and Anna dancing with their respective lovers before cutting to Anna's end credits performance.
- ConnectionsEdited into Freaky Friday: Deleted Scene (2003)
- SoundtracksUltimate
Written by Jeff Coplan and Robert Ellis Orrall
Produced by Michael Simpson
Performed by Lindsay Lohan
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Un viernes de locos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $110,230,332
- Opening weekend US & Canada
- $22,203,007
- Aug 10, 2003
- Gross worldwide
- $160,849,833
- Runtime1 hour 37 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
What is the Hindi language plot outline for Freaky friday - Dans la peau de ma mère (2003)?
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