Die, Mommie, Die!

Beautiful, glamorous, fading singer Angela Arden (Charles Busch) is miserable. Her horrible husband is making life hell; her daughter Edith (Natasha Lyonne) loves daddy--too much; her son Lance (Stark Sands) is gay and into drugs; her lover Tony Parker (Jason Priestley) is sleeping with her and Edith and Lance....Angela suffers exquisitely.

A parody and a loving remake of the womens pictures made from the 40s up to the 60s. Busch (a man in drag) looks perfect and suffers constantly; the settings are beautiful; the dialogue high camp; everybody and everything looks picture pretty...even the flashes of (male) nudity and sleazier aspects are handled in a very "pretty" fashion. Also it includes some hilariously obvious back screening. This works beautifully because the whole cast plays it straight--there's no winking at the camera or overacting. Busch is just great in his role--he evokes Susan Hayward and Joan Crawford at their best. Lyonne and Sands are having a fun time as her seriously disturbed children--especially Sands. And who ever though Priestley could be such a great actor. He plays everything straight-faced beautifully. Also there are a TON of film references for film buffs.

My only complaint--and this is minor--is the color isn't as bright and strong as it should be. It seems kind of washed out.

That aside this is really a great film. A must for gay men and film buffs.

I watched this as someone who knows and loves the styles of movie-making and acting that Busch and company are spoofing. Even so, I occasionally found the script it a little draggy, the photography a little dark and blocking a little static, but only occasionally. When it did work, which in my opinion was most of the time, it did so delightfully. Totally unpretentious, it doesn't make itself out to be anything other than it is. I give it an 8.

If you don't get the campy fun in movies like PORTRAIT IN BLACK, DEAD RINGERS, WHATEVER HAPPENED TO BABY JANE, DIE DIE MY DARLING, STRAIGHTJACKET and SUNSET BOULEVARD, you probably won't get DIE MOMMIE DIE. If you do, you'll probably be howling like the audience I saw it with.

Although shot on an obviously ultra-low budget, MOMMIE still works on many levels. It's funny, campy, naughty, witty and Charles Busch shines in the role of Angela Arden, which he reprises from his own stage play. Thankfully, they didn't give the part to a woman, which is what ruined the tone of another Busch screen adaptation, PSYCHO BEACH PARTY. Busch is pitch-perfect as Angela and the fact the you never forget he is a man greatly helps bring out the campy tone of the story.

This is a must see for those who like to watch MOMMIE DEAREST every couple of years or so for a good laugh.

Charles Busch is a female impersonator who writes and stars in genre parodies. His last filmed effort was Psycho Beach Party. This latest effort, Die Mommie Die, is a parody of the drama queen melodramas of the 50s and 60s, in which actresses like Susan Hayward schemed and

seduced callously, and encountered crises which were not only larger than their real-life counterparts, but also arrived with far greater frequency.

The genre died out of the film world before most of you were born, but it left behind a legacy of nighttime soap operas like Dynasty, so if you can remember Joan Collins on the small screen, you'll have a good idea of the equivalent big screen target Busch is focusing on.

Busch is a talented guy, whom you may remember from his portrayal of Nat Ginsberg on Oz. I don't know if it's even correct to call him a female impersonator. He is a male who plays certain types of female roles convincingly. His characterization in this film is so convincing that you'll forget he is a male, and his writing shows a real gift for walking the line between lampoon and homage.

Busch and director Mark Rucker got the actors to deliver all their outrageous lines in a consistently theatrical and obviously insincere style to match Busch's own. I thought Jason Priestly was especially funny as a bisexual gigolo. The entire film plays out as if everyone in the cast knows he or she is in a high camp entertainment, and wants the audience to know that they know.

I laughed a lot, to tell you the truth. I suppose drag queen movies may not be what most of you are looking for. Me neither. But the fact of the matter is that Busch can probably evoke the actresses of that era better than any contemporary female I can name. Hell, When I was a kid I always wondered if Bette Davis and Joan Crawford were really middle aged men in wigs, so who better to portray them than a 48 year old man in a wig?

Busch is making fun of the melodrama queens, but he also has a gift for witty dialogue and a genuine regard for the subject matter which makes this an entertaining confection about part of filmdom's barely-remembered past.

Why am I taking the time to review this movie? Because I loved it, practically every minute of it. Even now, I'm thinking about renting it again because this is the type of movie that you don't easily forget.

The plot of Die, Mommie, Die is straightforward: a washed-up singer is trapped in a bad marriage to a movie mogul who really doesn't love her. She decides to kill him so she can have a life and a real lover. That pretty much sums up the general plot.

The only criticism I have of this movie is that it should have tried to incorporate more songs, such as was done in the great Julie Andrews hit, "Victor Victoria". The one song in Die, Mommie, Die, "Why Not Me?" is repeated in several flashbacks. I don't know if the song is original, but it was perfect for this movie, and I wished there were more songs like this because it would have been a great soundtrack to buy.

This not a movie that would appeal only appeal to a small part of the movie-going public, but rather a great, campy movie that is full of fun. Perhaps the best compliment I can give this movie is that I wish I had seen it on the big screen. It would be well worth the $9.

Addendum: Almost four years have gone by since I reviewed this movie, but I have no indication if anyone has ever read this. So, if you stopped by, please leave your thumbs up or thumbs down.