The Clash: Westway to the World

although it somewhat skirts around the truth of the matter, "westway to the world" is a must have for clash fans. it's not nearly as good as other punk rock docs like julien temple's brilliant "the filth and the fury", or jem cohen's "instrument", but worthwhile, nonetheless. my major point of contention is the fact that the movie just kind of wraps with the clash "breaking up" in 1982, when in fact mick jones was kicked out, and the clash went on to release their most horrible album, a "back to basics punk record", in 1985. the early years are well documented, and the stories of life on the road with the sex pistols are great. of course the music is top notch. the dvd also includes a short film called "clash on broadway", which includes a lot of footage also in the feature.

Being a band-authorized biography, this really doesn't dig too deeply below the Clash's public image, but it's a fun watch nonetheless. I'm not sure how much interest it would hold for novices, as a lot of the incidents they refer to (Johnny Rotten swearing on TV, the abortive punk rock tour of England with the Clash, Pistols, Johnny Thunders, etc) are not explained or put in context; it's assumed that the audience will know what they're talking about.

Still, as I say, it's a fun watch and the vintage concert/studio/etc footage is pretty priceless. It's just a shame that they couldn't have included more complete songs, perhaps as bonus footage. Still definitely worth seeing for any now or future Clash fan.

This short film is celebrated by devotees of The Clash; to non-fans, it's still interesting, less in the story of the band but in the style of its telling. "We came, we fought, we made great music" - that seems to be the take home message, all four of the band's original members contribute (and the film indeed contains little other than a mixture of their interviews and concert footage); but there seems to be a very deliberate decision not to present a blow-by-blow description of every action, but rather, for the band members to present their history as a simple fact of nature - something that just happened. Given that the band rose and closed in just five years, maybe there's some truth in this curt account, although perhaps also the band (and film-maker Don Letts) realised that less can be more in terms of effect. In spite of past quarrels, the band all essentially sing the same song here; the other thing of note is quite how posh lead singer Joe Strummer can actually sound. But I'd have liked a little more social context - regardless of their musical talents, the post-punk Clash represented their times (the end of the seventies and the start of the eighties) maybe more than any other band - but this is only weakly conveyed in this (somewhat introverted) account.

Being that I am only the age of 16 I have never had the privillege of seeing my favorite band The Clash. But watching this film has showed me what they were like in person and showed lots of live footage. Its a MUST for any clash fan!

The Clash may have been one of the most interesting, important and best rock bands to have ever existed. And this documentary does in fact support that theory. However, the selectiveness of the subjects leaves much to be desired. Hindsight, as they say, is 20/20 - and in the case of the people responsible for this documentary - it's also very selective. There's absolutely no mention of the post-Mick Jones Clash that existed from 1983-1986. Four years of a bands history is an awful lot of time to simply not feel like mentioning. Sure the album this band produced (1985's Cut The Cr*p) may not have been on par with say London Calling but few albums are. To completely fail to not mention it makes me wonder why the filmmakers would simply choose to re-write history as if it never existed. All this does is support the fact that documentaries edit history any way they want. The unmentioned band (Simonon/Stummer/Pete Howard/Vince White/Nick Sheppard) toured the US in 1984 and also did a busking tour of England in 1985. By not mentioning them at all does no favors for any new young fan who actually wants to know about The Clash's history (and not just what was graciously selected for them).

Then there is the issue of obtaining great rare footage only to have seconds of it peppered throughout the documentary! This seems to be the biggest complaint from everyone I know who has seen it. To not add any of this footage (i.e The Clash playing both songs on SNL/Their appearance on Friday's/Tom Snyder/US festive footage/etc) is simply not caring about the band or it's fans. All this does is give bootleggers even more viable footage to sell. Real smart.

Having said all that it is a welcome documentary. And there is the bonus footage of all the existing footage for The Clash On Broadway. Footage that I should add the reason why so little exists is because Topper took out an injunction so that film never be released. Since it was never finished (because of the injunction) most of it was thrown away or deteriorated since it would never see the light of day anyway. Gee thanks Topper, now we really see you in a positive light!