Bollywood Queen

The story is as old as the hills but it works because of the film's immense charm, terrific music and great acting. I've seen it twice and loved it more the second time. Preeya Kalidas is a dream to look at and when she sings it's milk and honey.

No surprise that some nice white boy decided to cash-in on the bollywood phenom and what a trite mess he makes of it. Enough saccharine to make your teeth peel and enough sub-standard filmmaking to make you reach for your movie mantra and pray forgiveness for those who know not what they do. Pretty girl with nice song does not a movie make. Story? Let see... Boy meets girl. Girl from strict asian background. Boy not. It must be love. Everybody dance. Annoying & ludicrous twaddle.

The only solace is I didnt pay to watch this. I give my deepest sympathy to those who did and were conned by a fancy poster and promise of magic realism.

Really bad attempt by British to make a Bollywood movie. The dancing is awful. I can dance way better!! (and I'm not much.) The acting is bad which could be the directing. There was an actor in it that I know is great. He had just a small part. Remember the guy who played Al Swerengen from HBO's Deadwood? I know he can do much better than this.

Can't tell you just how much I hated it. Waste of time. THIS IS NOT A BOLLYWOOD MOVIE!!! Not even close. Just because they found Indian people in England and put them on screen doesn't make it Bollywood. Wow. They want me to do 10 lines of telling you just how crappy this movie is!!!!

Bollywood Queen does a clever job of taking the genre of the typical mass-produced Indian film and weaving in a contemporary theme. The satire on the "Bollywood" movie is what makes this movie. If you haven't seen a Bollywood movie, expect to be a little baffled at the random song sequences and somewhat ludicrously simple themes (boy-meets-girl, forbidden love) . If you are familiar with Bollywood movies, you'll appreciate the caricatures that are played out.

The thing that makes this movie especially clever is that beyond the caricatures, there's humor and irony. For instance, the song sequences are obvious satires, but instead of the schlocky lyrics of a real Bollywood flicks, these satirical songs have hilarious lyrics.

So there I am in Blockbuster, trying to decide which movie I want to see when I head on over to the foreign film section. Being burnt out on the teenage-market oriented films over the last fifteen years I'm hoping that the other six continents on the globe can offer good old fashioned mature film making (yes, I'll even include Antarctica ... maybe there's some U.S. Army research type trying to make the next "March of the Penguins" with a camcorder).

I perused the section, grabbed one title that won Cannes, another that Ebert raved about, then scrunch my lips as I examine the respectable (though somewhat limited) selection of foreign films. I see a plain white Blockbuster DVD case with "Bollywood Queen" written in plain black letters. I grab it, read that small dozen-word "paragraph" describing a small indy film, then shrug and head to the cash register.

When I get home I popped the thing in my player, began to watch it anticipating on popping in one of the other DVDs into the machine, but instead was captivated by a magical film making style.

"Bollywood Queen", as the title suggests, leans towards the Indian musical genre, but it isn't strictly a musical in the Bollywood sense. It is an existential homage and tribute to the genre, and an attempt to introduce it and rework it for a larger movie going audience who can appreciate good film making.

The classic Romeo and Juliet story is played out in this modern Londoner update. The two families in question are from different sides of the tracks and different cultural backgrounds. The young-hearts must overcome obstacles including, but not limited to, traditional family politics, racial prejudices, and criminality from both families to set themselves free. There's been some complaint by viewers of racial stereotyping. This is entirely incorrect, as the baser elements of society are not limited to any racial segment, but cut across both prevalent groups in the film.

Interspersed within this drama are of course the musical numbers. They're there more for paying tribute and to enhance the overall surrealism that is the film's predominant theme. They're not huge lavish numbers one might expect from a golden age Hollywood production, but nor are they ridiculously kampy fare so prevalent in Bollywood offerings. They're brief, heartfelt, and to the point, but also a pleasure to listen to.

The acting is very respectable and solid, though no Oscars will be won here, as was the intent. Humor, romance, intrigue and drama are mixed and balanced, but not overplayed. Director Jeremy Wooding and his cast definitely knew what they were doing as they create a warm world in which viewing couples can get pleasantly lost in for 90 minutes.

Definitely a good couples film, or a film for anyone who likes good independent features.