The Big Empty

An actor who's out of work is hired to deliver a mysterious blue suitcase, only to find himself sucked into a different world.

I enjoyed this film very much and many people with me at the screenings at this years AFM.

I invite everybody to see this film as soon as it is released. Two Thumbs up for this great film. Jon Favreau is really fantastic !

I feel so guilty writing a negative review of an independent film with a plot that include alien conspiracies and Sean Bean but I feel overwhelmingly compelled to.

Being a fan of such films as Donnie Darko and Mulholland Drive I was desperate to find another film in a similar vein. Lots of symbolism and a plot that makes you think, plus interesting characters is what The Big Empty needs, then it might be a bit similar to Donnie or Mulholland.

The problem is that this film is pretentious- apparent symbolism is included just for effect- in order to look wierd and make people say 'i wonder what that represents?'. It doesn't represent or mean anything clever or interesting- I guess that means it isn't even symbolism.

And don't expect Coen Brothers-esque comedy or dialogue. 90% of this film involves seeing a slow lingering shot of a very big face as he slowly furrows his brow and prepares to state the bloody obvious. I cannot begin to describe how tedious this film is, the dialogue goes so slowly and with so little purpose that it will have you wishing that something, anything, interesting would happen.

Most of the characters have no purpose- their scenes are entirely superfluous to the narrative progression. I spent ages waiting for Sean Bean to show up and it was good to see him but he couldn't rescue this film.

There is a very, very slim chance that the below par, X-Files 'inspired' plot will interest you and there are perhaps two good jokes in the film. However, if within the first five minutes you find yourself doubting whether you can stand watching his bloody big head for the next couple of hours, just turn it off. You won't miss anything.

I'm not entirely sure what this film was about. The ending is so ambiguous, that I can't tell whether I liked it or not.

I was digging the film for the first 3/4 of the movie, but somewhere in the third act, it became extremely confusing and all the good will that had built up in the wonderful character performances (Favreau, Cook, Grammer, etc) gets lost in the weird hokey-pokey that occurs. I stop caring for these interesting characters because their story is superceded by some new-age stuff that I couldn't even comprehend.

Also, there are elements of the storyline that either take too long to resolve (who's the cowboy? what's in the bag?) or just are never resolved at all (some of the characters are built up, but then just sort of disappear).

Overall, I enjoyed this film, but the ending was a mess. Maybe I'm just not understanding it, but I think they intentionally made it ambiguous. In which case, I'd say that's its biggest flaw.

This could be an excellent little suspense yarn with a touch of sci-fi in the brew, and in many respects it is. But (the DVD version of) the film is only 92 minutes long, and there were at least three scenes chopped down that needed to contribute important information to the continuity. Leaving them in completely would have added no more than a few minutes to an already short story, but as stripped, there are three situations left unexplained, along with a comment from Cowboy that clarifies what he is up to and defines his role.

What does a cowboy do? He rides the range in search of cattle, and when he has a herd, he delivers them to the slaughter house where they end up as hamburgers. A similar story was given many years ago in a Twilight Zone or Outer Limits show, about space aliens inviting humans to go away with them to a paradise in the sky. The humans were given a book to decipher, which the aliens claimed would reveal their ultimate intent, but the humans couldn't figure it out. Hundreds of them had already left, and more were waiting in line, before someone finally translated the title. It was a "cook book"! In other words, as in this story, the promise of a glittering future among the aliens turned out to have a darker side.

As anyone can see from the DVD version, the important three shortened scenes establish key points in the plot. They are called "Going for a ride," "Get in the room," and "Git along little doggie," the latter of which concerns a rather chilling remark by Cowboy. These three scenes should not have been truncated, because they are central to the story. The edited out parts only amount to an extra few minutes, but they add clarity to three situations that otherwise leave one wondering what was missing. Otherwise a good story.

Stuck in a mediocre life, John Person persist with his dream of acting. Hanging on the hope of a call back from an audition, John is suddenly interrupted by his neighbour Neely. Neely asks for John's help in delivering a blue suitcase to a man called the Cowboy. The delivery point is the small desert town of Baker. Once there, John meets the strange locals; hotel manager Elron, bar maid Stella, the mysterious Ruthie. Complications arise when FBI agent Banks starts investigating John and his matters in Baker.

The Big Empty is a quirky debut for director/writer Steve Anderson. The Big Empty is a mash up of ideas and concepts; aliens and abductions, bowling, the mystery of the suitcase, meeting new people in the likeliest places, freeing once self from life's pit, a self discovery to your inner life and desires. To Anderson's credit, he stops this mash up from a complete muddle and strings it all together convincingly. Yet he has taken on to much all at once. The esoteric story, the kooky characters of the town are of centered to his canvas. He has so many ideas, but placing so many have hindered the film.

A positive and a negative of The Big Empty is its overly ambiguous tone. Questions are thrown at you, hints to their answer are slowly dug up, but so many questions are left unanswered. It's very opened ended, leaving room for much interpretation. Anderson wants you to think and uncover your own answers, which is pleasant to see from a film maker, audiences are too comfortable to have the answers given.

Acting all round is solid. Jon Favreau is strong if it not near his best. Daryl Hannah is great is as Stella. Kelsey Grammar occasionally hits over the top as Agent Banks. Rachael Leigh Cook is an absolute stand out as head strong and free spirit Ruthie. Sean Bean is also quite a stand out as the mysterious Cowboy.

While The Big Empty may not grasp everyones attention or be a wholly stunning film, it shows much talent in Anderson's skill as a film maker. A very solid debut.