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Reel Radicals: The Sixties Revolution in Film

  • TV Movie
  • 2002
  • 1h 30m
IMDb RATING
7.4/10
56
YOUR RATING
DocumentaryHistory

This 90-minute documentary illustrates how directors pushed boundaries and altered the art of filmmaking during the turbulent, swinging 1960s. Narrated by Woody Harrelson, "Reel Radicals" fe... Read allThis 90-minute documentary illustrates how directors pushed boundaries and altered the art of filmmaking during the turbulent, swinging 1960s. Narrated by Woody Harrelson, "Reel Radicals" features clips from such seminal films as Arthur Penn's "Bonnie and Clyde" (1967); Mike Nich... Read allThis 90-minute documentary illustrates how directors pushed boundaries and altered the art of filmmaking during the turbulent, swinging 1960s. Narrated by Woody Harrelson, "Reel Radicals" features clips from such seminal films as Arthur Penn's "Bonnie and Clyde" (1967); Mike Nichols' "The Graduate" (1967); Dennis Hopper's "Easy Rider" (1969); John Frankenheimer's "The... Read all

  • Directors
    • Lewis A. Bogach
    • Don Fizzinoglia
  • Writers
    • Ethan Mordden
    • Lewis A. Bogach
  • Stars
    • Woody Harrelson
    • Fidel Castro
    • Phyllis Coates
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    56
    YOUR RATING
    • Directors
      • Lewis A. Bogach
      • Don Fizzinoglia
    • Writers
      • Ethan Mordden
      • Lewis A. Bogach
    • Stars
      • Woody Harrelson
      • Fidel Castro
      • Phyllis Coates
    • 2User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos

    Top cast34

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    Woody Harrelson
    Woody Harrelson
    • Narrator
    • (voice)
    Fidel Castro
    Fidel Castro
    • Self
    • (archive footage)
    • (uncredited)
    Phyllis Coates
    Phyllis Coates
    • Self
    • (archive footage)
    • (uncredited)
    John Connally
    John Connally
    • Self (Dallas motorcade footage)
    • (archive footage)
    • (uncredited)
    Nellie Connally
    Nellie Connally
    • Self (Dallas motorcade)
    • (archive footage)
    • (uncredited)
    Roger Corman
    Roger Corman
    • Self
    • (uncredited)
    John Frankenheimer
    John Frankenheimer
    • Self
    • (uncredited)
    L.C. Graves
    • Self
    • (archive footage)
    • (uncredited)
    Buck Henry
    Buck Henry
    • Self
    • (uncredited)
    Arthur Hiller
    Arthur Hiller
    • Self
    • (uncredited)
    Alfred Hitchcock
    Alfred Hitchcock
    • Self (Psycho (1960) trailer footage)
    • (archive footage)
    • (uncredited)
    Dustin Hoffman
    Dustin Hoffman
    • Self (1975 BBC interview)
    • (archive footage)
    • (uncredited)
    Dennis Hopper
    Dennis Hopper
    • Self
    • (uncredited)
    Norman Jewison
    Norman Jewison
    • Self
    • (uncredited)
    John F. Kennedy
    John F. Kennedy
    • Self (1961 inauguration)
    • (archive footage)
    • (uncredited)
    Robert F. Kennedy
    Robert F. Kennedy
    • Self
    • (archive footage)
    • (uncredited)
    Nikita Khrushchev
    Nikita Khrushchev
    • Self
    • (archive footage)
    • (uncredited)
    Martin Luther King
    Martin Luther King
    • Self
    • (archive footage)
    • (uncredited)
    • Directors
      • Lewis A. Bogach
      • Don Fizzinoglia
    • Writers
      • Ethan Mordden
      • Lewis A. Bogach
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews2

    7.456
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    Featured reviews

    7lee_eisenberg

    film must change with the times

    I had known a little bit about the 1960s change in cinema, but "Reel Radicals: The Sixties Revolution in Film" lays it all out. Probably the main aspect that comes to people's minds is the emergence of sexuality on the screen, as shown by the likes of "Midnight Cowboy" and "Bob & Carol & Ted & Alice". But the overall change was a shift away from the 1950s eye candy to more serious topics: race relations ("To Kill a Mockingbird"), the Cold War ("Dr. Strangelove"), the generation gap ("The Graduate") and overall political upheaval ("Medium Cool").

    One thing that I wish that they could have gotten into was when movies from that era had a seemingly apolitical plot as the setting for political commentary. For example, "It's a Mad, Mad, Mad, Mad World" may look like a wacky comedy, but really seems to be a parable of greed, showing how people will do anything for money.

    For the most part, though, I thought that the documentary did a swell job with its topic. It all brings to mind the fact that the 1960s cinematic shift away from escapism led to 1970s cinema focusing on the fruits of the '60s movements, then escapism (particularly high action) resurfaced in the '80s, and then the indies rose in the '90s. It still remains to be seen what specifically 21st century cinema will inhibit.

    All in all, worth seeing. I might also note that people talk about TV experiencing its major change in the '70s, with "All in the Family" and "Sanford and Son". I would say that there actually was a little bit of a shift in the '60s. Aside from shows like "Bewitched", "Gilligan's Island" and "I Dream of Jeannie" having a semi-psychedelic look, these shows often contained situations where people from the older generation would come across something unfamiliar, and look ridiculous when they tried to explain it (after all, people not taking part in what happened in the '60s couldn't even begin to explain it). That's my take on things.

    But I digress. Definitely a documentary that I recommend.

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    • Connections
      Features Rome, ville ouverte (1945)

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    Details

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    • Release date
      • April 2, 2002 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Production companies
      • American Movie Classics (AMC)
      • Surreal Life Productions
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      1 hour 30 minutes
    • Color
      • Black and White
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1

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