Based on the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.Based on the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.Based on the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.
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- 4 nominations total
John Henry Summerour
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Party Monster is based on the true story of 80s club kid and promoter, Michael Alig, infamous for his bizarre New York parties and, later, for the brutal murder of a drug dealer.
It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.
Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.
Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.
Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.
It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.
Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.
Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.
Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.
A famous quote by Pauline Kael about Greta Garbo was that "she was the complete reason to see a film". Well, let me tell ya, I will agree, astonishing even myself, that Maculay Culkin fits this description about PARTY MONSTER. Off screen for 9 years and making two excellent eye-popping returns (the sly wry and hilarious SAVED is the other) 23 year old Culkin is nothing more than front and center startling and compelling in this very clever club culture expose of the very real and very cruel pill bunny Michael Alig. Released clumsily on one print in Australia and off screen in 2 weeks, this film deserved smart marketing and even a reissue before DVD dumping because it has a potentially huge audience and major industry credit as a very difficult genre to re create successfully. I think PARTY MONSTER is a complete success in its serious efforts to capture the dance party scene of the 90s and the glittering bowel of its dark side. The performance by Seth Green is equally disturbingly funny, complete with effete rantings and flummoxed quips that leave the viewer smiling in admiration at his genuine talent. The look of PARTY MONSTER is almost as if Larry Cark re made "Studio 54" and got Bob Mackie to create the costumes. The art direction and costume design is especially perfect and adds hilariously to what is, I believe one of the most clever and nasty black comedies to emerge from the USA this century. Marilyn Manson as gigantic dopey drag queen Christina (geddit) is especially hilarious and shocking. If you have seen the equally brave and hilariously tragic HEDWIG AND THE ANGRY INCH and also read Roger Ebert's superbly written and accurate review of PARTY MONSTER then you will be well equipped to deliciously slurp up every frame of this - literally - sensational disco bloodbath. To say that the astonishing and entertaining performances of Culkin and Green are fearless is the understatement of the century. 20th or 21st! PARTY MONSTER is a major achievement.
When I started to watch this movie I wasn't at all aware what it was about. I just saw that MaCaulay Culkin and Seth Green were in it and thought, "Cool! Maybe this'll be good." A lot of people say this movie was bad, that it was horribly acted, but I think they just couldn't get past Culkin's shortcomings. I don't believe he was a bad actor, I simply believe he got stuck on the idea of how he had to humanize his character, and that was his ultimate downfall (in the special features he explained this was something he wanted to bring to the character).
Seth Green, as always, is adorable and can completely immerse himself into a character and really bring him to light. Marilyn Manson played Christina wonderfully, if only for a short time. Wilmer Valderrama was terrific as Keoki and it was a disappointment to see he was only in such a little portion of the film.
All in all, this movie was great. It had a great cast and a great script. The movie was meant to poke fun, not to make you think about any hidden meanings or to wonder why they were acting so strange. Club Kids were all about glamour, mocking celebrities, and, in the end, drugs. They didn't want to grow up, and they certainly didn't want to live a normal life.
Culkin had his moments where he pulled Alig off well, and in others, you could tell he was trying to stretch the character into places he wasn't meant to go. And if he was, Culkin certainly wasn't the actor to do it.
All in all, a "fabulous" film. Highly recommended if you're interested in how some of the 80's really played out.
Seth Green, as always, is adorable and can completely immerse himself into a character and really bring him to light. Marilyn Manson played Christina wonderfully, if only for a short time. Wilmer Valderrama was terrific as Keoki and it was a disappointment to see he was only in such a little portion of the film.
All in all, this movie was great. It had a great cast and a great script. The movie was meant to poke fun, not to make you think about any hidden meanings or to wonder why they were acting so strange. Club Kids were all about glamour, mocking celebrities, and, in the end, drugs. They didn't want to grow up, and they certainly didn't want to live a normal life.
Culkin had his moments where he pulled Alig off well, and in others, you could tell he was trying to stretch the character into places he wasn't meant to go. And if he was, Culkin certainly wasn't the actor to do it.
All in all, a "fabulous" film. Highly recommended if you're interested in how some of the 80's really played out.
I know this film doesn't have that good of a rating, but actually I thought this was an interesting film. It had such an incredible story to it, it is set in the 80's and is about the club kids and how clubbing came to be so popular. To be different was so cool and the make up, the sex, the drugs were such a way of being released from the "normal" world. Where Alig was going into such high places, you guess it, it can only go downward.
Seth and Maculy are just so adorable in this film, I just loved their chemistry and how they played off each other. These were such risky roles, but they took them on and accepted them into their own. They also researched the film and I believe should get more credit for it. It's a new age Rocky Horror Picture Show, sit back and feel fabulous!
7/10
Seth and Maculy are just so adorable in this film, I just loved their chemistry and how they played off each other. These were such risky roles, but they took them on and accepted them into their own. They also researched the film and I believe should get more credit for it. It's a new age Rocky Horror Picture Show, sit back and feel fabulous!
7/10
this film is an amazing work of art and must be viewed as such. if you're looking to understand the storyline, you MUST read the book disco bloodbath (rereleased as party monster) by james st. james. it's also helpful to watch the director's commentary on the dvd with fenton bailey and randy barbato. so much is explained between these two sources that is taken for granted in the film (ie michael and james' sources of incomes, explanations of michael and peter's relationship, and a more logical timeline). the most important thing to realize and keep in mind throughout watching this film is that michael alig was (is?) incredibly insecure but at the same time incredibly loving. the most telling line in the movie is delivered by seth green, when speaking to macaulay culkin after the latter's feigned attempt at suicide: "There's not enough love in the whole wide world to satisfy you." party monster the film is incredibly intelligent, as is the book. the story and its retelling are hysterical and horrifying at the same time. this film acts as both a warning and a touching memoir - a must see for fans of realism and those who enjoy seeing human emotion and drama rather than special effects and airbrushed muscles.
Did you know
- TriviaMuch of the drug use in the movie was toned down from Michael Alig and James St. James's actual habits for fear it would seem unbelievable.
- GoofsMichael Alig was arrested while in the company of his male lover, not his female lover. Gitsie was a secretary, not a girlfriend. Alig has never been romantically interested in any woman.
- ConnectionsFeatured in 20/20: Party Monster/Party Monster and Murderer (2003)
- SoundtracksTake Me to the Club
Written by Bruno Coviello
Performed by Mannequin
Courtesy of Peace Bisquit
- How long is Party Monster?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $742,898
- Opening weekend US & Canada
- $15,163
- Aug 31, 2003
- Gross worldwide
- $782,606
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