Hollywood Homicide
- 2003
- Tous publics
- 1h 56m
IMDb RATING
5.3/10
41K
YOUR RATING
Two LAPD detectives who moonlight in other fields investigate the murder of an up-and-coming rap group.Two LAPD detectives who moonlight in other fields investigate the murder of an up-and-coming rap group.Two LAPD detectives who moonlight in other fields investigate the murder of an up-and-coming rap group.
- Awards
- 1 win total
André 3000
- Silk Brown
- (as Andre Benjamin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I was really worried going in to see "Hollywood Homicide". The reviews quoted in the TV commercials are all from smaller media outlets and articles that I've read suggest the film makers couldn't make up their mind whether it's a comedy or an action film. After seeing the movie in the sneak preview, I know the film makers knew exactly what they they were making - a flat out comedy with some good, funny action sequences. The plot seemed well thought out -- a real web of deceit plays out during the course of the film. All the actors turned in solid performances. I'm not a fan of rap music, but the film makers blended rap (which makes sense because of the rap industry crime) with Motown and incidental music seamlessly. A bad score jumps out at me, but it all fit here. It's one of the funniest movies I've seen in a long time. The humor is all character-driven, never slapstick or forced. Look for lots of cameos, too. My husband had one criticism - he thought things weren't wrapped up enough at the end. I think it's well enough implied that justice will be served. So five silver movie reels from me and here's hoping "Hollywood Homicide" makes a killing at the box office. -- Auriette Lindsey
I really enjoyed watching Harrison & Josh acting together. It was a fun, action-packed film with two great hunks! They made it look like they enjoyed filming it too. I always enjoy watching Harrison Ford! The only time he freaked me out was in What Lies Beneath, at the end.
From the get-go I could tell Hollywood Homicide was something people were going to miss completely. The fact that the movie isn't really a buddy-cop movie in the sense that a Lethal Weapon is, never really occuring to them. This movie isn't about the crime that takes place. And it's not about the action. It's about the two characters played by Harnett and Ford. The interplay between them, the way they feel each other out, and along with audience grow to know one another.
All the cops in the movie are portrayed as people who want something better for themselves, which recalls to us the 'dreams of the rap-star might-have-been's' who are gunned down in the opening scene.
The roundabout way that things unfold in Hollywood Homicide is quite frankly a breath of fresh air, because the tensions in the movie aren't hinged on the solving of any crimes, but on Harrison selling that property and Josh playing 'Stanley' to perfection. The last bit involving an impropable car chase, an even more impropable foot chase, and two quirky final showdowns show that the guys still 'get down to work' when that time comes.
I recommend the film for anyone who doesn't really hold movies to expectations of genre or style. To people who like to be shown something odd, new and fascinating now and again. It was a good time.
All the cops in the movie are portrayed as people who want something better for themselves, which recalls to us the 'dreams of the rap-star might-have-been's' who are gunned down in the opening scene.
The roundabout way that things unfold in Hollywood Homicide is quite frankly a breath of fresh air, because the tensions in the movie aren't hinged on the solving of any crimes, but on Harrison selling that property and Josh playing 'Stanley' to perfection. The last bit involving an impropable car chase, an even more impropable foot chase, and two quirky final showdowns show that the guys still 'get down to work' when that time comes.
I recommend the film for anyone who doesn't really hold movies to expectations of genre or style. To people who like to be shown something odd, new and fascinating now and again. It was a good time.
This movie is a lot of fun. Everyone seems to be doggin' this movie, but most negative critiques I've read sound like the person expected "Hollywood Homicide" to be bad. The movie has failings to be sure, but I laughed out loud many times and smiled throughout the whole film. All I wanted was to have a good time, and I did.
I've always been a fan of Harrison Ford and odds are I always will be, regardless of what comes out of his personal life now. Considering how Hollywood can screw a man up, Harrison still ranks as one of the few to have successfully held his head together. That and I usually find something entertaining his films. It's hard not to be entertained by him in the old Star Wars films, where he was hilarious as Han Solo, or to root/feel for him in the Indiana Jones trilogy and films like "Blade Runner", "Witness", the Jack Ryan films, "The Fugitive" and "Air Force One".
Thing is, "Witness" marked the turning point of Harrison's career in which he would mature into the modern day quiet, reluctant hero. Understandably, after playing this role again and again for about 20 years Ford would naturally want to go back to playing things a little funnier than he had previously been allowed. It's a bit of a shame that he picked such a weak script for a return to comedy. All in all, it's just an excuse to let Harrison reprise his Han Solo persona as an older man. But in the opinions of some, his age dried him out, preventing him from being as funny as he used to be.
This one tries very hard to be both apart OF the mismatched buddy cop genre AND to make fun of it. As a result, it never quite realizes it's potentially funny premise or even serve as usual time filler.
Ford plays Joe Gavilan, a cop working real estate on the side and Josh Hartnett is his younger partner KC Calden, who works a yoga class on the side, sleeps with his customers and is also an aspiring actor. They get assigned to solve the murder of an up and coming rap group and are repeatedly dogged by Bruce Greenwood as Ford's nemesis. The cliche of Josh's dad being a cop who got killed by way of his partner could have been left on the cutting room floor.
Ford and Josh do the young cop/old cop bit as well as anyone else, but Ford deserves a better than this, and after "Black Hawk Down" Josh should be more picky about his vehicles. The only real comic highlight is when they're being interrogated and are either mouthing off or playing quiet. This is the only gem in an otherwise dull film.
Here's hoping they both make better decisions in the future.
Thing is, "Witness" marked the turning point of Harrison's career in which he would mature into the modern day quiet, reluctant hero. Understandably, after playing this role again and again for about 20 years Ford would naturally want to go back to playing things a little funnier than he had previously been allowed. It's a bit of a shame that he picked such a weak script for a return to comedy. All in all, it's just an excuse to let Harrison reprise his Han Solo persona as an older man. But in the opinions of some, his age dried him out, preventing him from being as funny as he used to be.
This one tries very hard to be both apart OF the mismatched buddy cop genre AND to make fun of it. As a result, it never quite realizes it's potentially funny premise or even serve as usual time filler.
Ford plays Joe Gavilan, a cop working real estate on the side and Josh Hartnett is his younger partner KC Calden, who works a yoga class on the side, sleeps with his customers and is also an aspiring actor. They get assigned to solve the murder of an up and coming rap group and are repeatedly dogged by Bruce Greenwood as Ford's nemesis. The cliche of Josh's dad being a cop who got killed by way of his partner could have been left on the cutting room floor.
Ford and Josh do the young cop/old cop bit as well as anyone else, but Ford deserves a better than this, and after "Black Hawk Down" Josh should be more picky about his vehicles. The only real comic highlight is when they're being interrogated and are either mouthing off or playing quiet. This is the only gem in an otherwise dull film.
Here's hoping they both make better decisions in the future.
Did you know
- TriviaReportedly, Harrison Ford and Josh Hartnett did not get along during production, and neither were very warm with each other when they went out to go promote the movie. Hartnett later revealed in an interview that he and Ford got along better by the end of filming, but said that there were times they would end up just sitting in the car when they were supposed to be doing a scene and neither of them would say anything for like an hour.
- Goofs"Streetcar Named Desire" was performed on Friday night. The two detectives get the call during the show, yet when they arrive at the crime scene ten minutes later, it's daytime.
- Quotes
Joe Gavilan: Don't call me sir. I work for a living.
- Crazy creditsDuring the end credits, Joe and K.C. arrive at the location of their new crime scene investigation.
- SoundtracksI Love Cali (In the Summertime) The Hollywood Version
Written by Roscoe and John 'Fingazz' Stary
Produced by Laylaw and D-Maq (as D-Maq)
Performed by Roscoe
Roscoe appears courtesy of Priority/Capitol Records
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Hollywood: Departamento de homicidios
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $30,940,691
- Opening weekend US & Canada
- $11,112,632
- Jun 15, 2003
- Gross worldwide
- $51,142,659
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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