True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.
- Nominated for 7 Oscars
- 6 wins & 44 nominations total
Carl M. Craig
- Sam
- (as Kingston DuCoeur)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
So here it is: a story about a horse that would give spirit to a whole nation, after the depression of the late 20's and early 30's. Make it a story where the horse and it's jockey have to overcome injury to win it's final great race, and you got your tearjerker (and, therefore, Oscar winner) right there.
But, somehow, 'Seabiscuit' is much more than that. What is definitely a help, is it's incredible cast. Tobey McGuire once more shows he's one of the better youngsters around in Hollywood, and old-timers Jeff Bridges and Chris Cooper will do the rest for ya, even though Cooper is not at his best here as Tom Smith, the trainer for the horse. Then there's William H. Macy in a hilarious role as 'Tick Tock McGlaughlin', a radio presenter.
The life-story we follow the most though is that of Charles Howard (Bridges), owner of the horse. As a self-made millionaire selling cars, who lost his son due to a car-accident, he finds a little bit of joy back to life, with his new wife and his new love, the horsing business. His inspirational speeches make 'Seabiscuit' a crowd-pleaser, in particular that of the 'common people', who recognize themselves in the little horse.
As said, the movie is a little bit too much of a happy ending story to really make it into the 'classic' category, but the movie looks great and hasn't got a boring moment in it. Good acting all around therefore make it a very pleasant movie experience. Although the 7 academy award nominations were a little bit much...
7/10.
But, somehow, 'Seabiscuit' is much more than that. What is definitely a help, is it's incredible cast. Tobey McGuire once more shows he's one of the better youngsters around in Hollywood, and old-timers Jeff Bridges and Chris Cooper will do the rest for ya, even though Cooper is not at his best here as Tom Smith, the trainer for the horse. Then there's William H. Macy in a hilarious role as 'Tick Tock McGlaughlin', a radio presenter.
The life-story we follow the most though is that of Charles Howard (Bridges), owner of the horse. As a self-made millionaire selling cars, who lost his son due to a car-accident, he finds a little bit of joy back to life, with his new wife and his new love, the horsing business. His inspirational speeches make 'Seabiscuit' a crowd-pleaser, in particular that of the 'common people', who recognize themselves in the little horse.
As said, the movie is a little bit too much of a happy ending story to really make it into the 'classic' category, but the movie looks great and hasn't got a boring moment in it. Good acting all around therefore make it a very pleasant movie experience. Although the 7 academy award nominations were a little bit much...
7/10.
As the depression era kicks in, Americans were grasping for any sort of inspiration they could get, enter equine supreme, Seabiscuit. Considered broken down, too small and untrainable, Seabiscuit went on to become a bastion of great racehorses and in the process bringing solace to those closest to it.
Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar (something that is levelled at every film in history about hope and second chances), the more astute critics of the time however lauded it as the delightful and inspiring piece that it is.
It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three men's personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the depression era day.
Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire (waif like), Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. Yet it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track are excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound department's efforts, for this is definitely one to give your sub-woofer a work out.
Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10
Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar (something that is levelled at every film in history about hope and second chances), the more astute critics of the time however lauded it as the delightful and inspiring piece that it is.
It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three men's personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the depression era day.
Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire (waif like), Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. Yet it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track are excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound department's efforts, for this is definitely one to give your sub-woofer a work out.
Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10
Based on the best-selling novel Seabiscuit: An American Legend by Laura Hillenbrand, Gary Ross directed 'Seabiscuit' is a film with a Spirit! It's a courageous true-story, that also makes a moving film. The Direction, The Cinematography, The Performances, all pitch in nicely.
'Seabiscuit' tells the story of Three men, who, come together, respectively, as the principal jockey, owner, and trainer of the championship horse Seabiscuit, rising from troubled times to achieve fame and success through their association with the horse.
Gary Ross's Adapted Screenplay, manages to make a worthy true-story into a worthy film. The characters, The Horse itself, are wonderfully explained. However, the film definitely could've been trimmed, by at least 10-15 minutes. Ross's direction deserves brownie points, as well. John Schwartzman's Cinematography is gorgeous. Editing is good. Art-Design seems perfect.
Performance-Wise: Tobey Maguire is dependable. Jeff Bridges is natural & restrained throughout, while Chris Cooper is simply fantastic. Elizabeth Banks is passable. Gary Stevens & William H. Macy are fair.
On the whole, 'Seabiscuit' comes up a winner in it's intentions. Go, get moved!
'Seabiscuit' tells the story of Three men, who, come together, respectively, as the principal jockey, owner, and trainer of the championship horse Seabiscuit, rising from troubled times to achieve fame and success through their association with the horse.
Gary Ross's Adapted Screenplay, manages to make a worthy true-story into a worthy film. The characters, The Horse itself, are wonderfully explained. However, the film definitely could've been trimmed, by at least 10-15 minutes. Ross's direction deserves brownie points, as well. John Schwartzman's Cinematography is gorgeous. Editing is good. Art-Design seems perfect.
Performance-Wise: Tobey Maguire is dependable. Jeff Bridges is natural & restrained throughout, while Chris Cooper is simply fantastic. Elizabeth Banks is passable. Gary Stevens & William H. Macy are fair.
On the whole, 'Seabiscuit' comes up a winner in it's intentions. Go, get moved!
"Sea Biscuit" is a story about a long shot horse and a man who discover each other on the road to equestrian glory. An extremely rewarding journey though the lives of man and beast. Every aspect of human emotion, bonding and courage is explored with an "equine" tinge. Set in a time when horse racing is more passion than business, Seabiscuit glorifies the positive appeal of horse racing. Every derby event is an emotional doorway which lifts your spirits. Be it the Santa Anita or the Pimilco, you are just just hanging on the edge of your seat praying, vying and hoping for a Seabiscuit win. Such is the emotional grasp and visual brilliance of Gary Ross's direction and Scwartzman's cinematography. Being a thoroughbred race horse by birth, Seabiscuit treads the race track under the watchful eyes of trainer Tom Smith (played by Chris Cooper) and jockey Red Poddard (played by Tobey Mcguire). What follows is a sequence of predictable vicissitudes. Why! This movie wasn't advertised in the mystery genre either!
A frail looking (really) Tobey manages to deeply bond with the horse at least on screen, kudos indeed. Nobody else could have possibly fit into his role as well as he did, physically too. Chris Cooper is the silent marvel. There is a completely subtle tinge to his acting which lays low, yet beautifully exuberates class. Seabiscuit is simply one of those "silent' movies which just hurtles you beyond imaginable frontiers. Sit back and relax and let the long shot consume you.
A frail looking (really) Tobey manages to deeply bond with the horse at least on screen, kudos indeed. Nobody else could have possibly fit into his role as well as he did, physically too. Chris Cooper is the silent marvel. There is a completely subtle tinge to his acting which lays low, yet beautifully exuberates class. Seabiscuit is simply one of those "silent' movies which just hurtles you beyond imaginable frontiers. Sit back and relax and let the long shot consume you.
The film is set in the 30s , economical crisis time , the 29 crack and the ¨Great Depression¨ . A lot of people have got starvation and distresses , although with President Franklyn D. Roosevelt and his ¨New Deal¨ America will retrieve its splendor . This is a story of rich and pauper people . It's a fable of hits and flops . The movie centers on a horse and a good rider (Toby McGuire) , the trainer (Chris Cooper) , the owner (Jeff Bridges) and his wife(Elizabeth Banks) and a journalist (Willian H. Macy). The movie is based on real events and there are various flashbacks developing the historical deeds .
In the motion picture there are humans emotions , drama , tearjerker and several horse races . Runtime film is overlong , two hours and some and though the picture is slow-moving , isn't boring , neither tiring . The final duel between two contender horses is overwhelming and exciting . War Admiral was played by one of his descendants, a gelding named Verboom . While the movie describes War Admiral as being a huge horse close to eighteen hands tall, the real-life War Admiral was well known for being one of the smallest sons of Man o' War . War Admiral was actually the same size as Seabiscuit , which was approximately fifteen hands tall . The flick is apt for everybody , because there isn't violence , nor murders , but agreeable feelings . The movie had nomination various Oscars but didn't get Academy Awards and attained a moderated success , though didn't failed at box office . Interpretation by Toby McGuire is cool , Chris Cooper is excellent, as always , and Jeff Bridges is nice . Randy Newman musical score is riveting , likeness to Jason Swartzman cinematography that is fascinating , too . THe picture was well directed by Gary Ross . Rating : 7,5/10 . Very Good , well worth watching . Better tan average .
In the motion picture there are humans emotions , drama , tearjerker and several horse races . Runtime film is overlong , two hours and some and though the picture is slow-moving , isn't boring , neither tiring . The final duel between two contender horses is overwhelming and exciting . War Admiral was played by one of his descendants, a gelding named Verboom . While the movie describes War Admiral as being a huge horse close to eighteen hands tall, the real-life War Admiral was well known for being one of the smallest sons of Man o' War . War Admiral was actually the same size as Seabiscuit , which was approximately fifteen hands tall . The flick is apt for everybody , because there isn't violence , nor murders , but agreeable feelings . The movie had nomination various Oscars but didn't get Academy Awards and attained a moderated success , though didn't failed at box office . Interpretation by Toby McGuire is cool , Chris Cooper is excellent, as always , and Jeff Bridges is nice . Randy Newman musical score is riveting , likeness to Jason Swartzman cinematography that is fascinating , too . THe picture was well directed by Gary Ross . Rating : 7,5/10 . Very Good , well worth watching . Better tan average .
Did you know
- TriviaThe movie describes War Admiral as huge, close to 18 hands tall. In real life, War Admiral was about 15 hands tall, the same size as Seabiscuit.
- GoofsWar Admiral is repeatedly referred to as being 18 hands vs. Seabiscuit's 15 hands. The horses were actually the same height, with some sources listing Seabiscuit as the heavier of the two.
- ConnectionsEdited into The Making of 'Seabiscuit' (2003)
- SoundtracksMexico Lucido
Performed by Jose Hernandez and the Mariachi Sol de Mexico (as Mariachi Sol de Mexico de Jose Hernandez)
Courtesy of Serenata Records
- How long is Seabiscuit?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Alma de héroe
- Filming locations
- Hemet, California, USA(Hemet Stock Farm)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $87,000,000 (estimated)
- Gross US & Canada
- $120,277,854
- Opening weekend US & Canada
- $20,854,735
- Jul 27, 2003
- Gross worldwide
- $148,336,445
- Runtime2 hours 20 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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What is the streaming release date of Pur sang: la légende de Seabiscuit (2003) in India?
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