Marion Bridge

This film is labeled as `Genre: Drama, Female'. It's NOT! When I think of female dramas or `chick flicks' I think of the typical "woman making it (or not) in man's world" (Steel Magnolias, Thelma and Louise) or sappy overly emotional Cinderella story (Never Been Kissed ands about a thousand others I can't think of now). This is not one of those. This is a drama. An excellent drama that, coincidently, has a primarily female cast.

I just saw "Marion Bridge" at the Arizona International Film Festival. What a great movie! Well balanced with characters you can feel. It is about siblings and the LOVE/hate relationships between. It's a strong truthful script without the over the top soapbox agenda so common to independent films. The cast draws you in completely. If you have a sibling, watch this movie. If not then. watch this movie!

Oh, and Molly Parker. Wow!

I recently saw this film at it's premiere in Los Angeles. This was by far one of the best independent films that I have seen in a long time. The script was powerful and emotional without being too preachy. The acting was flawless including the performances by Molly Parker, Rebecca Jenkins and even the young Ellen Page.

The directing and cinematography was exceptional. This is a deep film involving the lives of 3 very interesting sisters and their bond that will never break. Go see this film!

Agnes (Molly Parker) has come home to Sydney, Nova Scotia to see her hospitalized mother (Marguerite McNeil). She moves in with her sisters Theresa (Rebecca Jenkins) and Louise (Stacy Smith) who are still living at home. She is 65 days sober, but their mother never quit. They move their mother home. The women grate on each other. Agnes starts to stalk Joanie (Ellen Page) who is connected to her past somehow.

The movie is a low-key affair. The energy, the direction is a slow burn. The great actresses hint at a deeper story, and it's revealed slowly. Molly Parker and Rebecca Jenkins are especially terrific as sisters with unresolved issues. Marguerite McNeil is memorable as the alcoholic mother. The family secrets rattle around their relationships unspoken and untouched. It's a fascinating little movie.

Marion Bridge was one of 14 films nominated for the Tiger Awards of the International Film Festival Rotterdam 2003 and I wouldn't be at all surprised to see this film win. I have deep respect for the actresses who play the three sisters Agnes, Theresa and Louise, especially for Molly Parker (Agnes aka Angie). Mother is dying in the remote village in Nova Scotia where the sisters spent their youth. Agnes, who has an alcohol problem (inherited from her mother, as it seems), returns from Toronto just to find nothing has really changed. There is the usual bickering with her sisters, the woman next door is as nosy as ever and the people getting drunk in the local bar seem to have never left the building. A notion of suspense is triggered as Agnes repeatedly parks the family car in front of a souvenir shop. There she sits and watches the young girl Joanie who lives there. As the drama slowly develops questions are answered and new questions launched, even after the plot is unveiled. I won't give it away here, but I can assure it is quite shocking. The three sisters are very well cast as is their mother. The father who lives with another woman is an old sod who doesn't seem to remember (or care) what has happened in the past. Marion Bridge ends with an optimistic scene which is as moving as the film as a whole. A noteworthy achievement by young director Wiebke von Carolsfeld.

'Marion Bridge' begins with 30-something Agnes waiting in a Nova Scotia airport bar for her sister Theresa's arrival on a flight from Toronto. After catching sight of a security guard, Agnes decides against lighting a cigarette. Later, after the two women greet each other with noticeable coolness, she declines to finish her drink, and comments tartly on the size of her sister's suitcase. Theresa makes a defensive response, and then laboriously hefts the oversize case through the airport instead of using its wheels.

This nuanced prologue telegraphs some prickly family dynamics, and sets the tone for the remainder of the film. On arrival at the family home, where a third sister also resides, the reason for Agnes' return soon becomes apparent: the siblings' mother is dying of cancer at the local hospital. As the story unfolds, family secrets are gradually illuminated by a smart, sensitive script which appears to have inspired exceptional performances from both cast and crew. The mystery of 'Marion Bridge' is revealed without theatrics, until it arrives at a final act which is as elegantly understated as the opening sequence - except that it has the effect of a punch to the gut.