In Mexico City, a former CIA operative swears vengeance on those who committed an unspeakable act against the family he was hired to protect.In Mexico City, a former CIA operative swears vengeance on those who committed an unspeakable act against the family he was hired to protect.In Mexico City, a former CIA operative swears vengeance on those who committed an unspeakable act against the family he was hired to protect.
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10kourgon
...dont read any plot summaries because in words the plot might seem trivial, brain-dead and pointless. The film is excellent, the acting by both Denzel and Dakota (she will go sky high, trust me on that)are just fabulous, and the plot is mind blowing. Actually "fabulous" is a small word to use for such talented actors. The film is just based on actual facts and some characters are not fictional, a fact that adds up to the shock that i was having during and after the film. If you are fond of both actors and of somewhat deranged films, you still haven't watched your favorite one yet...Trust me, in the end you will have a weird and inexplicable feeling. The film is awesome, see it, rent it, buy it or whatever...just don't miss it
Although released among a flock of revenge-minded action flicks (KILL BILL VOL. 2; THE PUNISHER; WALKING TALL), MAN ON FIRE works as well as it does thanks in large part to the always-watchable Denzel Washington, one of the best actors around today.
In MAN ON FIRE, based on A.J. Quinnell's 1980 novel (first filmed in 1987, with Scott Glenn), Washington plays a down-on-his-luck ex-mercenary who has now stooped to drinking from a flash of Jack Daniels, until his old partner (Christopher Walken) offers him a chance at redemption. He is hired on as a bodyguard to the 10 year-old daughter (Dakota Fanning) of a Mexican businessman (Marc Antony) and his American-born wife (Radha Mitchell). While he and Fanning work like oil and water first (not mixing very well), he really gets to form a bond with her, encouraging her to do better at swimming, while he at the same time attempts to deal with the demons of the past. It is that very bond that will force Washington back into his old line of work when Fanning is kidnapped and held for a $10 million ransom, and he is nearly killed. With almost any other stock action hero (Schwarzenneger; Segal, etc.), the subsequent bloodbath would be the same repetitive schlock we've seen a million times before. But Washington's character, though he's killing for a reason, does not particularly enjoy doing what he does. Still, he gets help from a very intrepid Mexican newspaper reporter (Rachel Ticotin) out to expose "La Hermanidad" (The Brotherhood), the kidnap gang responsible for Fanning's abduction.
MAN ON FIRE is flawed to some extent because of the hyper camera work, nearly headache-inducing montage editing, and various film stocks that are par for the course of its director Tony Scott (TOP GUN; CRIMSON TIDE), but which are not necessarily unique to him (witness Oliver Stone's use of montage in JFK or Sam Peckinpah's in his classic 60s and 70s films). Still, Scott gets a very good performance from Washington, as well as Fanning, who comes across as far more than a typical movie-brat kid. Harry Gregson-Williams' south-of-the-border Spanish guitar score is enhanced by soundtrack splashes of Chopin, Debussy, and even Linda Ronstadt's classic 1977 country-rock version of "Blue Bayou." Although the film overall is quite violent, it is no worse than most action films of the last ten years, and overall it is much better than most.
In MAN ON FIRE, based on A.J. Quinnell's 1980 novel (first filmed in 1987, with Scott Glenn), Washington plays a down-on-his-luck ex-mercenary who has now stooped to drinking from a flash of Jack Daniels, until his old partner (Christopher Walken) offers him a chance at redemption. He is hired on as a bodyguard to the 10 year-old daughter (Dakota Fanning) of a Mexican businessman (Marc Antony) and his American-born wife (Radha Mitchell). While he and Fanning work like oil and water first (not mixing very well), he really gets to form a bond with her, encouraging her to do better at swimming, while he at the same time attempts to deal with the demons of the past. It is that very bond that will force Washington back into his old line of work when Fanning is kidnapped and held for a $10 million ransom, and he is nearly killed. With almost any other stock action hero (Schwarzenneger; Segal, etc.), the subsequent bloodbath would be the same repetitive schlock we've seen a million times before. But Washington's character, though he's killing for a reason, does not particularly enjoy doing what he does. Still, he gets help from a very intrepid Mexican newspaper reporter (Rachel Ticotin) out to expose "La Hermanidad" (The Brotherhood), the kidnap gang responsible for Fanning's abduction.
MAN ON FIRE is flawed to some extent because of the hyper camera work, nearly headache-inducing montage editing, and various film stocks that are par for the course of its director Tony Scott (TOP GUN; CRIMSON TIDE), but which are not necessarily unique to him (witness Oliver Stone's use of montage in JFK or Sam Peckinpah's in his classic 60s and 70s films). Still, Scott gets a very good performance from Washington, as well as Fanning, who comes across as far more than a typical movie-brat kid. Harry Gregson-Williams' south-of-the-border Spanish guitar score is enhanced by soundtrack splashes of Chopin, Debussy, and even Linda Ronstadt's classic 1977 country-rock version of "Blue Bayou." Although the film overall is quite violent, it is no worse than most action films of the last ten years, and overall it is much better than most.
Seen this movie 25x, it never gets old. The acting, story, soundtrack, film style are nothing short of amazing.
Certainly one of the finest movies I have seen for quite some time. Exquisite direction and flawless acting make this a very entertaining and often moving film. Denzel Washington plays one of his most engaging and emotional roles to date, and the rest of the cast perform beautifully. Christopher Walken is of course superb in his part although he did not appear as often as I would have liked. A story of ultimate greed that backfires is offset against a childs innocence and love. This is also a film for action movie lovers as it has its fair share of bullets, rockets and revenge. The location of Mexico City adds a feel of seediness and corruption which in itself is an eye opener. All in all, a truly gripping film from beginning to end. Highly recommended!
This film contains the one ingredient that all revenge movies should have and that is true emotion. Sorrow, love, laughter , anger. There are so many emotions thrown into this film. From start to finish this film is immensely captivating. The plot on paper sounds like the usually rubbish that is mostly thrown In the faces of the audiences but don't be mistaken, this film is powerful. Washington as always puts on a great performance.
The plot in a nutshell: man suffers from depression, a young girl brings life into him, kids gets kidnap, man wants revenge. Doesn't sound like anything special but it far superior than any other similar film out there. For instant, TAKEN is a similar film but when you compare them both, MAN ON FIRE wins hands down. The characters are engaging and everyone puts in a great performance and the directing is great. Mexico City feels alive , it looks like Mexico city, it smells like Mexico city. Everything is portrayed brilliantly . the style of direction was something I enjoyed and brought the best out of Mexico City
This is one of those films you'll bring out once a year to watch again or a film that you'll beg your family and friends to watch. From start to finish you are rooting for the main protagonist, making it a roller-coaster journey. There enough action to keep you happy, there enough character development to please you and then there's Washington to bring a smile to your face . Watch this film, you won't be disappointed
The plot in a nutshell: man suffers from depression, a young girl brings life into him, kids gets kidnap, man wants revenge. Doesn't sound like anything special but it far superior than any other similar film out there. For instant, TAKEN is a similar film but when you compare them both, MAN ON FIRE wins hands down. The characters are engaging and everyone puts in a great performance and the directing is great. Mexico City feels alive , it looks like Mexico city, it smells like Mexico city. Everything is portrayed brilliantly . the style of direction was something I enjoyed and brought the best out of Mexico City
This is one of those films you'll bring out once a year to watch again or a film that you'll beg your family and friends to watch. From start to finish you are rooting for the main protagonist, making it a roller-coaster journey. There enough action to keep you happy, there enough character development to please you and then there's Washington to bring a smile to your face . Watch this film, you won't be disappointed
Did you know
- TriviaMost of the scenes between Denzel Washington and Christopher Walken were completely improvised.
- GoofsDespite being a relatively common trope in movies, an experienced soldier would never fire an RPG indoors. The backblast would likely kill everyone inside the confined space of that living room, where hot gasses would be deflected by the walls and ceiling. At the very least, the ancient couple, the birds and Denzel's character himself would have been severely injured.
- Crazy creditsSpecial thanks to Mexico City. A very special place.
- Alternate versionsEuropean (PAL) version of the DVD lack the stylized subtitles found through the movie, except for a few in the beginning. Those subtitles are found in the form of regular DVD subtitles.
- ConnectionsFeatured in HBO First Look: The Making of 'Man on Fire' (2004)
- SoundtracksThe Mark Has Been Made
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/Interscope Records
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Hombre en llamas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $77,911,774
- Opening weekend US & Canada
- $22,751,490
- Apr 25, 2004
- Gross worldwide
- $130,834,852
- Runtime2 hours 26 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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