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6.1/10
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A young drifter discovers his true calling when he's hired by a mobster to stalk and kill a prominent accountant, and then decides to seek revenge when the stingy thugs try to kill him rathe... Read allA young drifter discovers his true calling when he's hired by a mobster to stalk and kill a prominent accountant, and then decides to seek revenge when the stingy thugs try to kill him rather than pay him.A young drifter discovers his true calling when he's hired by a mobster to stalk and kill a prominent accountant, and then decides to seek revenge when the stingy thugs try to kill him rather than pay him.
Chris McKenna
- Sean Crawley
- (as Chris L. McKenna)
Carissa Kosta
- Maureen
- (as Carissa Koutantzis)
Steve Heller
- Gary
- (as Steven Heller)
Featured reviews
The plot: A double-crossed hit-man has to choose between redemption and vengeance, until the the choice is made for him.
Many of Stuart Gordon's movies have an amoral streak in them, but this is probably the most amoral movie that he's ever made. The lack of tension-relieving, wacky humor, like in most of his movies, highlights it and makes it even more disturbing. The gory violence just makes it even more disturbing, unlike the splatter comedies that he's commonly associated with (such as Re-Animator and From Beyond).
Long-time fans of Gordon have probably sat through many movies that were critically despised (perhaps none more so than Space Truckers, which attracts way too much hate, in my opinion). King of the Ants, however, is a real return to greatness. Yes, there are many disturbing, weird, and violent scenes, but underneath it all is a story that's actually quite intelligent and mature. Admittedly, this is a bit rare for Gordon, who tends to wallow in direct-to-video exploitation. I'm really glad that he chose to do something that he obviously believes in, because I've known for years that he could do a truly great film, if he just got the budget and proper inspiration. I might compare it to A History of Violence, an intriguing deconstruction of violent exploitation movies, made by a lauded director known primarily for his own exploitation movies. Unlike Cronenberg, however, I think Gordon shows no desire to break into the mainstream. His films remain too dark and disturbing.
If movies like King of the Ants and A History of Violence show us just one thing, it's that characters from these kinds of violent movies are incredibly disturbing when transposed into real world situations.
Many of Stuart Gordon's movies have an amoral streak in them, but this is probably the most amoral movie that he's ever made. The lack of tension-relieving, wacky humor, like in most of his movies, highlights it and makes it even more disturbing. The gory violence just makes it even more disturbing, unlike the splatter comedies that he's commonly associated with (such as Re-Animator and From Beyond).
Long-time fans of Gordon have probably sat through many movies that were critically despised (perhaps none more so than Space Truckers, which attracts way too much hate, in my opinion). King of the Ants, however, is a real return to greatness. Yes, there are many disturbing, weird, and violent scenes, but underneath it all is a story that's actually quite intelligent and mature. Admittedly, this is a bit rare for Gordon, who tends to wallow in direct-to-video exploitation. I'm really glad that he chose to do something that he obviously believes in, because I've known for years that he could do a truly great film, if he just got the budget and proper inspiration. I might compare it to A History of Violence, an intriguing deconstruction of violent exploitation movies, made by a lauded director known primarily for his own exploitation movies. Unlike Cronenberg, however, I think Gordon shows no desire to break into the mainstream. His films remain too dark and disturbing.
If movies like King of the Ants and A History of Violence show us just one thing, it's that characters from these kinds of violent movies are incredibly disturbing when transposed into real world situations.
A young drifter discovers his true calling when he's hired by a mobster to stalk and kill a prominent accountant, and then decides to seek revenge when the stingy thugs try to kill him rather than pay him. For me it was kind of hard to get a grip from the beginning because there was nothing that would have explained who the main characters were and what was their goal and so on. This left the characters really shallow and the dialogue between them was something out of a bum disco. While there is some strong personality being displayed, it is done in a way that is truthful to human nature. I think it could use some editing to speed the pace a bit. The film is hard to watch at times and difficult to call enjoyable. 7/10.
From some of the recent reviews of this film, I expected gore like none I'd ever seen before. Frankly, I thought they were a little off base. The "torture" consists of the same act each day, and while it isn't something I'd particularly like to experience myself, it could have been much worse. I found the torture scenes in "Marathon Man" and "Braveheart," to name just two, to be much more disturbing.
One thing I really didn't like about this movie was that none of the major characters is particularly likable. The tortured fella probably deserves what he gets, and the revenge he exacts isn't particularly just considering one of his victims treated him rather well when he was a captive.
All in all, I wasn't bored watching this movie, but I wouldn't recommend it. The story isn't particularly compelling, the romance isn't believable, and the gore factor isn't even that high.
One thing I really didn't like about this movie was that none of the major characters is particularly likable. The tortured fella probably deserves what he gets, and the revenge he exacts isn't particularly just considering one of his victims treated him rather well when he was a captive.
All in all, I wasn't bored watching this movie, but I wouldn't recommend it. The story isn't particularly compelling, the romance isn't believable, and the gore factor isn't even that high.
I caught this movie one night as I was surfing and stopped just long enough to catch this charismatic star in a really underrated little sleeper. The first half of this movie gave me an uneasy feeling; the same feeling I had when I watched "Last House on the Left" for the first time. Watching the lead character beaten mercilessly with a "driver" in a shed until his face is disfigured, generated an enormous amount of pity. I found myself in the awkward position of caring for a hit man who ends up killing several people.
That speaks volumes for the charisma and artistry of the actor playing Sean. This is definitely a cut above the average late nite fare; the script takes some amateur turns, but the cast keeps it from becoming camp.
That speaks volumes for the charisma and artistry of the actor playing Sean. This is definitely a cut above the average late nite fare; the script takes some amateur turns, but the cast keeps it from becoming camp.
Apart from some moments of shoddy photography, an ending that for me fell emotionally flat and Daniel Baldwin annoyingly chewing the scenery to pieces, I found myself quite liking King of the Ants. Not all the photography is bad, on the most part it does look good and the same goes with the rest of the production values. The dialogue at least engages thought, while the story is cleverly written with suspense, thrills and a truly shocking murder scene, not predictable and held my attention all the way through. The characters are the sorts that are extremely flawed but in the end you identify with them, the lead character especially. The direction is taut, while I was surprised at how good the acting was. Chris McKenna is likable in the lead role but it's George Wendt's funny and frightening performance that makes the strongest impression. Overall, while not perfect King of the Ants was really quite good. 7/10 Bethany Cox
Did you know
- TriviaDue to the gruesome tones of the film, it took seven years to find a company willing to produce and distribute the film. It eventually wound up at The Asylum, the only studio willing to commit to such a dark and violent story.
- Quotes
Sean Crawley: I am the ants, you fuckers!
- ConnectionsReferenced in King of the Ants: Behind the Scenes (2004)
- How long is King of the Ants?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Asesino por naturaleza
- Filming locations
- Burbank Airport-South Station, California(Location where they want to drop Sean at the airport)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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