En chantant derrière les paravents

In a liminal space that intersects dream, theater, nature document and fable, Olmi, with his uniquely wise and gentile narrative genius tells us about the nature of human faith, love, desire and how power is given and taken away. An important film for all children and everyone else, and a powerful reminder that violence is an option not a necessity. Understanding works better. This is a must see film, for its content and compelling visual and narrative style. Once again after the Mestiere delle Armi, Olmi, an absolute master, affirms that he is perhaps the most profoundly humanist film director working today.

Surely it is not a masterpiece but a very very impressive work.

First of all watching a far-eastern myth from the perspective of an Italian director is really exciting. Costume and production designs are very good. On the other hand cinematography is also brilliant. The most interesting part is that cinematography is not something we used to see in far-eastern movies. That increases the originality. Italian speaking characters are not artificial since all the dialogs and themes contain universal issues. Bud Spencer's performance is really good. But the biggest thing is, of course, Olmi's narration style. There were some parallel editing samples in the movie that should have been shown in film classes.

There's a laconic but amazing beauty in Olmi's last release. "Cantando dietro i paraventi" is a song for all the adventures that we didn't experiment, for all the landscapes we'd never see. It's his more "wellesian" work and one of the movies that impressed me the most in the last five years. I don't want to think what would Greenaway do with this material but probably a total failure. This film from a veteran like Olmi remembers us that weerasethakul and Sang-soo are the present, not the future. After a long career and still recent his brilliant "Ilo mestiere delle armi", Olmi returns to a place that he never thought: the land of the filmmakers compromised with themselves and the history. It's amazing doing this in a rickety cinematography like Italy's. Cheers, signore Olmi

Arthouse adaptation of "The Widow Ching, Lady Pirate" by Jorge Luis Borges (24 Aug 1899-14 June 1986) that blends Peter Greenaway and Yimou Zhang. This Chinese folktale partially plays out in a brothel and captures the journey of Chinese piratess Ching who is regarded as the most feared corsair of the Chinese coast until a fateful battle with the new emperor. Bud Spencer plays the captain in the service of Ching, who is also the narrator. The film displays superb cinematography that, even years later, still stand as great wonders. The 18th century is reconstructed on the coasts of Montenegro and it is a work of ingenious craftsmanship that packs in a whole lot of visual splendour. It is also a fascinating blend of adventure, comedy, romance which is cleverly narrated cinema that paints an interesting portrait of the piratess. It brims with an energetic & creative vibe which keeps the story refreshing throughout its runtime. The set and the production design is top notch, Kudos for the stellar especially the designed ships. The use of colour palette is quite splendid and the expertly staged camera angles & movements make its story all the more captivating. Even the Costumes are pretty much in tune with the depicted timeline, and the work in make-up department is no slouch either. Coming to the performances, the movie features a Powerhouse of performances. The supporting cast manage to leave their mark, one way or another. Bud Spencer makes the narrator completely his own for it's his added inputs only which gives his character a unique look & edge over the others, and there isn't one scene where he isn't the show-stealer. Highly recommend to Arthouse fans, this will be a cinematic experience and a feast to the heart and mind.

First of all, I must apologize on behalf of my Latin (Italian) blood!! I mean, if there is something I like... I really LIKE IT !! and let me say it again: I really loved & LIKED this film!! The script takes you back to those stories by Emilio Salgari about the Malasya's Tigers or even to those other Pirates at the Caribbean Sea. But this time, just sailing by the Sea of China... Oh sorry!! it is a little far away from the Hispaniola...? It must be the Butterfly Effect!! Changing places, from behind the screen to the open sea, or inside the Captain's Cabin to the beautiful Widow Ching's heart (Jun Ichikawa not only speaks Italian with Rome accent, but her eastern beauty has that touch too!!), or deep her (ours) thoughts, memories or dreams... who really knows? It is more than a tale for grown people that used to be children once upon a time... Lovely!! I really enjoy it!! Oh!! by the way, if you are planning to watch it with your kids, beware about some elegant & artistic views of Miss Ichikawa's beauty... just a few minutes before the end of the story... But don't loose the message that comes on the gorgeous kites... Lovely!! This is a film to enjoy it.