A phobic con artist and his protégé are on the verge of pulling off a lucrative swindle when the former's teenage daughter arrives unexpectedly.A phobic con artist and his protégé are on the verge of pulling off a lucrative swindle when the former's teenage daughter arrives unexpectedly.A phobic con artist and his protégé are on the verge of pulling off a lucrative swindle when the former's teenage daughter arrives unexpectedly.
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Nicolas Cage plays Roy, a con man (or, as he likes to say, a Con Artist!) who has a lot of problems. For one, he's a compulsive cleaner, he hates the outdoors and he has lot of ticks Roy needs medication to keep him sane.
One day he knocks his pills into the sink and when he calls his doctor to get more he finds out that his doctor is no longer in town! This provides one of the funnier/saddest part of the movie. I'm not sure if it was suppose to be played up for laughs or not, the tone was kind of hard to tell, but Roy spend the next day and a half cleaning his house, his ticks got worst and well it made me feel kind of bad for him.
His partner Frank, played by Sam Rockwell provides him with the number for another psychologist who can help. Roy goes to the psychologist thinking that it'll be easy, to just ask for the pills and he'll get them. No, this guy wants to help Roy and will not give him any pills until he talks. Which, I must say, shows two things. One, Nick Cage is great when he plays these type of rolls, and two, he's damn funny. What he tells the psychologist was both funny and sad. During that time though it's reviled that Roy was married at one time, and when his wife left she was pregnant and he doesn't know what happen to the child who would be 14 by now.
After getting the pills (only a weeks worth mind you) Roy decides to find out about his daughter, but he can't because he's too scared, so after getting the number of his ex wife he asks his psychologist to make the call when he can. Later that night he gets a call from him and finds out that he has a daughter who wants to meet him.
That's as far as I'll go with the plot because the movie really picks up from there as he bonds with his new daughter and sets up a really complex and dangerous con.
Like I said, Nick Cage is great in the movie, but I also want to point out that his daughter, Angela (played by Alison Lohman) was just fantastic to watch. She really lit up the screen when she smiled and it looked like Alison Lohman was just having a ball playing her. She was your typical 14 year old (only, and this shocked me when I found out, Alison Lohman is 24 years old! If you watch it, keep that in mind and tell me she doesn't look like a 14 year old.) who knew just how to work her dad! Some of the funnier moments came after he would yell at her, then she'd start to cry and Roy would just completely collapse and start apologizing for what he said, even if he was completely right! It was just really funny.
Matchstick Men isn't a fast paced movie, it's more of a character study between Roy and Angela and how she changes his life and makes him reprioritizes his values and the way he runs his life.
Cage's performance as Roy is definitely the reason why you would want to watch this movie. He got very into character, a con artist with unique psychological traits where agoraphobia and OCD do not cover it all. Throughout the movie it's impossible not to feel for Roy when his eye twitches or whenever he has a nervous breakdown. This is most likely going to be the best obsessive-compulsive character performance you'll see in a while. Roy's organized and simple life is disrupted when a smart and outgoing daughter shows up, somewhat out of nowhere. Lohman's performance as Angela could be described as a unique balance between "lovable young lady with parent issues" and "sneaky little brat that wants things her way", resulting in a very solid performance (note that she was 24 at the time, 10 years older than her character). Frank, Rockwell's character, is an eager protégé trying to convince Roy into going for big hit, instead of the usual "simple is safe". Frank's passive-aggressive patience to deal with Roy's shenanigans adds a hint of comedy to the movie.
The relationship between Roy and Angela actually remembers Leon, the Professional (1994) at some point. It's always refreshing to see small homages to certain movies – and this one by Scott and Cage is a refreshing, 9 year gap fill. Also, two other things should be mentioned. First, the small but decisive aspect that Roy always uses matchsticks to light his cigarettes, overlapping a character performance with the title. Second, it's based on a novel by Eric Garcia, with the same title as the movie.
An overall brilliant performance from these three characters and starting plot would be more than enough for anyone to watch this piece. However, the plot twist at the end, even though it's not that predictable, could be disliked by many (me included). Still, it's a movie worth watching, and one that I would recommend given Cage's performance and character.
Sam Rockwell and Cage are partners, if you can call Cage's tic laden role a man who ever really connects with anybody at all. They con for a living and are quite accomplished at the game. So when his new challenge, a teenage daughter he had no contact with up till now, enters and shakes up his OCD world, this walking, talking repetitive routine he calls life gets flipped over into something resembling a normal existence.
The great Bruce McGill appears as someone you don't want to cross, unless it's out of his way to avoid the inevitable trouble. He fakes humbleness and charisma perfectly until the cobra he really is gets uncoiled and strikes.
This is an odd choice for Ridley Scott to direct. I'm glad he made it, as this film is as great socio-comedically as "Blade Runner" was poignantly techno-emotional. "Matchstick Men" gets under your skin, in funny and tragic ways, usually simultaneously. There really are men out there like Cage's Roy, as disturbing as that might be. Here Cage gets to be a three dimensional person and not just the human function of a lame action formula.
Because of him Roy learns he has a 14-year old daughter Angela (Alison Lohman, who was actually 24). He wants to care for her, spend time with her, and even reveals what he really is. In a great scene she shows her father and us how she would be if she had the same job as Roy. Roy and Frank have a big job planned where they would collect 80,000 dollars from a guy named Frechette (Bruce McGill). In a way they are taking money but Roy looks at it differently. He thinks, and he is actually right, that they just give it to him. Because it is all illegal they can't complain after they are cheated.
Hoe these three big stories fit in one you have to see for yourself. The middle part is a little slow, but the ending makes up for that. All characters are played very well and Nicolas Cage is great. Ridley Scott has made another fine movie.
Did you know
- TriviaAlison Lohman went to the audition dressed and acted like a 14-year-old girl. Ridley Scott only realized her real age when she told him. She was 23 at the time.
- GoofsDespite the fact that obsessive-compulsive Roy has supposedly been locked in his house for days cleaning every square inch, dirty fingerprints are clearly visible on the door when he finally answers it.
- Quotes
Roy: Excuse me, hi! -
Pharmacist #2: I'll be right with your Sir.
Roy: [runs to other counter] Hi, I need a refill of this. No I don't have a prescription!
Pharmacist #1: Sir, please wait your turn.
Roy: I know, I know. B-but this; is an emergency.
Man in Line: Hey buddy, ever heard a line?
Roy: Hey have you ever been dragged to the sidewalk and beaten till you PISSED... BLOOD!
- Crazy creditsIn the closing credits, letters such as "M" and "W" are separated lines (presumably matchsticks), much like the type in the main title.
- SoundtracksThe Good Life
(La Belle Vie)
Music by Sacha Distel
French lyrics by Jean Broussolle
English lyrics by Jack Reardon
Performed by Bobby Darin
Courtesy of Capitol Records
Under license from EMI Film & TV Music
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Details
Box office
- Budget
- $62,000,000 (estimated)
- Gross US & Canada
- $36,906,460
- Opening weekend US & Canada
- $13,087,307
- Sep 14, 2003
- Gross worldwide
- $65,565,672
- Runtime
- 1h 56m(116 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1