Des bateaux d'écorce de pastèques

Watermelons, boats, boats from watermelon rinds - clearly this is a film about childhood! About that special kind of childhood of the East or maybe of the Past!

In childhood every detail is full of meaning, full of amusement, the near future holds grand plans and dreams, in childhood myths can have very real appearances, and there are many many summer minutes to spend with your friends, on the dried meadows of the village or maybe on the imaginary sands of the coast...

A childhood in the East: where townsmen are too poor but have their pride, where they still pay a lot of attention and appreciate the small details, where life repeats its slow rhythms and the future is blissfully far away. In the East myths still can have very real appearances, and there are many many daily moments to spend enjoying the simple blessings of God while waving off the flies in the hot air, chatting with your watermelon customers, or taking a nap!

I should warn you that just like our childhood, the film has no specific finale, it ends unexpectedly, taken away by the circumstances. One day we realise it has been gone for some time already, while we had still so much more plans and business to do with it...!

A humble, monumental and so necessary memory of times that will one day pass, and places that will soon change! Ashkolsun arkadashlar!

The director of that movie is a villager living in Kütahya(Turkey)and I'm living in the same city with him.this is his first movie and he recorded that movie with 10.000 USA dollars.

All the actors in that movie are the villagers.none of them r actors.But they create a perfect movie... Can u believe it?And that movie was awarded in various festivals in Europe...What a pure and perfect movie...It presents the pure but emotional lives of villagers and two kids...Watch that movie,it is nice.

First of the director Ahmet Uluçay creates good sense of vision.We can see the pure but colorful lives of people.

The actual nice things in the movie are small details like the secret eating of the walnut by the elder sister,like the scene of epilepsy attack of Deli Omer...- In the beginning of the movie,there was a scene o a cat moving around a man crying which is shot totally incidentally,is making you feel good ,happy but not...and immediately after the dead man comes alive and you feel peculiar... During all the time,during all that childish love stories you actually expect the explanation of that coming back to life scene and it is explained actually in the end when Recep promises Deli Omer to bring alive his dead wife.

First this movie shows that money is not very important to create a movie. The story and the thriller takes you from the beginning to the end. The stories powerful characters are two kids this makes the intention powerful. Both kids are very shy and kindhearted. The story consists of determination, money, love, friendship and the family.

I live in Ankara capital city of the Turkey and I also went to Kutahya before. The point of view is very very good. The life in the villages is like that. These are for real I heard a lot of stories like that. This movie is describes for my grandfather's generation very much. All the persons who are in my age know a lot of stories like that for our parents childhoods. For example my father gives this movie may be 9 out of 10 :) The cinemas takes his attention very much I think.

Not much more to say about movie. Watch it pretty good. I like it very much I think every one will...

A sort of Turkish "Cinéma Paradiso", this is an account of two Turkish village boys, who take up summer jobs in the nearest town to finance their dream of constructing a working projector, by which to screen bits of film scavenged from the town's one movie theater. One of the boys works as an assistant to a water-melon seller, the other as a barber's apprentice. Both are convinced that this is the first step to successful film-making careers. The events of that summer mark the end of their innocence and their entry into an adulthood that manages to remain quixotic and strangely untouched by cynicism or too much reality. The whimsical day jobs provide very funny ruminations on how to get ahead in the world; as well, in the course of performing these jobs, the twosome offers up lovely nonsensical bits of business. One of the boys falls in love with a local beauty, but, of course, nothing much happens on that front. I loved the detailed observation of small town rhythms, and the ordinary village folk who, upon closer examination, are revealed to be mesmerizing. When the love-lorn fledgling filmmaker talks of his beloved, the considerably older beauty, one understands and empathizes with his plight completely. Seemingly exotic cultural practices and lifestyles become entirely understandable when stripped down to their basic human underpinnings. One of the boys and his mother live in an adobe house with a room containing the grandfather's grave, which, one must concede, is not the most common of living arrangements. At each crisis, however, both mother and son are shown alternately confiding in, haranguing, or cajoling the dead man. Though long gone, he continues to be the spiritual and moral head of their household; after a while, it did not seem the least bit odd that extended bits of dialog are addressed to a mound of earth. Utterly beguiling.