The Eye

For the most part, "The Eye" is a competent effort from HK cinema. While most HK films nowadays involve big pop stars in pointless romantic comedies, this film (and also Infernal Affairs) show that there are still talented filmmakers in HK.

The story is about a blind girl named Mun getting a cornea transplant. When she gets her vision back, she begins seeing supernatural beings (ghosts, to be precise). For the first half of the story, we see her experiencing all these haunting encounters. One notable scene is in an elevator. The mystery and creepiness in this first half is incredibly effective and well-made.

The same cannot be said about the second half though. Like "The Ring" (or "Ringu"), Mun travels to Thailand to figure out the origin of the owner of her cornea. What starts out as a supernatural thriller turns into a mystery.

The film seems to be a mix of "The Sixth Sense", "Ringu", and a touch of "Final Destination." The switch of style in the middle and toward the end is somewhat annoying. The ending is an effort of the directors to show that they can do big CGI action sequences too. But, this film would have been good enough to stand on its own without that.

The acting is pretty good. Angelica Lee as Mun is very believable. The same cannot be said about the doctor though. I think this is mostly because his character's motivations are not convincing enough. Why does he give up his whole career to travel all the way to Thailand to help her after meeting her for a few times only? For love? Probably...but I don't buy it at all.

Overall, this film is pretty good. It is a nice effort from promising directors.

Wong Kar Mun went blind at the age of two, 18 years later she undergoes a cornea transplant that appears to be a success. Unfortunately that success comes with a terrifying side-effect; the ability to see unhappy ghosts.

Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.

No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on though is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying the over familiarity with its central themes. If you have seen Irvin Kershner's The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything thematically new here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.

Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses and so does the time for reflection arrive. Gin Gwai ends up being one of this decades best horror pictures. Well to me at least. 9/10

I remember a while back someone suggesting to me to go see this film, and although it took me a while, I'm glad I finally saw it. Overall I kinda liked the general look of the film. It didn't really have that creepy, "somethings going to jump out at you any second during the entire film" vibe that The Ring, Ringu and The Grudge had, which was actually a nice change because when those "fright" scenes happened the creepiness was actually increased quite a bit. I love the actors chosen too, especially the lead. She did a terrific job and didn't annoy me at all in the film. I have to admit to a few "cheesy" spots throughout it, but for what was lacking in the script was made up for in the direction. 7/10

The main issue with this is its ending. Its last third makes it into a mystery rather than a thriller, and though the backstory is great and "works", the resolve feels awkward... and it is. Maybe they didn't have any solid ideas for how to close it. Once it does reach its conclusion, it uncomfortably transforms into Final Destination and tries to wow us, becoming bombastic and out of touch with everything that precedes this portion. Still interested? I'm relieved to hear that. You see, that's really the only outright negative thing I can say about this. It's immensely creepy, beginning so right from the start(seriously, that credits sequence... if I'd watched this at the cinema, it would have sent severe chills down my spine). Lee portrays a blind person extremely convincingly, and this puts us inside her head some, through the editing and cinematography(which is all really well-done and fits, with carefully chosen angles, selective distortion, etc.). I have not caught a lot of Asian horror, because I'm not big on ghosts(and they are; their films about them are, thankfully, sophisticated and not crude, the way the mainstream Western ones tend to be), and, well, there are cultural differences, and I find that it distracts me from taking in the picture. Subtitles don't bother me(I vastly prefer them to dubbing). Anyway, they are growing on me, and what I have noted is the strong focus on the senses, and on the ability to "see" the other side, where spirits and demons are believed(in Japan) to live. The approach to terrifying us is subtle(as are most of the FX, and those are excellent, other than the handful that are somewhat crappy), building up gradually, using atmosphere and mood, seldom going for jump-scares. The sound-side is quite important, and it is skillfully done. There are a few clichés(and brief shameless product placement), but on the whole, the writing is good. The characters are credible, and the main one is affable, and her relationship with Ying Ying sweet. This also fits in what too many in the genre neglect... genuine emotion, impact that does not have to do with the monsters. It is actually partially a drama, and it provides food for thought(as well as cheese and corn). This was on sale with its direct sequel and the American remake. I'll be reviewing those two, in that order, the next two days. This one sets the bar fairly high. There is a bit of disturbing content and brief violence in this. I recommend this to any fan of this type of movie. 7/10

Of all the horror movie genres in existence, ghost stories have always been my personal favorites. The Haunting, Ju-On, The Innocents, Ringu, The Shining...all nice, moody, creepy ghost tales. The Eye now finds itself at the top of my list along with the aforementioned as one of the best and creepiest ghost stories of all time.

Mun, blind since the age of 2, receives the gift of a cornea transplant at the age of twenty. Her restored vision comes with a price, however. She can no longer play with the all blind symphony that she once found solace within, she cannot read or write, having had no reason to learn, and she has no words for visible objects, having always identified them by touch. She's also seeing things that nobody else can see...terrifying things. A little boy looking for his lost report card plagues her daily. An old woman wanders the hospital corridors, complaining of the cold. Shadowy forms come to escort the recently deceased away to parts unknown, and Mun's own bedroom flickers in the darkness, changing into another room that once belonged to another girl, in another country. Mun knows that the things she sees are not normal, but no one seems to believe her, not even, at first, the cute doctor who is trying to help her. Mun finds herself alone in a frightening world filled with things she never wanted to see. When Mun and the cute doctor finally learn the identity of the donor whose corneas Mun has received, they also learn of her frightening abilities, her sad death and a terrible tragedy which is destined to repeat itself.

The Eye is an original and innovative film and yet it is also a perfect mixture of plot points and elements drawn from such previous films as The Sixth Sense, The Mothman Prophecies and Blink, all of which are very good films in their own right. The Eye knows exactly how to scare you, and does so without a drop of blood or a hint of gore. A scene in a calligraphy class provides a truly frightening shock, while a scene in an elevator is an exercise in slow, building dread which grows more excruciating by the second. The performances are all wonderful, and the feelings of loss, alienation, fear and determination are genuine and powerful. Fans of the aforementioned films would do well to seek this one out, as would ghost enthusiasts and Asian Horror aficionados. It's rare these days that a film will actually make me jump, gasp and check the corners of my bedroom for boogeymen, but this one spooked me very well indeed - and I watched it in the middle of a bright, sunny day. The Eye tells a good story and tells it well, with strong characters and genuine scares. It is never dull or cheap or overly dramatic.

Highly HIGHLY recommended!!!