The Eye

There are already several comments left, but what the hey, I liked this movie and I'm gonna have my 10p worth.

Before I mention the movie itself, I'd better comment on modern Asian movies that reach Western shores, and the fact that they have different pacing, priorities and styles to what you would see at the cinema. The fact that a lot of people don't 'get' the parts of this film which seem to have no relevance is probably as much due to the difference in culture more than any wrongdoing on the production team's behalf. The same can be said for a lot of Hong Kong comedies, the 'humour' which would probably illicit a wry laugh back home flies miles over everybody else's head.

In that sort of circumstance, I've developed a good trick, I switch-off trying to figure out what all these little hints and gestures mean and concentrate on the character interactions and the scares. I've had a lot of practice, Western cinema in recent years has been guilty of 'rambling', and they've got no such excuse as 'cultural differences' ;)

Anyway, the movie! (good grief!), the plot's already been explained and probed, so I won't go into that. What this film has is a constant 'pressure', a claustrophobic atmosphere which persists regardless of the location. Clever camera work afoot! The palpable distance which the heroine feels from her family and the people around her (perhaps a symptom of not being able to communicate non-verbally with them so long? Perhaps not, but it's there) is always there too. You get the impression that she could be surrounded by a crowd and still walk alone from one side of a city to the other.

The smaller roles are played out very nicely, great acting considering the film concentrates almost solely on the two main characters.

The ending is a little bit of a let-down, predictable and not entirely 'working'. But, BUT, it isn't a catastrophe which ruins the film, which I'm sure you'll know what I mean. The ending of a film is what you're left with when you switch off the TV, and if it's bad, then so is the film.

This movie is the only one in recent years which actually gave me a start, and that's something. Real horror isn't about dripping guts and hooks with heads on them, it's about the unexpected, it's about being confronted with something terrifying, something which makes you wish the character was elsewhere. In order to achieve that, you need to give a damn about the character in the first place, which is where 90% of cheap horrors fall down. Not here, the characters are likable and have a little childlike innocence about them, you want to get in there and slap the more unpleasant visitors :P

All in all, I very much enjoyed watching this film, and intend to buy it when I find it for a pittance (almost all DVDs can be found for the right price at one time or another, shop around and ask people where they get their bargains). I would heartily recommend renting before buying, however. As several have mentioned already, there are several elements of this film which seem to have been deliberately copied from recent films such as Sixth Sense. If that prospect leaves a sour taste, I'd look elsewhere, but everyone else who hasn't had enough of all that yet should certainly have a look :D

Thanks for reading.

I remember a while back someone suggesting to me to go see this film, and although it took me a while, I'm glad I finally saw it. Overall I kinda liked the general look of the film. It didn't really have that creepy, "somethings going to jump out at you any second during the entire film" vibe that The Ring, Ringu and The Grudge had, which was actually a nice change because when those "fright" scenes happened the creepiness was actually increased quite a bit. I love the actors chosen too, especially the lead. She did a terrific job and didn't annoy me at all in the film. I have to admit to a few "cheesy" spots throughout it, but for what was lacking in the script was made up for in the direction. 7/10

This is a good little Asian horror film that I would definitely recommend renting or even buying, if you like foreign films. A young blind woman receives a cornea transplant and soon finds out that she got way more than she bargained for when she starts being visited by some very unhappy dead souls. It's not very original, true, but the acting is good, the lead character (played by Angelica Lee, is that her name?) is adorable, as is the little girl who plays Ying Ying; there is some serious tension and dread here, especially in the first half hour. The scene in the hospital hallway had my skin trying to crawl off my body, as well as the "Why are you sitting in my chair?" scene. We're talking serious chills. Some of the music IS a bit cheesy and over the top, but hey, you can't have everything, right? The scenes where we see through Mun's eyes in the first few minutes are very effective; we know someone is standing there, we just don't know who it is, and we feel her fear and uncertainty. Not the best movie ever made, but it's definitely worth seeing.

Before I close, I would like to respond to the attitude expressed here by some people that American films are all stupid, and that American filmgoers are all drooling idiots who have to see a throat slashed every few minutes in order to be engaged by a movie. When you make comments like that, you really show how ignorant you are when it comes to American cinema, as some of the finest movies ever made came right out of Hollywood, and no they aren't all slasher films or mindless teen comedies. But then I'm sure you folks already know that, you just want to feel intellectually superior to others. I enjoy a good foreign film, and so do many Americans, but just because they're foreign doesn't mean they're perfect. They have flaws just like any other human effort, so please get over yourselves and try to watch movies with an open mind, because you'll enjoy them much more that way. That's just my two cents.

Watch this movie, it's good.

Of all the horror movie genres in existence, ghost stories have always been my personal favorites. The Haunting, Ju-On, The Innocents, Ringu, The Shining...all nice, moody, creepy ghost tales. The Eye now finds itself at the top of my list along with the aforementioned as one of the best and creepiest ghost stories of all time.

Mun, blind since the age of 2, receives the gift of a cornea transplant at the age of twenty. Her restored vision comes with a price, however. She can no longer play with the all blind symphony that she once found solace within, she cannot read or write, having had no reason to learn, and she has no words for visible objects, having always identified them by touch. She's also seeing things that nobody else can see...terrifying things. A little boy looking for his lost report card plagues her daily. An old woman wanders the hospital corridors, complaining of the cold. Shadowy forms come to escort the recently deceased away to parts unknown, and Mun's own bedroom flickers in the darkness, changing into another room that once belonged to another girl, in another country. Mun knows that the things she sees are not normal, but no one seems to believe her, not even, at first, the cute doctor who is trying to help her. Mun finds herself alone in a frightening world filled with things she never wanted to see. When Mun and the cute doctor finally learn the identity of the donor whose corneas Mun has received, they also learn of her frightening abilities, her sad death and a terrible tragedy which is destined to repeat itself.

The Eye is an original and innovative film and yet it is also a perfect mixture of plot points and elements drawn from such previous films as The Sixth Sense, The Mothman Prophecies and Blink, all of which are very good films in their own right. The Eye knows exactly how to scare you, and does so without a drop of blood or a hint of gore. A scene in a calligraphy class provides a truly frightening shock, while a scene in an elevator is an exercise in slow, building dread which grows more excruciating by the second. The performances are all wonderful, and the feelings of loss, alienation, fear and determination are genuine and powerful. Fans of the aforementioned films would do well to seek this one out, as would ghost enthusiasts and Asian Horror aficionados. It's rare these days that a film will actually make me jump, gasp and check the corners of my bedroom for boogeymen, but this one spooked me very well indeed - and I watched it in the middle of a bright, sunny day. The Eye tells a good story and tells it well, with strong characters and genuine scares. It is never dull or cheap or overly dramatic.

Highly HIGHLY recommended!!!

Wong Kar Mun went blind at the age of two, 18 years later she undergoes a cornea transplant that appears to be a success. Unfortunately that success comes with a terrifying side-effect; the ability to see unhappy ghosts.

Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.

No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on though is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying the over familiarity with its central themes. If you have seen Irvin Kershner's The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything thematically new here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.

Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses and so does the time for reflection arrive. Gin Gwai ends up being one of this decades best horror pictures. Well to me at least. 9/10