Two mafia members hide out with their Scottish cousin. They try to help him with a debt collector using violence, but their methods backfire. Their cover story unravels as the cousin recogni... Read allTwo mafia members hide out with their Scottish cousin. They try to help him with a debt collector using violence, but their methods backfire. Their cover story unravels as the cousin recognizes them as criminals.Two mafia members hide out with their Scottish cousin. They try to help him with a debt collector using violence, but their methods backfire. Their cover story unravels as the cousin recognizes them as criminals.
- Nominated for 1 BAFTA Award
- 8 wins & 3 nominations total
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I like the way this movie tackled the subject and how it played out on the screen.
While the two gangsters were very typical, cut from the same cloth one would expect them to be, and even willing to resolve problems the only way they knew how, still they were taught a valuable lesson. On the other hand, while yet maintaining their Italian roots, the 'cousins' were very much Irish and followed their own traditions and values. Following real life, sometimes the misguided perceptions of those outside of a group can be so pervasive, that even those belonging to that same group adopt those ideas about themselves. They then turn around and judge their peers within the group using the same measuring stick, wrong as it is. Anyone who strays away from that is looked at as strange or even worse ostracized. The 'stamp collecting' scene is one good example of this.
Otherwise the movie was good with competent acting. The subtlety of the emotions of the characters as they progressively learned more about themselves from their cousins was quite well done by the lead actors - even Dan Hedaya toned down some of the usual facial Dan Hedayaisms. While it was based on the same love triangle theme seen a jillion times before, it was done differently here and in a unique setting - at least to us North Americans. Check it out.
While the two gangsters were very typical, cut from the same cloth one would expect them to be, and even willing to resolve problems the only way they knew how, still they were taught a valuable lesson. On the other hand, while yet maintaining their Italian roots, the 'cousins' were very much Irish and followed their own traditions and values. Following real life, sometimes the misguided perceptions of those outside of a group can be so pervasive, that even those belonging to that same group adopt those ideas about themselves. They then turn around and judge their peers within the group using the same measuring stick, wrong as it is. Anyone who strays away from that is looked at as strange or even worse ostracized. The 'stamp collecting' scene is one good example of this.
Otherwise the movie was good with competent acting. The subtlety of the emotions of the characters as they progressively learned more about themselves from their cousins was quite well done by the lead actors - even Dan Hedaya toned down some of the usual facial Dan Hedayaisms. While it was based on the same love triangle theme seen a jillion times before, it was done differently here and in a unique setting - at least to us North Americans. Check it out.
A pleasant diversion from the mostly shallow and obnoxious gangster genre, American Cousins is a welcome script for wiseguy scenarios, injecting a surprising amount of tenderness and authenticity into the limited budget release. Taking place mainly in Scotland, the story revolves around two US mafioso's who end up having to stash away in this grey-splattered alternate universe, substituting guns and drugs with fish and chips. It is a charming little niche film that got a moderate amount of low-key critical praise, but will likely find a tough time among American markets. The whole Eurofellas vibe, while quite appealing to anyone looking for different angles to detail these types of characters, will largely go unnoticed by most organized crime fans from an emphasis focusing on the intimate and subtly amusing aspects of these hoodlums journey. Also, the heavy Scottish accents, paired with a somewhat bleak production should all but guarantee the movie need not appeal to the chief demographic it was made for on this side of the pond, which might be a good thing.
While the film may not be a hit for the Sopranos set (despite the extended cameo from Vincent Pastore), the gentle and impressively nuanced talent found in this heartfelt synthesis of writer, director and acting overrides most of the film's shoddy production. In turns funny, heartfelt, and vengeful, potency found within this mild hybrid becomes solidified by the great casting choices exemplified by the understated romanticism of lead Gerald Lepkowski and anchored by an always gruffly adorable Dan Hedaya. Do not let the generic cover art fool you, this is about as indie and subtle the gangster drama has veered.
While the film may not be a hit for the Sopranos set (despite the extended cameo from Vincent Pastore), the gentle and impressively nuanced talent found in this heartfelt synthesis of writer, director and acting overrides most of the film's shoddy production. In turns funny, heartfelt, and vengeful, potency found within this mild hybrid becomes solidified by the great casting choices exemplified by the understated romanticism of lead Gerald Lepkowski and anchored by an always gruffly adorable Dan Hedaya. Do not let the generic cover art fool you, this is about as indie and subtle the gangster drama has veered.
Honestly, i went and watched this film on the recommendations and good score shown here at imdb. I laughed all the way thru this film, not because it was funny, not because it was quirky and charming, but because it was one of the worst movies I have EVER seen. Now you may say that this is being harsh, but I've seen Police Academy Mission to Moscow and that has more redeeming qualities than this film.
Even the fact that this film is based in Scotland, the beautiful country that I am from, that didn't help it. The whole plot was ludicrous, Italian mobsters with a weak family link to some people in Scotland go to stay with them at a chip shop. They even begin to work there, battering fish etc. just so laughable.
I would rant on more but I can't be bothered as this film isn't worth bothering about.
LEAVE IT ALONE!
Even the fact that this film is based in Scotland, the beautiful country that I am from, that didn't help it. The whole plot was ludicrous, Italian mobsters with a weak family link to some people in Scotland go to stay with them at a chip shop. They even begin to work there, battering fish etc. just so laughable.
I would rant on more but I can't be bothered as this film isn't worth bothering about.
LEAVE IT ALONE!
American Cousins was shown at the film festival market in Cannes, France, and went down a storm with the audience. Warm, funny, romantic, quirky, and a wonderful sound-track. The talk in the ladies' restroom afterward was why aren't there more movies like this; movies that make you feel good and leave you with a smile on your face.
Two American Mafiosi are forced to lay-low with nice-guy Scottish cousin Bobby after a job in Eastern Europe goes badly wrong. Then one of them takes a liking to Bobby's girl, the other clashes with a local hood, and Bobby finds his world collapsing round him...
This extremely likeable movie is in the tradition of "Local Hero", with the comedy emerging naturally from the interplay of sympathetic, fully-drawn characters rather than gags thrown randomly into a pre-fabricated mould.
The romantic entanglements are also nicely drawn and paced. These seem like real people here, with real flaws and real feelings.
Great performances from Scottish actors Gerald Lepkowski, Shirley Henderson and Russell Hunter, and the American Cousins of the title, Danny Nucci (Titanic), Dan Hedaya (The Hurricane, Mulholland Drive) and Vincent Pastore (The Sopranos) add Hollywood sparkle.
One of those movies which remind you why you fell in love with cinema in the first place.
This extremely likeable movie is in the tradition of "Local Hero", with the comedy emerging naturally from the interplay of sympathetic, fully-drawn characters rather than gags thrown randomly into a pre-fabricated mould.
The romantic entanglements are also nicely drawn and paced. These seem like real people here, with real flaws and real feelings.
Great performances from Scottish actors Gerald Lepkowski, Shirley Henderson and Russell Hunter, and the American Cousins of the title, Danny Nucci (Titanic), Dan Hedaya (The Hurricane, Mulholland Drive) and Vincent Pastore (The Sopranos) add Hollywood sparkle.
One of those movies which remind you why you fell in love with cinema in the first place.
Did you know
- GoofsWhen Gino and Settimo arrive at the airport, the interior is clearly showing Glasgow "Prestwick" airport, however when Roberto leaves the airport in his van with Gino and Settimo he drives across the roundabout which is outside Glasgow International (Abbotsinch) airport which is 35 miles away from Prestwick.
- ConnectionsReferenced in Los ilusos (2013)
- SoundtracksA Chi
Written by Jimmie Crane (as Crane) and Al Jacobs (as Jacobs)
Performed by Fausto Leali
Master recording courtesy of Peer-Southern Productions, Italy
Published by EMI United Partnership Ltd
Details
- Runtime1 hour 55 minutes
- Color
- Sound mix
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