The relationship between childhood sweethearts, a farmer's daughter and boy from a rich family, turns tumultuous in this modern interpretation of Wuthering HeightsThe relationship between childhood sweethearts, a farmer's daughter and boy from a rich family, turns tumultuous in this modern interpretation of Wuthering HeightsThe relationship between childhood sweethearts, a farmer's daughter and boy from a rich family, turns tumultuous in this modern interpretation of Wuthering Heights
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So the whole thing kinda left me underwhelmed. I'm a massive 'At Home With The Braithwaites' fan and was very interested to see what the writer, director and star could produce over on the BBC.
It was sentimental and sensationalist. Her sister being her daughter? That was old way before Eastenders did it. Carol smashing up a car and hanging a dog but letting her dad hit her? A 12 year old being pregnant and no-one asking questions? My biggest problem was that Sally Wainwright was supposed to be writing this great passionate love story. A bit of rainy snogging on the moors does not make it passionate. If they were so massively in love with each other then why did they let anything stop them? They played psychological games and deliberately hurt each other. If Carol later picked up sticks with her sister/daughter and went off why couldn't she have done that earlier with Andrew? It was also directed by Robin Sheppard, who did first series work on 'the Braithwaites'.
Okay, enough about the writing. The acting was good. Celia Imrie was pretty classic, as was Nicholas Farrell, though he bore high both physical and character resemblance to David Braithwaite. They were fun. Joe McFadden, whatever. He annoyed my girlfriend almost to the point where she couldn't stand to watch it anymore. And why did he suddenly acquire glasses when he became a teacher? Are they part of the uniform or something? His wife, Becky, was played by Camilla Power. The aforesaid girlfriend occupied herself by persuading me that it was a grown up Jill Pole from the Narnia dramatisations. It was. She was cool. And then of course there was Sarah Smart.
I couldn't believe it when Carol turned up in the posh car with the smooth hair-do. It was certainly a double take moment. Wainwright is certainly very interested in this character. She took Virginia (Ms Smart's wonderful character in 'the Braithwaites'), changed the world around the character and wrote a story. She didn't even change how the character looked. Sarah Smart was good, but she showed us nothing that new. We know she can pull funny faces and swear and shout and be angry and lovely. And I'm ever so pleased she got the chance to play a romantic lead in a big production. I just hope her next role will be more interesting and different.
It was sentimental and sensationalist. Her sister being her daughter? That was old way before Eastenders did it. Carol smashing up a car and hanging a dog but letting her dad hit her? A 12 year old being pregnant and no-one asking questions? My biggest problem was that Sally Wainwright was supposed to be writing this great passionate love story. A bit of rainy snogging on the moors does not make it passionate. If they were so massively in love with each other then why did they let anything stop them? They played psychological games and deliberately hurt each other. If Carol later picked up sticks with her sister/daughter and went off why couldn't she have done that earlier with Andrew? It was also directed by Robin Sheppard, who did first series work on 'the Braithwaites'.
Okay, enough about the writing. The acting was good. Celia Imrie was pretty classic, as was Nicholas Farrell, though he bore high both physical and character resemblance to David Braithwaite. They were fun. Joe McFadden, whatever. He annoyed my girlfriend almost to the point where she couldn't stand to watch it anymore. And why did he suddenly acquire glasses when he became a teacher? Are they part of the uniform or something? His wife, Becky, was played by Camilla Power. The aforesaid girlfriend occupied herself by persuading me that it was a grown up Jill Pole from the Narnia dramatisations. It was. She was cool. And then of course there was Sarah Smart.
I couldn't believe it when Carol turned up in the posh car with the smooth hair-do. It was certainly a double take moment. Wainwright is certainly very interested in this character. She took Virginia (Ms Smart's wonderful character in 'the Braithwaites'), changed the world around the character and wrote a story. She didn't even change how the character looked. Sarah Smart was good, but she showed us nothing that new. We know she can pull funny faces and swear and shout and be angry and lovely. And I'm ever so pleased she got the chance to play a romantic lead in a big production. I just hope her next role will be more interesting and different.
10elvsted
Sparkhouse is an update of the classic Wuthering Heights in which the roles of Cathy and Heathcliff are reversed i.e. it is the female character Carol who is the rebellious one in the relationship and is set in present day.
This is one of the most moving TV dramas that I have watched in a long time which owes both to the excellent script and the acting of the cast. Sarah Smart (Carol) and Joseph McFadden (Andrew) have such strong chemistry between them that you really believe in the intensity of heir relationship and are able to understand the motives for all of their actions. Beyond this, what really makes the story so is emotional is the supporting characters. Alun Armstrong plays Carols father with such sensitivity that although you know you should hate him as much as Carol does, you can't help feeling some of the pain he is going through.
On the other side Andrew's, parents add more depth to the story by their constant arguing and hate of each other yet their resilience to stay together both because of Andrew and because they do not know what to out outside of the marriage.
Sparkhouse emotionally illustrates differences between love and sex and shows that while some relationships are necessary for survival, others are so raw and uncontrolled that they can become a destructive power to all involved. There is a fine line between love and jealousy
This is one of the most moving TV dramas that I have watched in a long time which owes both to the excellent script and the acting of the cast. Sarah Smart (Carol) and Joseph McFadden (Andrew) have such strong chemistry between them that you really believe in the intensity of heir relationship and are able to understand the motives for all of their actions. Beyond this, what really makes the story so is emotional is the supporting characters. Alun Armstrong plays Carols father with such sensitivity that although you know you should hate him as much as Carol does, you can't help feeling some of the pain he is going through.
On the other side Andrew's, parents add more depth to the story by their constant arguing and hate of each other yet their resilience to stay together both because of Andrew and because they do not know what to out outside of the marriage.
Sparkhouse emotionally illustrates differences between love and sex and shows that while some relationships are necessary for survival, others are so raw and uncontrolled that they can become a destructive power to all involved. There is a fine line between love and jealousy
10David198
The best drama on UK television since Our Friends in the North. This has everything: brilliant acting (especially from Sarah Smart who should have won a BAFTA), passion, drama, unexpected plot twists, and above all INTENSITY. It's well-written, incredibly moving, and has a real power to it that most TV dramas lack.
Yes, it's based on Wuthering Heights and there are one or two quotes from the book, but it's a million miles away from being plagiarism. I would go so far as to say that it's better than the original, certainly more contemporary, and in many ways quite different.
The fact that this is not available on DVD is a crime!
Yes, it's based on Wuthering Heights and there are one or two quotes from the book, but it's a million miles away from being plagiarism. I would go so far as to say that it's better than the original, certainly more contemporary, and in many ways quite different.
The fact that this is not available on DVD is a crime!
10Topacoz
When the Dutch tv-stations offer only Chuck Norris-movies and news talkshows, I escape to the BBC. On a Sunday night, I fell into Monarch of the Glen and kept watching it. Then came Sparkhouse: a rollercoaster ride of emotions, which still keeps me thinking about the story over and over again. Cast (especially Joseph Mc Fadden and Sarah Smart!!), directing, locations were perfect. BBC, thank you for a fantastic experience!!
Never really watched other wainright series "at home with the braithwaights." but this is magnificant. Two main stars are brilliant. In this modern version of wuthering heights the roles of cathy and heathcliff are swapped. The son of a doctor and the abused daughter of a local alcoholic farmer have a passionate obsessive love affair. Thwarted by his snobbish parents and some very personal home truths, the two are forced apart. He leaves to go to university. The events then take on both the Brontee and also more modern slants. The direction is fast paced and uses the moors in most scenes and is a piece of absolutely fantastic very grabbing television. Is just unmissable tv!!!!!!!!!!!!!!!!!!!!!!!!!!
Did you know
- TriviaSarah Smart had previously played the part of Catherine Linton, daughter of her character here, in a 1998 period production of Wuthering Heights.
- ConnectionsFeatured in The Brontes at the BBC (2016)
- How many seasons does Sparkhouse have?Powered by Alexa
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