La vie et tout le reste

How do I begin to describe this movie ? Well, I think the best comparison I can make is that it's sort of like light beer. Please allow me to explain. You see light beer has fewer calories, and is drunk by folks who are trying to lose weight. However, these same folks usually drink double the amount, or more. Thus, eliminating the word "light" from the pure definition. This movie is basically the same thing, good thought and intention, only to be overwhelmed with no true logic. That doesn't mean that I didn't enjoy this movie, because I did - very much actually. It just seems to me that all of the most recent Woody Allen movies are pretty much the same film, only the wardrobes of the era change.

I thought Christina Ricci was at her best in this film as well as Jason Biggs. They were both solid in their roles. On a scale of 1-10, I give this movie 8 pairs of those Woody Allen retro eyeglasses. See this film, you will enjoy it, but remember this is a Woody Allen movie - Don't say I didn't warn you.

This film is a romantic comedy about two young lovers and an older man who happens to be very paranoid.

Anything Else is a typical Woody Allen film, where there are a lot of paranoia and irony. It is dialog heavy, which is a good thing because the dialogs are fun and witty. There are so many memorable scenes in this film. An example is that Woody Allen thiks it is necessary to carry a chainsaw because the modern world is infested with crime. Another scene is that Christina Ricci is too scared to have sex and has a panic attack, and yet she allows the doctor to touch her all over and have no panic attack. That scene is just so funny. I hope this film and other recent Woody Allen films, like "Small Time Crooks" and "Hollywood Ending", reach a wider audience.

Yes, I admit to being a Woody Allen fan. Yes, I agree that his movies are uneven and have not all been up to the great standards of Annie Hall or Hannah. So I saw this on video, since it slipped out of the theaters quickly. And having read the IMDB reviews, I was prepared for the worse. The good news is that Mr Allen has recovered from whatever it was that was interfering with his muse. The picture is a classic Woody Allen film: fine acting, wonderful lines and gags, an ongoing psychoanalytical situation, dysfunctional relationships, funny situations, and Woody himself in a suitable role as a crazy guy, but the only "sane" one in the film. I would also add that the scenes of New York, including Manhattan and Brooklyn, were breathtakingly beautiful.

Critics now seem to enjoy dissing Woody, whatever his output. Maybe that's the price of a long, fruitful career. Ignore them and enjoy his films. Long may he present his gifts to us.

Ok, the man is an establishment. That's what keeps this movie from being vague, shallow and void. Woody Allen can claim for himself his kind of movies, and nobody else does them like he does. So, when you see a Woody Allen movie, you know precisely what you are going to get, the difference being sometimes more surprised, and sometimes less. Well, here there's no surprise, except the way that Allen seeks new talent and awards them with the typical alter ego role. It's up to them to prove that they can handle it. Kenneth Branagh did it, John Cusack did it, and now Jason Biggs is the nervous new yorker who goes to psycho analysis. Well, it works, but the truth is that Biggs' character behaves like a 35-year-old trapped in a 21-year-old body. And the fact that some of the movie doesn't make much sense, you can never forget that this is the realm of Woody Allen, and even if it doesn't make sense, it's always funny and you'll always laugh. Everybody remembers the plotless "Everybody Says I Love You" but no one cared for the plot. It was entertaining. Same here. Sometimes I'd wish that Woody Allen tried a little harder to make movies with a thicker plot - remember "Bullets Over Broadway". But anyway, this movie is a permanent joy to watch, thanks to the great actors, great comedy (even with a non-existent story) and a great photography from Darius Khondji.

This expertly done film has the marketed trappings of a romantic comedy, but as usual the advertising is misleading. "Anything Else" is not a light romp or a gentle farce like some may expect. This is a dark and funny look at today's selfish, chaotic and often violent world. It's about the uncertainty of intention; it's about trusting one's instincts over the words and appearances of others, and it's about learning to survive on one's own. Woody Allen pulls no punches and follows things through to their inevitable end, even allowing his own supporting character to rage blindly and possibly wrongly against the all-encompassing hatred he sees everywhere he goes. Soaked in fecund greens, New York City stands in for the unknown, wild and indifferent jungle (with Central Park as its heart). So it is no coincidence that Woody drives a bright red Porsche that roars like an animal; and it is particularly apt that the car he demolishes out of rage and a sense of justice is green.

Yet the filmmaker allows this kind of paranoia to be suspect. He challenges the fruition of distrusting everyone--even though in many cases throughout the film, the bitterness, rejection and anger are warranted.

Many critics dismiss "Anything Else" as old jokes rehashed or even "unwatchable." I'm not sure what film they saw. I wanted to go back in the moment it ended. Yes, Woody revisits the themes of his previous films. He is an artist. Love and death, infidelity and sex are his motifs. Nobody throws out Hitchcock's later films because they were once again about the wrong man or some guy with a crazy mother. This is a cerebral, subversive movie. It has its one-liners and its rhythm of performance, complete with incredulous stuttering by Jason Biggs and a whiny Christina Ricci as an inscrutable actress. But the film is fresh and strong and--as typical of original art--completely underrated.