Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.
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- 10 wins & 17 nominations total
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Featured reviews
It doesn't get any more nakedly gritty than this. This is a movie for
anyone who thinks that kids who grow up to be drug addicts and
drug users have only themselves to blame. What's particularly
disturbing is how the biggest antagonists for Liam, and his friend
Pinball are not people their own age, but rather adults. Some
scenes are very unnerving and hard to watch simply because the
hazing and degradation that the fifteen-year-old characters endure
is at the hands of people who behave like insecure playground
bullies, but are members of a powerful organized crime force.
Even though I'm pretty close to the age of the main character, I can
barely imagine what the nightmarish experiences he endures
must be like.
The movie is emotionally devastating nearly all the way though. It's
moments of levity are welcome, but few. There's points where it
seems as though everything will turn out alright, but then
something else happens that throws everything off-course. For a
relaxing and enjoyable time, this is not a movie to see. But if you're
looking for something that will move you, shock you and really
make you think (and appreciate your own situation) than Sweet
Sixteen is the one too see.
10/10
anyone who thinks that kids who grow up to be drug addicts and
drug users have only themselves to blame. What's particularly
disturbing is how the biggest antagonists for Liam, and his friend
Pinball are not people their own age, but rather adults. Some
scenes are very unnerving and hard to watch simply because the
hazing and degradation that the fifteen-year-old characters endure
is at the hands of people who behave like insecure playground
bullies, but are members of a powerful organized crime force.
Even though I'm pretty close to the age of the main character, I can
barely imagine what the nightmarish experiences he endures
must be like.
The movie is emotionally devastating nearly all the way though. It's
moments of levity are welcome, but few. There's points where it
seems as though everything will turn out alright, but then
something else happens that throws everything off-course. For a
relaxing and enjoyable time, this is not a movie to see. But if you're
looking for something that will move you, shock you and really
make you think (and appreciate your own situation) than Sweet
Sixteen is the one too see.
10/10
The kind of film I usually intend to see but don't end up seeing. In this case I did see it and was handsomely rewarded. I expected it to be a little on the depressing side but found it strangely uplifting. Perhaps because you realise that you don't have it so bad after all. Perhaps because it was extremely tight - with no needless scenes. I half expected the protag's relationship with the girl to result in a teenage sex scene. But it didn't and there's no way it would have fitted in with the film's race towards it's inevitable conclusion. Inevitable but not exactly predictable either. Stunning.
From the opening scenes to the closing credits it was wonderful the acting the storyline the direction were wonderful, if this dosent move you nothing will, young Liam and Chantelles scene in the flat was so powerfull,,,,,,,,,,,,,,,a fantastic must see film
7=G=
A typically excellent Ken Loach dramatic testament to the plight of the common man, "Sweet Sixteen" brings the forces of adversity and the futility of naive courage into bold relief with this hopeful examination of one boy's struggle to make a better life for himself and his loser mother. Don't look for a happy ending to this dreary, drab but compelling drama which could easily be labeled a "downer". Recommended only for realists into foreign films. (B+)
Note - This film does have English subtitles making it more user friendly for those who find the thick Scot dialect difficult to understand.
Note - This film does have English subtitles making it more user friendly for those who find the thick Scot dialect difficult to understand.
As someone who comes from Greenock originally, my first draw to this movie was curiosity. Having said that, I fell completely for the story of Liam. His character, played by Martin Compston, could be one of many lads that I grew up with. The need to be 'one of the big boys' an all prevalent force in this deprived, former shipbuilding town; even if that need is self destructive. The performances are stellar throughout, only the mother's character is weak. I am unsure if this is deliberate, or bad acting. Perhaps the film could have explored the lack of employment and the sectarian divide more, however it does tackle the drugs issue very well indeed. The other thing that may put people off is the language. There is nothing unusual about the frequency or the strength of it for Grenockians. But it is more usual for a filmmaker to give an essence rather than soak the audience in every single word.
Did you know
- TriviaThe film sparked a censorship debate in the UK regarding the amount of bad language used. Under current British Board of Film Classification rules, multiple uses of the word "fuck" usually only warrant a 15-certificate, but a single aggressive use of the word "cunt" tends to lead to an 18-certificate, as was the case with this film. Opponents argued that an 18-certificate would prevent the people who could most closely identify with the characters from going to see the film, and that such language was much more common, and therefore less offensive, in the north of the UK, where the film was set. The London-based censors stuck to their guns. The local authority covering Inverclyde, where the film was shot, used their cinema licensing powers to award the film a 15-certificate for screenings in the area.
- SoundtracksThe Arrival of the Night Queen
From "The Magic Flute"
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by Failoni Kamerazenekar (as Failoni Orchestra, Budapest) and Helen Kwon
Licensed courtesy of HNH International Ltd
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Солодкі шістнадцять
- Filming locations
- Glasgow, Strathclyde, Scotland, UK(Exterior)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $316,319
- Opening weekend US & Canada
- $26,667
- May 18, 2003
- Gross worldwide
- $3,961,374
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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