Celebrities and politicians are lampooned by a talented team of impressionists in this comedy sketch show.Celebrities and politicians are lampooned by a talented team of impressionists in this comedy sketch show.Celebrities and politicians are lampooned by a talented team of impressionists in this comedy sketch show.
- Nominated for 2 BAFTA Awards
- 3 nominations total
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Listen to this on R4, and some of the impressions are aurally stunning. Jan Ravens' Anne Robinson is amazingly accurate, as is Jon Culshaw's Tom Baker/Dr Who (pity that it is out of date). Mark Perry must have cursed the day that Robin Cook resigned, as his unintelligible rants were a highlight. The biggest praise I can bestow on the show is that there have been several occasions (eg the Archers) where I am unable to tell whether it is Jon Culshaw, Mark Perry or Kevin Connolly doing the voice (Jan Ravens of course is fairly obvious, though). The show also built up its share of catchphrases, the favourite of which is "OH NO" as spoken by Ruth Archer (Americans probably haven't a clue who that is!). The spoof phone calls were a bit hit and miss, and usually funnier when the victim is a celebrity, like when Jon Culshaw as Brian Perkins called the real Brian Perkins.
All the above comments were about the radio show. The problem with transferring to TV is making the impressionists look like the people they're lampooning, and here the show falls down. The skill of the vocal mimicry can't disguise the fact that Jan Ravens cannot look like Sophie Raworth, Anne Robinson, Kirsty Wark or Nigella Lawson. Mark Perry is obviously quite a big man, considerably larger in stature than his voices (David Dickenson, Robin Cook), and Kevin Connolly always resembles himself. In fairness Jon Culshaw - "in character" - looks like a couple of his victims, but that's about it. The material - which seemed so sharp on the radio - is a bit tired in comparison. The "Candid Camera" stunts are as variable as the spoof phone calls, but you have to admire Jon Culshaw's improvisational skills in the various ridiculous situations in which he involves unsuspecting members of the public. My own favourite was "Michael Parkinson" interviewing people at a bus stop. Still a good if disappointing watch.
Keen eyed readers will notice that I have not referred to Phil Cornwell. I can only assume that he is in the show to give the idea that anyone can get on, however bad the impersonation. Yes, I do not see how he is able to share the stage with the four others, who do have talent for vocal mimicry. Phil Cornwell may have a sharp eye for comedy, but he is not an accurate impressionist. All the characters on Stella Street were OTT caricatures and were never meant to be seen as accurate, but that's not good enough on this show, where his Greg Dyke/Michael Caine is by far the biggest irritation.
All the above comments were about the radio show. The problem with transferring to TV is making the impressionists look like the people they're lampooning, and here the show falls down. The skill of the vocal mimicry can't disguise the fact that Jan Ravens cannot look like Sophie Raworth, Anne Robinson, Kirsty Wark or Nigella Lawson. Mark Perry is obviously quite a big man, considerably larger in stature than his voices (David Dickenson, Robin Cook), and Kevin Connolly always resembles himself. In fairness Jon Culshaw - "in character" - looks like a couple of his victims, but that's about it. The material - which seemed so sharp on the radio - is a bit tired in comparison. The "Candid Camera" stunts are as variable as the spoof phone calls, but you have to admire Jon Culshaw's improvisational skills in the various ridiculous situations in which he involves unsuspecting members of the public. My own favourite was "Michael Parkinson" interviewing people at a bus stop. Still a good if disappointing watch.
Keen eyed readers will notice that I have not referred to Phil Cornwell. I can only assume that he is in the show to give the idea that anyone can get on, however bad the impersonation. Yes, I do not see how he is able to share the stage with the four others, who do have talent for vocal mimicry. Phil Cornwell may have a sharp eye for comedy, but he is not an accurate impressionist. All the characters on Stella Street were OTT caricatures and were never meant to be seen as accurate, but that's not good enough on this show, where his Greg Dyke/Michael Caine is by far the biggest irritation.
Jonathan Ross said at the British comedy awards that Dead ringers does a great impression of Alistair McGowan's shows. How wrong he is. He's probably never seen Dead ringers. Dead Ringers offers an up-to-date of the past week look at the news, TV, media and other things. They do polticans, got more impressionists, do more adult jokes, do Candid camera style jokes so Jonathan Ross is dead wrong.
The show started on Radio 4, perhaps that's why young people go away from it but it's a great show. It's very funny, and takes a very sharp swipe at certain stories.
The impressions are fantastic. Espically to Jon Culshaw who does both Bush and Blair very well and made some very funny trademarks about them. (Blair: "Sweaty palms, Hard man hand gesture, Vote-for-me smile" and Bush: "My fellow UmaThurmans, it has been a sadificantly day"). Though it does more politians, it does do movie stars, TV stars music stars and anyone else. One problem is some of the people they do. I mean, I didn't know who Dr. Simon Schama or Brian Sewell were until this show. I didn't even know Newsnight review existed but still laughed at the Tom Paulin impression. But ignore all that, they basically do them really funny and strangely.
So it's a great show, do watch if you want the world to be given a satical swipe!
The show started on Radio 4, perhaps that's why young people go away from it but it's a great show. It's very funny, and takes a very sharp swipe at certain stories.
The impressions are fantastic. Espically to Jon Culshaw who does both Bush and Blair very well and made some very funny trademarks about them. (Blair: "Sweaty palms, Hard man hand gesture, Vote-for-me smile" and Bush: "My fellow UmaThurmans, it has been a sadificantly day"). Though it does more politians, it does do movie stars, TV stars music stars and anyone else. One problem is some of the people they do. I mean, I didn't know who Dr. Simon Schama or Brian Sewell were until this show. I didn't even know Newsnight review existed but still laughed at the Tom Paulin impression. But ignore all that, they basically do them really funny and strangely.
So it's a great show, do watch if you want the world to be given a satical swipe!
Beginning life on Radio 4, this show first came to my attention because John Culshaw used to be a regular on the Chris Moyles radio show back when I used to think he was worth listening to. At first glance it didn't really appeal to me because I was expecting something a lot more like Bremner, Bird & Fortune, by which I mean I was hoping it would be cleverer, sharper and not necessarily the sort of funny that makes you laugh but occasionally the uneasy feeling that the latter show can give you. However a few more viewings and I settled down into acceptance that Dead Ringers is not in the same arena as BB&F and that this is not necessarily a problem.
DR tends not to be as sharp because it isn't really a satirical show (although it can be), it is more of a straight comedy show (although not totally to the degree of, say, Alistair McGowan). This mix of populist and political works quite well and produces some very good scenes with a good hit/miss ratio. It isn't always the smartest game in town but it makes for it by being roundly entertaining. It rarely has a point to make but rather just takes aims at public figures with general mockery. Hence we get things like Andrew Marr with his fantastically out-of-control arms or the simply dumb George Bush; it is rarely insightful but it works.
The performers are all pretty talented and, although the visuals aren't always great, the voices are normally spot on. Culshaw relies a bit too heavily on the old stalwarts of Dr Who and Obi-Wan, but generally he is very good although I do get the impression that the general comic approach of the material is down to his influence. Ravens is usually the one that looks least like any of the people she is impersonating but she does get the voices really on target to compensate; with fewer females in target positions, she tends to take more of a support role at times but she is generally good. Cornwell isn't a great impressionist but he is very close and he has good delivery, Connelly is equally as good and Perry is good in most, if not all, of his roles.
Overall this isn't a clever show or the satirical impressions that I've grown used to with BB&F but instead Dead Ringers is more generally amusing. Mocking and poking fun rather than being sharp and incisive puts it below BB&F in my book (despite actually being funnier) but for the majority of viewers this will do the job. A bit broad for my tastes but generally funny and entertaining.
DR tends not to be as sharp because it isn't really a satirical show (although it can be), it is more of a straight comedy show (although not totally to the degree of, say, Alistair McGowan). This mix of populist and political works quite well and produces some very good scenes with a good hit/miss ratio. It isn't always the smartest game in town but it makes for it by being roundly entertaining. It rarely has a point to make but rather just takes aims at public figures with general mockery. Hence we get things like Andrew Marr with his fantastically out-of-control arms or the simply dumb George Bush; it is rarely insightful but it works.
The performers are all pretty talented and, although the visuals aren't always great, the voices are normally spot on. Culshaw relies a bit too heavily on the old stalwarts of Dr Who and Obi-Wan, but generally he is very good although I do get the impression that the general comic approach of the material is down to his influence. Ravens is usually the one that looks least like any of the people she is impersonating but she does get the voices really on target to compensate; with fewer females in target positions, she tends to take more of a support role at times but she is generally good. Cornwell isn't a great impressionist but he is very close and he has good delivery, Connelly is equally as good and Perry is good in most, if not all, of his roles.
Overall this isn't a clever show or the satirical impressions that I've grown used to with BB&F but instead Dead Ringers is more generally amusing. Mocking and poking fun rather than being sharp and incisive puts it below BB&F in my book (despite actually being funnier) but for the majority of viewers this will do the job. A bit broad for my tastes but generally funny and entertaining.
NOTE: While there's no plot to spoil as such, specific characters and scenarios are mentioned in the following review.
There are many impressionists currently displaying their wares on British Television, such as the slightly-overrated Alistair McGowan or the fading Rory Bremner. If ever the genre needed fresh blood in the mix, it was now. Step forward the incredibly successful Dead Ringers, who in one bound appear on our screens, leaving their radio careers on hold for a few moments.
Like all impressionist material, Dead Ringers focuses largely on current issues, particularly with its portrayals of George Bush Junior, Tony Blair, and several other high-ish profiles from the political world. However, this series does not bury itself knee-deep in time-sensitive material, and there are plenty of sketches that will appeal to those not even aware of who the characters actually are.
This is the world of impressionists fused with that of Cleese and co., for there are many similarities between this series and the Monty Python sketches, despite the differences in the styles of comedy themselves. For instance, who can forget TV historian Simon Schama describing the reign of Henry VIII with a deck of cards, some scales, and a Victoria sponge cake for illustrative props? Or the battles between Ian McKellen and Alan Rickman as they fight to become the token British bad guy in the new Hollywood blockbuster?
Dead Ringers is also eager to take on international figures, such as Darth Vader helping out in the stormtroopers' bakery ("the crust is strong in this one"), and his nemesis Obi Wan Kenobi trying to purchase a second-hand car ("I'll give you two thousand now, plus fifteen when we get to Aldershot"). The numerous Doctor Who sketches are immortal, too, but mostly the comedy caters to a British market. It is unlikely other nationalities will understand all the references given in the majority of the sketches. That said, remember that this series was written for fun, and digs at the Government, not to sell itself abroad.
Now that we've established the sketches themselves as being flawless, the only thing left is to look at the impressions themselves. They are honestly some of the best currently on television. I can think of only two characters (Harry Potter and Arnold Schwarzenegger) where the voices are not instantly recognisable, although the visual effects go some way to countering this. And some are obviously camped up a little, but the majority are so authentic that it's scary.
With a second series finished at the time of writing, we can only hope that more are being prepared. Perhaps with a few fresh faces, and a few less Bush sketches. But to all the writers and the cast - and particular mention must go to Jon Culshaw - well done, you've entertained a nation. Now go back and do it again.
God bless pancakes.
There are many impressionists currently displaying their wares on British Television, such as the slightly-overrated Alistair McGowan or the fading Rory Bremner. If ever the genre needed fresh blood in the mix, it was now. Step forward the incredibly successful Dead Ringers, who in one bound appear on our screens, leaving their radio careers on hold for a few moments.
Like all impressionist material, Dead Ringers focuses largely on current issues, particularly with its portrayals of George Bush Junior, Tony Blair, and several other high-ish profiles from the political world. However, this series does not bury itself knee-deep in time-sensitive material, and there are plenty of sketches that will appeal to those not even aware of who the characters actually are.
This is the world of impressionists fused with that of Cleese and co., for there are many similarities between this series and the Monty Python sketches, despite the differences in the styles of comedy themselves. For instance, who can forget TV historian Simon Schama describing the reign of Henry VIII with a deck of cards, some scales, and a Victoria sponge cake for illustrative props? Or the battles between Ian McKellen and Alan Rickman as they fight to become the token British bad guy in the new Hollywood blockbuster?
Dead Ringers is also eager to take on international figures, such as Darth Vader helping out in the stormtroopers' bakery ("the crust is strong in this one"), and his nemesis Obi Wan Kenobi trying to purchase a second-hand car ("I'll give you two thousand now, plus fifteen when we get to Aldershot"). The numerous Doctor Who sketches are immortal, too, but mostly the comedy caters to a British market. It is unlikely other nationalities will understand all the references given in the majority of the sketches. That said, remember that this series was written for fun, and digs at the Government, not to sell itself abroad.
Now that we've established the sketches themselves as being flawless, the only thing left is to look at the impressions themselves. They are honestly some of the best currently on television. I can think of only two characters (Harry Potter and Arnold Schwarzenegger) where the voices are not instantly recognisable, although the visual effects go some way to countering this. And some are obviously camped up a little, but the majority are so authentic that it's scary.
With a second series finished at the time of writing, we can only hope that more are being prepared. Perhaps with a few fresh faces, and a few less Bush sketches. But to all the writers and the cast - and particular mention must go to Jon Culshaw - well done, you've entertained a nation. Now go back and do it again.
God bless pancakes.
The best topical comedy shows are on the radio. It's true, take shows such as The News Quiz, The Now Show and It's Been A Bad Week. Another of the best radio shows is an impressionists sketch show called Dead Ringers, which has also spawned the BBC2 TV series.
Like the radio show, it lasts half an hour and has some regular "characters". The radio 4 version had Brian "The Daddy" Perkins and the TV show has Michael Burke who insists on concluding shady deals on his mobile before reading the news. Politicians don't get away lightly too, figures such as Tony Blair and George W Bush feature too.
One of the all time great sketches featured Zippy from Rainbow standing for Cherrie Blair using only a black wig and Haiwan shirt. And look out for "Yet another history program" with Professor Simon Sharma. As mensioned in another review here, he boasts about how much money he's made, and tells great chunks of important history using only three props.
But there is also some great secret camera work, such as 'Obi-Wan Kenobi' buying a second hand car or 'Maximus Meridius Decimus' (Russel Crowe in Gladiator) asking local builders to rebuild his castle from one foot ruins, with one builder having the solution to how to strengthen the medieval walkways - decking. Another gem was 'Michael Parkinson' interviewing people waiting at a bus stop.
To sum it all up, it's a very funny show that's recorded the day before broadcast to keep it as topical as possible. There's not a hint of canned laughter either, it's recorded in front of a real audience.
And to quote a recent episode, "Hi, I'm Johnny Vaughan. I'm still a big star, it's the channels that got smaller".
Just watch it.
Like the radio show, it lasts half an hour and has some regular "characters". The radio 4 version had Brian "The Daddy" Perkins and the TV show has Michael Burke who insists on concluding shady deals on his mobile before reading the news. Politicians don't get away lightly too, figures such as Tony Blair and George W Bush feature too.
One of the all time great sketches featured Zippy from Rainbow standing for Cherrie Blair using only a black wig and Haiwan shirt. And look out for "Yet another history program" with Professor Simon Sharma. As mensioned in another review here, he boasts about how much money he's made, and tells great chunks of important history using only three props.
But there is also some great secret camera work, such as 'Obi-Wan Kenobi' buying a second hand car or 'Maximus Meridius Decimus' (Russel Crowe in Gladiator) asking local builders to rebuild his castle from one foot ruins, with one builder having the solution to how to strengthen the medieval walkways - decking. Another gem was 'Michael Parkinson' interviewing people waiting at a bus stop.
To sum it all up, it's a very funny show that's recorded the day before broadcast to keep it as topical as possible. There's not a hint of canned laughter either, it's recorded in front of a real audience.
And to quote a recent episode, "Hi, I'm Johnny Vaughan. I'm still a big star, it's the channels that got smaller".
Just watch it.
Did you know
- TriviaStarted in 2000 as a radio series on BBC Radio 4.
- Quotes
Ozzy Osbourne: [a customer at a chemist wants some echinaecia] Here, she says she wants a bottle of "Euthanasia" or something...
- ConnectionsFeatured in 100 Greatest Funny Moments (2006)
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