A gentle portrait by the famous German-Swiss-Austrian Hollywood actor Maximilian Schell about his no less famous sister Maria.A gentle portrait by the famous German-Swiss-Austrian Hollywood actor Maximilian Schell about his no less famous sister Maria.A gentle portrait by the famous German-Swiss-Austrian Hollywood actor Maximilian Schell about his no less famous sister Maria.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Falko Skrabal
- Self
- (as Prof. Falko Skrabal)
Nastassja Schell
- Self
- (as Nasti Schell)
Natalya Andreychenko
- Self
- (as Natasha Schell)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Maria Schell a famous Austrian actress is filmed at the age of 75 having suffered possibly a stroke living in her ancestral home.
This is a semi staged documentary highlighting problems in the last years of her life--her mental dementia foremost--but also her being broke and spending her time ordering expensive items advertised on television---she has 11 television sets on which at least according to the documentary she watches her old movies.
Her brother apparently wealthy and also a famous actor steps in and manages her life as creditors close in.
There are lots of film clips.
This is clearly a movie for fans of the actress. I had never heard of her and her very limited mental abilities allow nothing but the shallowest conversation. But it is still touching and sad.
Don't Recommend unless you know this actress
This is a semi staged documentary highlighting problems in the last years of her life--her mental dementia foremost--but also her being broke and spending her time ordering expensive items advertised on television---she has 11 television sets on which at least according to the documentary she watches her old movies.
Her brother apparently wealthy and also a famous actor steps in and manages her life as creditors close in.
There are lots of film clips.
This is clearly a movie for fans of the actress. I had never heard of her and her very limited mental abilities allow nothing but the shallowest conversation. But it is still touching and sad.
Don't Recommend unless you know this actress
One of the hardest tasks in filming any plot is to keep dignity when it comes to taboo subjects.
One of those is "getting old". This film offers a close perspective to the come-into-years Maria Schell. Old-time-stories alternate with the difficulty of coping with everyday problems. After all, the film is about anyone...it is our own future. The film's words and pictures are poetry of a very special kind. Its tenderness - which only a brother can film - is without compare: 10!
One of those is "getting old". This film offers a close perspective to the come-into-years Maria Schell. Old-time-stories alternate with the difficulty of coping with everyday problems. After all, the film is about anyone...it is our own future. The film's words and pictures are poetry of a very special kind. Its tenderness - which only a brother can film - is without compare: 10!
This is a creepy movie.
It pretends to be a documentary, but it is totally scripted, totally staged, and feels totally false. It also pretends to be a tribute to Maria Schell by her younger brother Maximilian, and it is filled with so many clips from her old movies that it could make even a devoted fan pray for relief - but in actual interactions between the siblings he's so critical of her and so overbearing that it borders on abuse. Even the supposed ravages of her old age are faked and exploited for the camera, which is really infuriating.
This is a phony, cloying, suffocatingly obsessive movie that indulges Max Schell's obvious obsession with older German female movie stars. It's much like his equally creepy and equally phony "filmed" interview with Marlene Dietrich (only the audio is Dietrich; the video is faked with stand-ins), made practically against her will a couple of decades earlier, not long before she died.
After watching this supposed tribute, I cared less about Maria Schell than I did before, and I lost what little respect I still had for her brother. He was fabulous in Judgment at Nuremberg, but he's come a long way down in the five decades since then.
It pretends to be a documentary, but it is totally scripted, totally staged, and feels totally false. It also pretends to be a tribute to Maria Schell by her younger brother Maximilian, and it is filled with so many clips from her old movies that it could make even a devoted fan pray for relief - but in actual interactions between the siblings he's so critical of her and so overbearing that it borders on abuse. Even the supposed ravages of her old age are faked and exploited for the camera, which is really infuriating.
This is a phony, cloying, suffocatingly obsessive movie that indulges Max Schell's obvious obsession with older German female movie stars. It's much like his equally creepy and equally phony "filmed" interview with Marlene Dietrich (only the audio is Dietrich; the video is faked with stand-ins), made practically against her will a couple of decades earlier, not long before she died.
After watching this supposed tribute, I cared less about Maria Schell than I did before, and I lost what little respect I still had for her brother. He was fabulous in Judgment at Nuremberg, but he's come a long way down in the five decades since then.
Maximilian Schell does a superb job with this beautiful documentary about his sister, the renowned actress Maria Schell. Very personal and touching yet with a universal appeal. Brilliant and well-worth a watch! You will love this film.
A most affecting film by actor and director Maximilian Schell of his extremely talented and beautiful sister, Maria. Contains a large number of wonderful clips from her German and American films with actors such as Gary Cooper (her favorite leading man), Marlon Brando, Oscar Werner, and others. These excerpts clearly demonstrate why Maria Schell was such an internationally acclaimed actress, especially during the period from the 1940s to the 1960s. Interwoven throughout the film are scenes from her childhood including those from private home movies. Most revealing and perhaps of most interest are scenes of her in the last years of her life in which she comments on important influences on her life and the many struggles she endured.
Did you know
- ConnectionsEdited from Steibruch (1942)
- SoundtracksOliver's Thema
Composed and Played by Oliver Schell
Details
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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